| 期刊論文| 1. | Schechner, Richard(1990)。Wayang Kulit in the Colonial Margin。The Drama Review，34(2)，25-61。   | | 2. | Zarrili, Phillip(1986)。The Aftermath: When Peter Brook Came to India。The Drama Review，30(1)，92-99。 | | 3. | Ingalls, Daniel H. H.(1957)。Dharma and Moksa。Philosophy East and West，7(1/2)，41-48。 | | 4. | Long, Roger(1988)。Peter Brook's The Mahabharata: A Personal Reaction。Asian Theatre Journal，5(2)，233-235。 | | 5. | Lei, Daphne P.(2011)。Interruption, Intervention, Interculturalism: Robert Wilson's HIT Productions in Taiwan。Theatre Journal，63(4)，571-586。 | 圖書| 1. | McGann, Jerome John(1991)。The Textual Condition。Princeton, N. J.：Princeton UP。 | | 2. | Hunt, Albert、Reeves, Geoffrey(1995)。Peter Brook。Cambridge University Press。 | | 3. | 黃寶生(2005)。摩訶婆羅多導讀。中國社會科學出版社。 延伸查詢 | | 4. | Brockington, John L.(1998)。The Sanskrit Epics。Brill。 | | 5. | 尚-克勞德．卡里耶爾、林懷民(2008)。摩訶婆羅達。聯合文學。 延伸查詢 | | 6. | 毗耶娑、黃寶生(2005)。摩訶婆羅多。中國社會科學出版社。 延伸查詢 | | 7. | Bharucha, Rustom(2005)。The Theatre and the World: Performance and the Politics of Culture。Routledge。 | | 8. | (19871201)。Village Voice。 | | 9. | Brook, Peter(2019)。The Shifting Point: Forty Years of Theatrical Exploration, 1946-87。Bloomsbury Academic。 | | 10. | Carrière, Jean-Claude、Brook, Peter(1987)。The Mahabharata: A Play Based Upon the Indian Classic Epic。Harper & Row。 | | 11. | Carrière, Jean-Claude、Vasudev, Aruna(2018)。Big Bhishma in Madras: In Search of the Mahabharata with Peter Brook。Speaking Tiger Books。 | | 12. | Chow, Rey、Bowman, Paul(2010)。The Rey Chow Reader。Columbia UP。 | | 13. | Deutsch, Eliot、Dalvi, Rohit(2004)。The Essential Vedānta: A New Source Book of Advaita Vedānta。World Wisdom。 | | 14. | Mehta, Binita(2002)。Widows, Pariahs, and Bayadères: India as Spectacle。Bucknell UP。 | | 15. | Nadkarni, M. V.(2016)。The Bhagavad-Gita for the Modern Reader: History, Interpretations and Philosophy。Routledge。 | | 16. | Nicholson, Andrew J.(2010)。Unifying Hinduism: Philosophy and Identity in Indian Intellectual History。Columbia UP。 | | 17. | Roy, Kaushik(2012)。Hinduism and the Ethics of Warfare in South Asia: From Antiquity to the Present。Cambridge UP。 | | 18. | Todd, Andrew、Lecat, Jean-Guy(2003)。The Open Circle: Peter Brook's Theatre Environments。Palgrave Macmillan。 | | 19. | Flood, Gavin D.(1996)。An Introduction to Hinduism。Cambridge University Press。 | 其他| 1. | Fitzgerald, James L.(1987)。The Mahabharata: A Play Based Upon the Indian Classic Epic by Jean-Claude Carrière and Peter Brook。 | 圖書論文| 1. | Pavis, Patrice(1996)。Introduction: Towards a Theory of Interculturalism in Theatre?。The Intercultural Performance Reader。Routledge。 | | 2. | 彼得．布魯克(2008)。[摩訶婆羅達]英譯本前言。摩訶婆羅達。聯合文學。 延伸查詢 | | 3. | 林懷民(2008)。[摩訶婆羅達]譯後記。摩訶婆羅達。聯合文學。 延伸查詢 | | 4. | Banu, Georges(1991)。The Language of Stories: Peter Brook interviewed by Georges Banu。Peter Brook and the Mahabharata: Critical Perspectives。Routledge。 | | 5. | Barthes, Roland(1988)。From Work to Text。Image/Music/Text。Farrar, Straus, and Giroux。 | | 6. | Bharucha, Rustom(1991)。A View from India。Peter Brook and the Mahabharata: Critical Perspectives。Routledge。 | | 7. | Britton, David(1991)。Theatre, Popular and Special, and the Perils of Cultural Piracy: Peter Brook interviewed by David Britton。Peter Brook and the Mahabharata: Critical Perspectives。Routledge。 | | 8. | Brook, Peter(1987)。[The Mahabharata: A Play Based Upon the Indian Classic Epic] Foreword。The Mahabharata: A Play Based Upon the Indian Classic Epic。Harper & Row。 | | 9. | Brook, Peter、Schechner, Richard、Carrière, Jean-Claude、Jouanneau, Joel、Banu, Georges(2002)。Talking with Peter Brook。Re-Direction: A Theoretical and Practical Guide。Routledge。 | | 10. | Carlson, Marvin(1996)。Brook and Mnouchkine: Passages to India?。The Intercultural Performance Reader。Routledge。 | | 11. | Carrière, Jean-Claude(1987)。[The Mahabharata: A Play Based Upon the Indian Classic Epic] Introduction。The Mahabharata: A Play Based Upon the Indian Classic Epic。Harper & Row。 | | 12. | Carrière, Jean-Claude(1991)。What is not in The Mahabharata is Nowhere。Peter Brook and the Mahabharata: Critical Perspectives。Routledge。 | | 13. | Dasgupta, Gautam(1991)。Peter Brook's 'Orientalism'。Peter Brook and the Mahabharata: Critical Perspectives。Routledge。 | | 14. | Fischer-Lichte, Erika(2014)。Introduction: Interweaving Performance Cultures--Rethinking 'Intercultural Theatre': Toward an Experience and Theory of Performance beyond Postcolonialism。The Politics of Interweaving Performance Cultures: Beyond Postcolonialism。Routledge。 | | 15. | Hiriyanna, M.(2000)。Philosophy of Values。Indian Philosophy: Theory of Value。Routledge。 | | 16. | Larson, Gerald James(2009)。Hinduism in India and in America。World Religions in America: An Introduction。Westminster John Knox Press。 | | 17. | Mishra, Vijay(1991)。The Great Indian Epic and Peter Brook。Peter Brook and the Mahabharata: Critical Perspectives。Routledge。 | | 18. | Oida, Yoshi(1991)。Yoshi Oida (Drona, Kitchaka): Interviewed by Martine Millon and Olivier Ortolani。Peter Brook and the Mahabharata: Critical Perspectives。Routledge。 | | 19. | Shevtsova, Maria(1991)。Interaction-Interpretation: The Mahabharata from a Socio-Cultural Perspective。Peter Brook and the Mahabharata: Critical Perspectives。Routledge。 | | 20. | Williams, David(1991)。Theatre of Innocence and of Experience: Peter Brook's International Centre--An Introduction。Peter Brook and the Mahabharata: Critical Perspectives。Routledge。 | | 21. | Bharucha, Rustom(1996)。Somebody's Other: Disorientations in the Cultural Politics of Our Times。The Intercultural Performance Reader。London：Routledge。 | |