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題名：美學的轉向：從體現的哲學觀論新媒體藝術之「新」
書刊名：藝術學報
作者：邱誌勇 引用關係
作者(外文)：Chiu, Chih-Yung
出版日期：2007
卷期：81
頁次：頁283-298
主題關鍵詞：新媒體；數位性；互動性；身體；體現；New media；Digitality；Interactivity；Body；Embodiment
原始連結：連回原系統網址new window
相關次數：
  • 被引用次數被引用次數:期刊(6) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:4
  • 共同引用共同引用:7
  • 點閱點閱:37
何謂新媒體之「新」？是舊媒體之延續抑或與舊媒體之決裂？本文即是從這樣的一個疑問開始，探究新媒體的「新」意涵爲何？並試圖從身體與影像科技之間的辯證關係中得到關於「新」的論述。本文以爲，新媒體的「數位性」與「互動性」造就了新媒體的「體現」本質，更將身體視爲新媒體互動的主要場域。如此的體現本質造成美學上的轉向，同時也引發對於科技本質的重新思考。本文亦藉此主張：對於新媒體之新的思考，暗示著重回新媒體之物質性的重要性。
What is the “Newness” of new media? Whether it is continuity or whether it is a breakup of traditional media. This paper begins with this curiosity and intents to examine what the “Newness” of new media. The paper attempts to investigate new characteristics including digitality and interactivity of digital media by applying the phenomenological concept of embodiment in order to comprehend the interrelationship between the body and visual imagery. Such embodied essence of new media causes the transition of aesthetics and then drives reconsideration toward the essence of technology. The paper eventually proclaims that we have to return to the materiality of new media while thinking about the newness of new media.
期刊論文
1.White, M.(2003)。Visual Pleasure in Textual Places: Gazing in Multi-User Object-Oriented Worlds。Information, Communication and Society，2(4)，496-520。  new window
2.White, M.(2003)。Too Close to See: Men, Women, and Webcams。New Media and Society，15(1)，7-28。  new window
3.Friedman, Robert(1975)。Merleau-Ponty's Theory of Subjectivity。Philosophy Today，19(3)，228-241。  new window
4.王志弘(2002)。技術中的人與自我：網路空間、分身組態與記憶裝置。資訊社會研究，3，1-24。new window  延伸查詢new window
圖書
1.Liestcpl,G.?、A. Morrison、T. Rasmussen(2003)。Di.gi.tal media revisited: theoretical and conceptual innovation in digital domains。London：MIT Press。  new window
2.Ihde, Don(1991)。Instrumental Realism: The Interface Between Philosophy of Sicence and Philosophy of Technology。Bloomington。  new window
3.Scholder, A.、J. Crandall(2001)。Interaction: Artistic Practice in the Network。New York：istributed Art Publishers。  new window
4.Bolter, Jay David、Gromala, D.(2003)。Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency。MIT Press。  new window
5.Barrett, E.?、M. Redmond(1997)。Contextual Media: Multimedia and Interpretation。London：The MIT Press。  new window
6.Spiller, Neil(2002)。Cyber Reader: Critical Writings for the Digital Era。Phaidon Press。  new window
7.Heim, M.(1998)。Virtual Realism。Virtual Realism。NY：Oxford Press。  new window
8.Wertheim, Margaret(1999)。The pearly gates of cyberspace: a history of space from, dante to the internet。W. W. Norton & Company。  new window
9.Rutsky, R. L.(1999)。High Techne: Art and Technology from the Machine Aesthetic to the Posthuman。Minneapolis：University of Minnesota Press。  new window
10.Hansen, Mark B. N.(2004)。New Philosophy for New Media。MIT Press。  new window
11.Sobchack, Vivian(1992)。The Address of the Eye: A Phenomenology of Film Experience。Princeton, New Jersey：Princeton University Press。  new window
12.Merleau-Ponty, Maurice、Davis, Oliver(2004)。The World of Perception。Routledge。  new window
13.Jay, Martin Evan(1993)。Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought。Berkeley, CA：University of California Press。  new window
14.Paul, Christiane(2003)。Digital Art。Thames & Hudson Ltd.。  new window
15.Ihde, Don(1983)。Existential Technics。Albany：State University of New York Press。  new window
16.Holtzman, S.(1997)。Digital Mosaics: The Aesthetics of Cyperspace。NY：Touchstone。  new window
17.Wilson, Stephen(2002)。Information arts: intersections of art, science, and technology。MIT Press。  new window
18.Merleau-Ponty, Maurice、Smith, Colin(1962)。Phenomenology of Perception。London：Routledge & Kegan Paul。  new window
19.Heidegger, Martin、Lovitt, William(1977)。The Question Concerning Technology and Other Essays。Harper & Row。  new window
20.Ihde, D.(1993)。Philosophy of Technology: An introduction。New York, NY：Paragon House Press。  new window
21.Lister, M.、Dovey, J.、Giddings, S.、Grant, I.、Kelly, K.(2003)。New media: A critical introduction。Routledge。  new window
22.Sturken, Marita、Cartwright, Lisa(2001)。Practices of Looking: An Introduction to Visual Culture。Oxford University Press。  new window
23.Ihde, Don(1990)。Technology and The Lifeworld: From Garden to Earth。Indiana University Press。  new window
24.Sobchack, Vivian Carol(1994)。The Scene of the Screen: Envisioning Cinematic and Electronic "Presence"。Materialities of Communication。California。  new window
25.Shiff, R.(2003)。Digitized Analogies。Mapping Benjamin: The Work of Art in the Digital Age。California。  new window
26.Hocks, M. E.、Kendrick, M. R.(2003)。Eloquent Images: Word and Image in the Age of New Media。Eloquent Images: Word and Image in the Age of New Media。London。  new window
27.Cubitt, Sean(1998)。Digital Aesthetics。Digital Aesthetics。London。  new window
28.Block, F.、Heibach, C.、Wenz, K.(2004)。The Aesthetics of Digital Poetry: An Introduction。The Aethetics of Digital Poetry。German。  new window
29.Proust, Marcel(1998)。追憶似水年華。追憶似水年華。臺北。  延伸查詢new window
其他
1.邱誌勇，許夢芸(2006)。數位科技文化時代的美學思維，臺北。  延伸查詢new window
圖書論文
1.Heibach, C.(2004)。Conversation on Digital Aesthetics: Synopsis of the Erfurt Discussions。The Aethetics of Digital Poetry。Ostfildern, Germany：Hatje Cantz。  new window
2.Chartier, Roger(2003)。From Mechanical Reproduction to Electronic Representation。Mapping Benjamin: The Work of Art in the Digital Age。Stanford, California：Stanford University Press。  new window
3.Weibel, Peter(1996)。The World as Interface。Electronic Culture: Technology and Visual Representation。New York：Aperture。  new window
4.Bolz, Norbert(2003)。Aesthetics of Media: What is the cost of Keeping Benjamin Current?。Mapping Benjamin: The Work of Art in the Digital Age。Standford University Press。  new window
5.Kirschenbaum, Matthew G.(2003)。The Word as Image in an Age of Digital Reproduction。Eloquent Images: Word and Image in the Age of New Media。London：MIT Press。  new window
 
 
 
 
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