離開雙親所在的老家，離開兒時所象徵的一切，你會意識到，自身和「家」是有距離的，對於記憶中的家屋，雖是熟識，卻也因時空的轉變阻隔出一道距離，多半幾乎是以回憶填補的，儘管如此，和「家」的牽繫卻是從未改變，對「家」的思念也從未終止的。本創作論文由一件過大的衣著為起點，向内自我探索，起初透過聲音的實驗、肢體語言的探究，挖深了自我性格的一隅，進而衍伸出對於性格上的一類觀察，爾後轉至探討家與自身的關聯。沿著記憶，透過各類材質的嘗試，終以織物交織的特性轉述，對於「家」長久以來的依賴，像是自我的一簾投射，纖維的情感傳遞，從手工編織進化至全成型機械織造，運用各類的編織特性轉化情感的述說過程，隱晦的描繪出對「家」回憶化的依戀。

Leaving away from the home where the parents are and all which the childhood symbolizes, you will realize self and ＂the home＂ has the distance. Although you are well acquainted with the home from your memory, by the transformation of space and time which cut off away from it, nearly is filled with memory. Even tough, the connection to the home is actually never changed, the missing to the home is also never terminated. This essay begins with an oversized attire, inward the self-exploration. At first, through the experiment of the sound, the body language inquisition, dig the deep of self-disposition, then spread out regarding the observation of the disposition. Furthermore, it turn to discusses the relationship between the home and self. Along the memory, through the attempt of various types of materials, and finally via the characteristic of the fabric interweaving which rephrased the dependence of the home. It's like a projection of self, the emotion transmission though the textile weaves from the manual knitting evolution to the entire formation machinery. Utilizes each kind of knitting characteristics to narrate the emotion transformation process, and describe obscurely the dependence of ＂home＂.