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題名：Sapphic Primitivism in Djuna Barnes’s Nightwood
書刊名：NTU Studies in Language and Literature
作者：許甄倚 引用關係
作者(外文)：Hsu, Jen-yi
出版日期：2009
卷期：21
頁次：頁29-55
主題關鍵詞：朱娜．巴恩斯；夜林；現代主義；現代性；法西斯主義；女同性戀；原始主義；頹廢衰微；閒蕩者；Djuna Barnes；Nightwood；Modernism；Modernity；Fascism；Lesbianism；Primitivism；Decadence；The flâneur
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本文探討巴恩斯現代主義經典小說《夜林》中的原始主義修辭，且分析巴恩斯的頹廢美學與女同性戀、現代性、法西斯主義的相互關係。論文審視現代主義對原始主義的著迷如何複雜化及顛覆西方傳統對文明vs. 野蠻、正常vs.變態、自然vs.矯造的階級性定義。藉由崇尚矯造及貶抑自然，《夜林》挑戰了人文主義／本質主義對性論述的主張，特別是所謂「倒錯」這個範疇。此外，小說的逆目的驅力及其瀰漫的頹廢修辭如不孕、疾病、衰敗、返祖退化等，闡明了父系承傳體系的無效與挫敗。將《夜林》放在1930 年代的政治風氣來閱讀，本論文最後斷定：小說中充斥、炫示的非亞利安、非異性戀身體及馬戲團怪胎，的確是深具政治顛覆性。原因在於，這些異端身體的誇耀，嘲弄了法西斯主義所提倡的純淨亞利安模式與其認同霸權。
The paper examines the tropes of primitivist discourse prevalent in Djuna Barnes’s modernist classic Nightwood (1936) in conjunction with an analysis of Barnes’s aestheticism of decadence and its interrelationships among lesbianism, modernity, and fascism. It looks into how modernism’s obsession with primitivism complicates and destabilizes the hierarchical definition of the civilized vs. the savage, the normal vs. the abnormal, and the natural vs. the artificial. It argues that, by valorizing artifice over nature, Nightwood challenges the humanist/essentialist claims of sexual discourse in general and the category of “inversion” in particular. Moreover, the novel’s antiteleological drive manifest in the frequent tropes of sterility, illness, decay, and degeneration illustrates the defeat of systematic and patrilineal continuity. Reading Nightwood in its political climate of the 1930s, the paper concludes that the novel’s proud parading of the non-Aryan, non-heterosexual bodies and carnival freaks is politically transgressive insofar as it mocks fascist promotion of an identification that inscribes the power and purity of the Aryan model as the hegemonic, normative paradigm.
期刊論文
1.Gubar, Susan(1981)。Blessings in Disguise: Cross-Dressing as Re-Dressing for Female Modernists。The Massachusetts Review，23(2)，477-508。  new window
2.Foucault, Michel、Miskowiec, Jay(1986)。Text/Context of Other Spaces。Diacritics，16(1)，22-27。  new window
3.De Lauretis, Teresa(2007)。Nightwood and the "Terror of Certain Signs"。Critical Inquiry，34(S2)，117-29。  new window
4.Gubar, Susan(1984)。Sapphistries。Sign，10(1)，43-62。  new window
5.Rohman, Carrie(2007)。Revising the Human: Silence, Being, and the Question of the Animal in Nightwood。American Literature，79(1)，57-84。  new window
圖書
1.Torgovnick, Marianna(1990)。Gone Primitive。Chicago：Chicago University Press。  new window
2.Woolf, Virginia(1929)。A Room of One’s Own。A Room of One’s Own。New York。  new window
3.Latimer, Tirza True(2005)。Women Together/Women Apart: Portraits of Lesbian Paris。New Brunswick。  new window
4.Conor, Liz(2004)。The Spectacular Modern Woman: Feminine Visibility in the 1920s。Bloomington。  new window
5.Lyotard, Jean-François、Bennlington, Geoffrey、Bowlby, Rachel(1991)。The Inhuman: Reflections on Time。Cambridge：Polity Press。  new window
6.Benjamin, Walter、Zohn, Harry(1983)。Charles Baudelaire: A Lyric Poet in the Era of High Capitalism。Verso Books。  new window
7.Benjamin, Walter、Zohn, Harry(1983)。Charles Baudelaire: A Lyric Poet in the Era of High Capitalismy。London：Verso。  new window
8.Călinescu, Matei(1987)。Five Faces of Modernity: Modernism, Avant-garde, Decadence, Kitsch, Postmodernism。Durham, NC：Duke University Press。  new window
9.Berman, Marshall(1982)。All that is Solid Melts into Air: The Experience of Modernity。New York：Simon and Schuster。  new window
10.Boone, Joseph A.(1998)。Libidinal Currents: Sexuality and the Shaping of Modernism。Libidinal Currents: Sexuality and the Shaping of Modernism。Chicago and London。  new window
11.Ngai, Sianne(2005)。Ugly Feelings。Ugly Feelings。Cambridge and London。  new window
12.Carlston, Erin G.(1998)。Thinking Fascism: Sapphic Modernism and Fascist Modernity。Thinking Fascism: Sapphic Modernism and Fascist Modernity。Stanford。  new window
13.Barnes, Djuna(1961)。Nightwood。Nightwood。New York。  new window
14.Doan, Laura(2001)。Fashioning Sapphism。Fashioning Sapphism。New York。  new window
15.(2006)。Sapphic Modernities: Sexuality, Women and National Culture。Sapphic Modernities: Sexuality, Women and National Culture。New York。  new window
16.Hackett, Robin(2004)。Sapphic Primitivism: Productions of Race, Class, and Sexuality in Key Works of Modern Fiction。Sapphic Primitivism: Productions of Race, Class, and Sexuality in Key Works of Modern Fiction。New Brunswick。  new window
17.Herring, Phillip F.(1996)。Djuna: The Life and Works of Djuna Barnes。Djuna: The Life and Works of Djuna Barnes。New York and London。  new window
18.(2006)。Bad Modernisms。Bad Modernisms。Durham and London。  new window
19.(1991)。Mousemeat: Contemporary。Silence and Power: A Reevaluation of Djuna Barnes。Carbondale and Edwardsville。  new window
20.Scott, Bonnie Kime(1995)。Refiguring Modernism。Refiguring Modernism。Bloomington and Indianapolis。  new window
21.Walker, Lisa(2001)。Looking Like What You are: Sexual Style, Race, and Lesbian Identity。Looking Like What You are: Sexual Style, Race, and Lesbian Identity。New York。  new window
22.Wolff, Janet(1990)。The Invisible Flâneuse: Women and the Literature of Modernity。Feminine Sentences: Essays on Women and Culture。Cambridge, UK。  new window
23.Barnes, Djuna(1937)。Nightwood。Nightwood。New York。  new window
24.Gilman, Sander(1985)。Difference and Pathology。Difference and Pathology。Ithaca, New York。  new window
圖書論文
1.Benjamin, Walter、Jephcott, Edmund、Eiland, Howard(2003)。Central Park。Walter Benjamin: Selected Writings。Cambridge：Belknap/Havard UP。  new window
2.Stewart, Susan(2005)。Remembering the Senses。Empire of the Senses. The Sensual Culture Reader。Oxford：Berg。  new window
 
 
 
 
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