台灣地區早些年的古琴傳習狀況，基本上是由大陸來台的幾位琴家如:胡瑩堂、章志蓀、梁在平、吳宗漢、孫毓芹、邵元復、朱龍庵、容天圻等幾位前輩老先生之傳習，而培育出現今仍操縵不輟之中壯一代琴人，而這些中壯代琴人，有幾位已成為大學音樂學院內之古琴教學專家或在各地開班授徒。台灣現有的或曾有的幾個較為知名的琴人聚社，基本上即是這些中壯代琴人及其門生交換琴藝心得之活動場所。前些年藉兩岸交流之便，台灣某些大學或團體亦陸續邀請大陸中壯代知名琴家如：吳釗、吳文光、龔一、李祥霆、成公亮、丁承運等幾位先生們，先後來台講學或表演。然在邁入二十一世紀網際網路十分便利流通之今日，台灣地區的古琴傳習，有沒有可能走出民族音樂學系或國樂系之外，而為更多人聆賞並有機會得以學習？本文之目的，即為整理分析臺灣地區古琴傳習之現況，並據此展望未來可能之發展路向。期待在台灣坊間一片西樂音帶與書籍充斥之市場外，能培養出新一代的愛琴人；並為其他地區的古琴愛好者，提供第一手的臺灣消息。

The learning and instruction of guqin in Taiwan have been conducted by the mainland guqinmasters: YingtangHu, ZhisunZhang, ZaipingLiang, ZonghanWu, YuqinSun, YunfuShao, LonganZhu, TianqiRong. The great efforts made by those predecessors cultivated the majorguqin masters nowadays. Some of them have become guqinspecialists teaching in thecolleges, or offering guqin classes in the communities. Those guqinspecialistsand their students formed several mainguqinsocieties which people assembleand interchange information about the art of guqinin Taiwan. Recently, some famous majorguqin masters of China, e.g., ZhaoWu, WenguangWu, YiGong, XiangtingLi, GongliangCheng, ChengyunDing, have been invited to give talks and performances by theuniversities in Taiwan. In the 2151 century, which the internet makes the circulation of information more convenient, could it be possible that the learning and instruction of guqin in Taiwan are not confined in the fields ofethnomusicology and Chinese music so that people have more opportunities to appreciate as well as to learn it? The purpose of this paper is to collate and analyze current guqin learning and instruction in Taiwan and prospect the possible guqin development in the future. Hopefully, our study could cultivate a new generation of guqinenthusiasts in the Taiwan music market, which has been dominated by the western music and literature, and provide the up-to-date Taiwanguqin news for overseasguqinenthusiasts.