日據時期的臺灣小說，以反殖民、反封建為題材的寫實作品，為當時臺灣新文學留下一筆史頁；然而在30年代中期，臺灣留學生在留學東京後，受到新興文藝思潮影響，呈現具有現代主義風格的文學作品，卻鮮少被文學評論家深入的討論。 本文試圖探討日據時期，受日本「新感覺派」影響的臺灣作家翁鬧的小說作品，閱讀翁鬧作品中的心靈世界，分析其表現手法與技巧，以明其運用「新感覺派」的精湛創作，兼以印証日據時期小說到了翁鬧開啟了一扇新的藝術領域。

In Taiwan, the novels published in the Japan's colonial time period were mainly focused on topics of anti-colony and anti-tyranny. Those heavy emphasized plots on such subjects presented in the novels formed a unique feature in the field of Taiwan's literature. To those novels accomplished by those Taiwanese writers who had been abroad to Japan in the late 1940s, some, however, were presented with a modern stylish writing technique. Unfortunately, there have just been a handful discussions and critics on them. This study is trying to analyze and discuss the works done by one of the Taiwanese writers in that time period -- Weng Nao. His writing style was influenced by “New Sentiments School”, which was popular at that time period in Japan. Modeling the “New Sentiments School,” his delicate and fine writing technique uncovered the sensational world of human heart deeply. To his excellent contribution, it should be an enlightenment of a new trend of writing in Taiwanese literature.