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題名:張愛玲小說中的敘述角度混淆
書刊名:文藝理論研究
作者:許子東
出版日期:2018
卷期:2018(5)
頁次:77-90
主題關鍵詞:張愛玲敘事角度混淆敘事人隱形作者秧歌小團圓Eileen ChangChaotic narrative point of viewThe narratorThe omniscient writerThe Rice Sprout SongLittle Reunion
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張愛玲一生都使用主人公視野局限的第三人稱,不過這種敘事方法在不同時期有不同變化。早期小說的主人公視野是與說書人角度和全知描寫一起使用的,某些場景既似主人公視覺又含有敘事人目光,這種敘事角度的有意混淆,是張愛玲小說的重要技術特點。在中期作品《秧歌》中,作家其實仍然堅持人物視角局限的第三人稱敘事,不同之處是這種人物視角不只是一、兩個男女主人公,而且是處在社會矛盾中的各種人物,于是多角度的主觀合成貌似寫實的效果。而在晚期的代表作《小團圓》中,作家放棄了別的任何敘事角度,從頭到尾由女主角觀點"獨裁專制"。小說中仍有敘事角度的轉換甚至"混淆",由主人公的不同時間視角而構成。
Throughout her life,Eileen Chang has used the third-person narrative that limited the viewpoint of the protagonists;however,this narrative method underwent different changes during different stages of Chang ’s life. In her early works,the perspective of the protagonist was depicted by the omniscient narrator and some settings were described through the perspective of the protagonist as well as the narrator. This type of intentional confusion created by the narrative method was an important technical feature in Eileen Chang ’s novels. In The Rice Sprout Song,Chang still remained insistent on using the third-person narrative that limited the characters’ viewpoint. What was different,however,was the inclusion of multiple subjective perspectives from various characters that live in social conflicts as opposed to having one or two male and female protagonists,which in combination created a seemingly realistic effect. As for the representative novel of her later works,Little Reunion,Chang abandoned other narrative viewpoints and only used the perspective of the female protagonist from start to finish. In the novel,there were still some changes or even "confusion"of the narrative viewpoint,which was caused by the protagonist ’s various perspective in different time.
 
 
 
 
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