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題名:Haunted Time, Still Photography and Cinema as Memory: The Dream Sequence in Uncle Boonmee Who Can Recall His Past Lives
書刊名:現代中文文學學報
作者:Boehler, Natalie
出版日期:2014
卷期:12:1
頁次:頁62-72
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:0
  • 點閱點閱:7
期刊論文
1.Chua, Lawrence(2014)。Apichatpong Weerasethakul。Bomb Magazine,114。  new window
2.Boehler, Natalie(2011)。Hie Jungle as Borderzone: Tbe Aesthetics of Nature in the Work of Apichatpong Weerasethakul。Austrian Journal of Southeast Asian Studies,4(2),290-304。  new window
3.Boehler, Natalie(2014)。Staging the Spectral: Hie Border, Haunting, and Politics in Mekong Hotel。Horror Studies,2014。  new window
4.Ingawanij, May Adadol(2008)。Disreputable Behaviour: Hie Hidden Politics of the Tbai Film Act。Vertigo,3(8)。  new window
5.Sharma, Aparna(2012)。Apichatpong Weerasethakul: Primitive (review)。Leonardo,45(2),167-169。  new window
6.French, Patrick(20050101)。The Memory of the Image in Chris Markers La Jetee。French Studies,59(1),31-37。  new window
圖書
1.Lim, Bliss Cua(2009)。Translating Time: Cinema, the Fantastic, and Temporal Critique。Durham, NC:Duke University Press。  new window
2.Berry, Chris、Farquhar, Mary A.(2006)。China on Screen: Cinema and Nation。New York:Columbia University Press。  new window
3.Sontag, S.(2001)。On Photography。New York, NY:Picador。  new window
4.Baker, Christopher John、Phongpaichit, Pasuk(2009)。A History of Thailand。New York:Cambridge University Press。  new window
5.Richard, Benedict、O'Gorman, Anderson(1998)。The Spectre of Comparisons: Nationalism, Southeast Asia, and the World。London:Verso。  new window
6.Barthes, Roland(1980)。La chambre claire: note sur laphotographie。Paris:Gallimard。  new window
7.Derrida, Jacques、Kamuf, Peggy、Magnus, Bernd、Cullenberg, Stephen(1994)。Specters of Marx: The State of the Debt, the Work of Mourning and the New International。Routledge。  new window
8.Winichakul, Thongchai(1994)。Siam Mapped: A History of the Geo-Body of A Nation。University of Hawai'i Press。  new window
其他
1.Weerasethakul, Apichatpong(2012)。Primitive: Introduction,http://www.kickthemachine. com/page80/page22/pagel3/page62/index.html, 2014/12/15。  new window
圖書論文
1.Ma, Jean(2008)。Photography’s Absent Times。Still Moving. Between Cinema and Photography。Durham:London:Duke University Press。  new window
2.Gunning, Tom(1995)。Phantom Images and Modern Manifestations: Spirit Photography, Magic Theater, Trick Films, and Photography’s Uncanny。Fugitive Images: From Photography to Video。Bloomington:Indiana University Press。  new window
 
 
 
 
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