In this paper, under the discrete state of movement and migration, the author traces his own life course, explores and thinks about the path of self-existence. It contains the consciousness and memory of self-crossover in space transfer, the swing of identity attribution in discrete state, and infinite stretch and return. I respond to the above issues through theoretical discussion and ink creation research. I use the characteristics of ink media itself to compound other media, such as : color, foil, lace cloth, rubbing and so on, trying to develop the visual vocabulary of individuals in creation by means of obscurity and ambiguity. And in this hidden and free space to reconstruct a different from the reality of the parallel universe and inner iamages, but also as a record of individual life trajectory and comb.
The first chapter is the introduction, which describes the motivation and purpose of the author ' s creation, and briefly describes the creation methodology and scope of creation and its limitations. Finally, supplemented by the key and important noun interpretation in this paper. The second chapter takes " discreteness " as the starting point, discusses the living situation of people when they are faced with discreteness, synthesizes time and space factors, and discusses that discrete individuals linger between the center and the edge, return to the past through the timeliness of memory and the characteristics of anti-memory, and achieve self-crossing in space and reconstruct their own art field in the duration of time. Chapter three links " discreteness " and " obscurity. " The relationship of " concealment " describes a turning process from outside to inside, by " obscurity. " Symbols and metaphors in the hidden context present their own internal abstract emotions, and finally sort out this “ obscurity ”. The Aesthetics of Virtual Situation in Hidden. The fourth chapter is the integration of “ dispersion ” and “ obscurity ”. The creative thinking and creative mode derived from concealment starts from the author ’ s own nomadic experience of leaving and returning home, and then goes to the “ fragmentary and fragmentary image stacking ” of consciousness in the process. Finally, the author depicts his “ vague and subtle life trajectory ” to correspond to the author ’ s “ obscure and vague ” creative mode created by ink forms and techniques. Chapter Five Analysis of Creative Practice and Representative Works. The sixth chapter is the conclusion.