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題名:論稼軒「博山道中詞」篇章意象之形成及組合
書刊名:師大學報. 人文與社會科學類
作者:顏智英
作者(外文):Yan, Jy-ing
出版日期:2005
卷期:50:1
頁次:頁41-64
主題關鍵詞:辛棄疾博山道中詞意象組合稼軒Xin Qi-jiJa-xuanBor Shan Road Tz'usImage informationImage compositionThemeMaterial oppositions
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(1) 博士論文(1) 專書(1) 專書論文(0)
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     辛棄疾是南宋的愛國詞人,卻因個性剛直,與當道不合,以致在四十多年的政治生涯中,泰半閒廢。他第一次廢退帶湖,長達十年之久,其間經常往來「博山」遊賞,以「博山道中」為題之作有五首,寫出稼軒沿途的所見所感,透顯出他第一次廢退的心境。這五首詞,從「意」(思想內容)的形成來看,展現了稼軒此時的仕隱情懷;從「象」(物象、事象)的形成來看,有豐富、鮮明及密度高等特色。從「意」、「象」之間的組合來看,有「正反」、「圖底」、「目凡目」、「因果」、「先目後凡」等各種不同的組合方式,且可以凸顯各篇的深層意涵及美感。
     Xin Ja-xuan was a patriotic poet in the Southern Song dynasty. Being unfortunately incompatible with those in power due to his firmness and uprightness, he was removed from office and then kept out of office for most of his political career. He was forced to live at Dai Lake in Jiangxi province for ten years; at this time he often came to visit "Bor Shan" and wrote five Tz'us (a form of poem developed in the Song) entitled "Bor Shan Road." These works recorded what he saw and thought on the way to "Bor Shan" and faithfully reflect his mind at that time. These five Tz'us, in terms of the forming of theme, display the conflict between his desire to be an officer and his desire to be a recluse. In terms of the forming of material (objects and events), they are characterized by a sense of plenty, brightness and high "density." In terms of the combination of theme and material, they are composed via such oppositions as "positive- negative," "focus-background," "analysis-summary-analysis," "cause-effect" and "analysis-summary." These Tz'us reveal deep insights and display a great diversity of technique and aesthetic effect.
期刊論文
1.陳滿銘(20020600)。論幾種特殊的章法。國文學報,31,175-204。new window  延伸查詢new window
2.蘭香梅(1997)。漂泊與自由─杜詩中的鷗鳥意象。錦陽師專學報,16(4)。  延伸查詢new window
3.王耀飛(1996)。李清照詞意象淺見。淮北煤師院學報,2,105。  延伸查詢new window
4.石克鴻(1997)。李益邊塞絕句的意象組合。甘肅教育學院學報,1997(1),32。  延伸查詢new window
5.朱祖林(1997)。辭斷意連得風流─英美意象派與中國古典詩歌意象組合之比較。安慶師院社會科學學報,1997(1),59。  延伸查詢new window
6.吳在慶、李菁(2003)。外若蕭閑頹放,內實激昂憤慨─簡談辛棄疾罷官閑居時的一種心態與詞風。周口師範學院學報,20(4),39-40。  延伸查詢new window
7.杜麗秋、許燕(1996)。意象組合蒙太奇─論羅門詩歌意象組合的藝術。海南師院學報,9(34),80。  延伸查詢new window
8.徐登光(1994)。冷淡合教閑處著 清?難遣俗人看─中國古代文學中梅意象初探。十堰大學學報,4,23。  延伸查詢new window
9.張浩遜(2001)。杜詩「鷗」意象補說。杜甫研究學刊,68,25。  延伸查詢new window
10.熊黎明(2001)。稼軒詞暗示手法的運用及其美學效應。楚雄師專學報‧社會科學版,16(2),27。  延伸查詢new window
11.劉乃昌(1997)。稼軒詞所體現的人生感喟及狷介品節。東岳論叢,2,91。  延伸查詢new window
12.蔡少軍(1998)。生命之靈的濫觴─中國美感心態中的柳意象審美模式探源。杭州師範學院學報,5,108。  延伸查詢new window
學位論文
1.陳佳君(2004)。辭章意象形成論(博士論文)。國立臺灣師範大學。new window  延伸查詢new window
圖書
1.沈雄(1988)。古今詞話。臺北市:新文豐出版股份有限公司。  延伸查詢new window
2.喻朝剛(1989)。辛棄疾及其作品。長春:時代文藝出版社。  延伸查詢new window
3.劉斯奮(1982)。辛棄疾詞選。臺北:源流文化公司。  延伸查詢new window
4.王立(1999)。心靈的圖景--文學意象的主題史研究。上海:學林出版社。  延伸查詢new window
5.王長俊(2000)。詩歌意象學。合肥:安徽文藝出版社。  延伸查詢new window
6.夏之放(199312)。文學意象論。汕頭:汕頭大學出版社。  延伸查詢new window
7.何文煥(1982)。歷代詩話。北京:中華書局。  延伸查詢new window
8.李元洛(1990)。詩美學.五官的開放與交感。臺北:東大。  延伸查詢new window
9.辛棄疾、鄧廣銘(1995)。稼軒詞編年箋注。上海:上海古籍出版社。  延伸查詢new window
10.吳曉(1995)。詩歌與人生--意象符號與情感空間。臺北市:書林出版有限公司。  延伸查詢new window
11.陳慶輝(1994)。中國詩學。臺北:文史哲出版社。  延伸查詢new window
12.李浩(2000)。唐詩的美學闡釋。安徽大學出版社。  延伸查詢new window
13.趙山林(1998)。詩詞曲藝術論。浙江教育出版社。  延伸查詢new window
14.袁行霈(1996)。中國詩歌藝術研究。北京:北京大學出版社。  延伸查詢new window
15.汪誠(1993)。稼軒詞選析。臺灣商務。  延伸查詢new window
16.黃永武(1984)。詩與美。洪範。  延伸查詢new window
17.艾治平(1984)。古典詩詞探幽。古典詩詞探幽。臺北。  延伸查詢new window
18.周振甫(1994)。詩詞例話(2)寫作編。詩詞例話(2)寫作編。臺北。  延伸查詢new window
其他
1.(明)王夫之(1979)。清詩話,臺北。  延伸查詢new window
 
 
 
 
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