This article examines fourteen out of the twenty-five short stories in Lu Xun’s A Call to Arms and Wandering, which exhibit a travel structure; these stories divide into three main types, namely: (1) a journey to one’s native land, (2) a visit to a remote town, and (3) a walk in the village street. The first category is autobiographical and uses first person narrative while the second and the third use a more objective, reporting style with third person narrative. Most of the travellers act as observers on unfamiliar trips of strange happenings, decadence in society and a diseased people. The stories of the first category reflect old Ching, the past society, the old intellects while the other two depict the start and illusions of China’s Revolution.