本篇論文的焦點在於討論二次大戰期間，納粹所進行之政治審美化的現象。本文試圖將焦點擺在比對海德洛與阿多諾這兩位哲學家的觀點，並以兩者對 德國詩人賀德林的看法作為總結。本文的目的在於陳述在不同的真理觀下，抒情詩美感的不同意義。

　　　　　This paper tries to discuss Nazi's unique strategy which turned the individual's aesthetic experience into the foundation of political justice. During the period between World War two, on the issue, Heidegger have made his own philosophical comments, which is clearly contradictory to Adorno's. What's the difference between these two philosopher's thoughts, and how is it possible will be our main concern.