| 期刊論文| 1. | Gianakaris, C. J.(1984)。Stoppard's Adaptations of Shakespeare: "Dogg's Hamlet, Cahoot's Macbeth"。Comparative Drama，18(3)，222-239。   | | 2. | Li, Ruru(1988)。Chinese Traditional Theatre and Shakespeare。Asian Theatre Journal，5，38-48。 | | 3. | Shen, Fan(1988)。Shakespeare in China: The Merchant of Venice。Asian Theatre Journal，5，23-37。 | | 4. | Sohlich, Wolfgang(1984)。Prolegomenon for a Theory of Drama Reception: Peter Brook's Measure and the Emergent Bourgeoisie。Comparative Drama，54-881。 | 圖書| 1. | Shakespeare, William、Jenkins, Harold(1982)。Hamlet。London：Routledge。 | | 2. | Elam, Keir(1980)。The Semiotics of Theatre and Drama。London：Methuen。 | | 3. | Cohn, Ruby(1979)。Modern Shakespeare Offshoots。Modern Shakespeare Offshoots。Princeton。 | | 4. | Dessen, Alan C.(1984)。Elizabethan Stage Conventions and Modern Interpreters。Elizabethan Stage Conventions and Modern Interpreters。 | | 5. | Levenson, Jill(1983)。Hamlet' Andante / 'Hamlet' Allegro。Shakespeare Survey。New York。 | 其他| 1. | (1990)。Peking Opera Adapts Shakespeare and Merges the New with the Old。 | | 2. | 王安琪(1990)。Wang-tze Fu-ch'ou Chi，Taipei。 | | 3. | 楊萬運。The Sinicization and Modernization of Shakespeare's Plays as Seen in the Production of the Prince's Revenge and King Lear，臺北。 | | 4. | Wang-tzu fu-ch'ou chi。 | |