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題名：Come Drink with Me--If You Dare: Golden Swallow, King Hu, and the Cold War
書刊名：現代中文文學學報
作者：馬蘭清
作者(外文)：Marchetti, Gina
出版日期：2007
卷期：8:1
頁次：頁133-163
主題關鍵詞：大醉俠；金燕子；胡金銓；電影；冷戰時代
原始連結：連回原系統網址new window
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  • 點閱點閱:30
Other
1.Chang, Yun-ping(20060224)。Brokeback Mountain sets good example, Chen says，http://www.taipeitimes.com/News/taiwan/archives/2006/02/24/2003294381。  new window
期刊論文
1.Rodriguez, Hector(1998)。Questions of Chinese Aesthetics: Film Form and Narrative Space in the Cinema of King Hu。Cinema Journal，38(1)，78。  new window
2.(198903)。The Blossoming of a Revolutionary Aesthetic: Xie Jin's Two Stage Sisters。Jump Cut，34，95-106。  new window
圖書
1.Logan, Bey(1995)。Hong Kong Action Cinema。Woodstock, New York：Overlook Press。  new window
2.Glaessner, Verina(1974)。Kung Fu: Cinema of Vengeance。London：Lorrimer。  new window
3.Hong, Zhu(2005)。Flickering in the Same Firmament: Mainland Chinese Films in Hong Kong。Hong Kong：Joint Publishing。  new window
4.Zhang, Yingjin(2004)。Chinese National Cinema。Routledge。  new window
5.Yek, Emilie Yueh-yu、Davis, Darrell William(2005)。Taiwan Film Directors: A Treasure Island。New York：Columbia University Press。  new window
6.Louie, Kam(2002)。Theorizing Chinese Masculinity: Society and Gender in China。Cambridge University Press。  new window
7.Teo, Stephen(1997)。Hong Kong Cinema: the extra dimensions。British Film Institute。  new window
8.Yang, Mayfair M.(1994)。Gifts, favors, and banquets: The art of social relationships in China。Ithaca, NY：Cornell University Press。  new window
9.Anderson, Benedict(1991)。Imagined Communities: Reflections on the Origin and Spread of Nationalism。Verso。  new window
10.Chow, Rey(1991)。Women and Chinese Modernity: The Politics of Reading Between West and East。Minnesota：University of Minnesota Press。  new window
圖書論文
1.Aw, Annette(2003)。Love Eterne: Almost a (Heterosexual) Love Story。Chinese Films in Focus: 25 New Takes。London：BFI。  new window
2.Yung, Sai-shing(2005)。Moving Body: The Interactions Between Chinese Opera and Action Cinema。Hong Kong Connections: Transnational Imagination in Action Cinema。Hong Kong：Hong Kong University Press。  new window
3.Chu, Donna(2001)。Interview with Chu Hong。Monographs of Hong Kong Film Veterans 2: An Age of idealism: Great Wall and Feng Huang Days。Hong Kong：Hong Kong Film Archive。  new window
4.(1997)。The Blossoming of a Revolutionary Aesthetic: Xie Jin's Two Stage Sisters。Transnational Chinese Cinemas: Identity, Nationhood, Gender。Honolulu：University of Hawaii Press。  new window
5.(2002)。The Blossoming of a Revolutionary Aesthetic: Xie Jin's Two Stage Sisters。Celluloid China: Cinematic Encounters with Culture and Society。Carbondale：Southern Illinois University Press。  new window
6.Yau, Esther C. M.(2001)。Introduction: Hong Kong Cinema in a Borderless World。At Full Speed: Hong Kong Cinema in a Borderless World。Minneapolis：University of Minnesota Press。  new window
7.Teo, Stephen(1984)。The Dao of King Hu。A Study of Hong Kong Cinema in the Seventies。Hong Kong：Urban Council。  new window
8.Farquhar, Mary(2003)。A Touch of Zen: Action in Martial Arts Movies。Chinese Films in Focus: 25 New Takes。London：BFI。  new window
9.Teo, Stephen(1998)。Only the Valiant: King Hu and His Cinema Opera。Transcending the Times: King Hu and Eileen Chang。Hong Kong：Provisional Urban Council。  new window
 
 
 
 
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