This is a study about Alighieri Dante's political thought, and itsparticular emphasis is placed upon The Divine Comedy. The Comedy haslong been neglected as a masterpiece of political thought, mainly because ofits overwhelming reputation in the history of the poetic tradition. The presentstudy is an attempt to reconstruct the intellectual context in which Danteoperated, with the hope to vindicate the claim that Dante is one of the last,not the least, medieval political theorists who successfully integrated theclassical and the Christian ingredients of politics on the eve of theRenaissance. Part of the efforts, in the Final sections, have been laid on theexploration of how the mode of literary representation helped to dictate thelevel on which Dante may have achieved in self-articulating as a prophet ofhis time.