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題名:蔡明亮的《臉》,或跨影像性的華語影片
書刊名:中外文學
作者:孫松榮 引用關係
作者(外文):Sing, Song-yong
出版日期:2013
卷期:42:3=442
頁次:頁73-106
主題關鍵詞:蔡明亮華語影片博物館-影片跨語際跨媒介跨藝術跨影像性Tsai Ming-liangVisageChinese-Language filmMuseum-filmTranslingualTrans-mediumTrans-artTrans-imageness
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:12
  • 點閱點閱:70
期刊論文
1.孫松榮(20120500)。擴延地景的電影邊界:論蔡明亮從〈不散〉至影像裝置的非/藝術性。現代美術學報,23,27-50。new window  延伸查詢new window
2.高子衿、林志明、王咏琳、陳美璇(20091000)。在自己的時代中舒適自在 訪羅浮宮主席昂利.羅荷特(Henri Loyrette)。典藏今藝術,205,96-98。  延伸查詢new window
3.孫松榮(20080600)。作為影像命題的視聽檔案。文化研究,6,43-80。new window  延伸查詢new window
4.孫松榮、龍傑娣(200706)。專題:唯一高達(上):未/來的電影史。電影欣賞,131,6-54。  延伸查詢new window
5.孫松榮、龍傑娣(200709)。專題:唯一高達(下):自傳性拼貼。電影欣賞,132,5-86。  延伸查詢new window
6.Albera, Francois(2004)。Musée du cinéma: Esprit es-tu là?。1895/Mille huit cent quatre- vingt-quinze,43,87-100。  new window
7.Bloom, Michelle(2011)。The Incertextualicy of Tsai Ming-liang’s Sinofrench Film, Face。Journal of Chinese Cinemas,5(2),103-21。  new window
8.Kultermann, Udo(2006)。The ‘Dance of the Seven Veils’: Salome and Erotic Culture around 1900。Artibus et Historiae,53,187-215。  new window
9.Lee, Vivian P. Y.(2007)。Pornography, Musical, Drag, and the Art Film: Performance ‘Queer’ in Tsai Ming-liang's The Wayward Cloud。Journal of Chinese Cinemas,1(2),117-137。  new window
10.Lu Lu(20091218)。From Rebels of a Neon God to Visage: Tsai Ming-liang and Lee Kang-sheng。Asian Pacific Arts。  new window
11.Lu, Sheldon Hsiao-Peng(2012)。Notes on Four Major Paradigms in Chinese-Language Film Studies。Journal of Chinese Cinemas,6(1),15-26。  new window
12.Robinson, David(2006)。Film Museums I Have Known and (Sometimes) Loved。Film History,18(3),237-260。  new window
13.Rodowick, David N.(1996)。Visual Culture Questionnaire。October,77,59-62。  new window
14.孫松榮(20101200)。「複訪電影」的幽靈效應:論侯孝賢的《珈琲時光》與《紅氣球》之「跨影像性」。中外文學,39(4)=431,135-169。new window  延伸查詢new window
15.Walley, Jonathan(2003)。The Material of Film and the Idea of Cinema: Contrasting Practices in Sixties and Seventies Avant-Garde Film。October,103,15-30。  new window
圖書
1.Wilde, Oscar、吳剛(2011)。莎樂美。上海:上海譯文。  延伸查詢new window
2.孫松榮(2013)。蔡明亮:從電影到當代/藝術。北京:金城。  延伸查詢new window
3.Aumont, Jacques、Marie, Michel(2008)。Dictionnaire théorique et critique du cinéma。Paris:Armand Colin。  new window
4.Barr, Alfred H. Jr.(1986)。Cubism and Abstract Art。Cambridge:Belknap。  new window
5.Bazin, André(1987)。Qu’est-ce que le cinéma?。Paris:Cerf。  new window
6.Casetti, Francesco(2011)。Beyond Subjectivity: The Film Experience。Subjectivity: Filmic Representation and the Spectator’s Experience。Amsterdam:Amsterdam UP。  new window
7.Chang, Fee Ming(2010)。Visage。Kuala Lumpur:Valentine Willie Fine Art。  new window
8.Christie, Ian(2012)。A Disturbing Presence? Scenes from the History of Film in the Museum。Film, Art, New Media: Museum without Walls?。New York:Palgrave Macmillan。  new window
9.Damisch, Hubert(1996)。Trouer l’écran。Pour un cinéma compare: Influences et répétitions。Paris:Cinémathéques francaise。  new window
10.de Baecque, Antoine(2004)。Godard in the Museum。For Ever Godard。London:Black Dog Publishing。  new window
11.Foster, Hal(2003)。Design and Crime (and Other Diatribes)。London:Verso。  new window
12.Genette, Gerard(1982)。Palimpsestes: La littérature au second degré。Paris:Seuil。  new window
13.Kim, Jihoon(2010)。Between Auditorium and Gallery: Perception in Apichatpong Weerasethakul’s Films and Installations。Global Art Cinema: New Theories and Histories。New York:Oxford UP。  new window
14.Kristeva, Julia(1998)。Visions capitales。Paris:Réunion des musées nationaux。  new window
15.Lim, Song Hwee(2011)。Transnational Trajectories in Contemporary East Asian Cinemas。East Asian Cinemas: Regional Flows and Global Transformations。Basingstoke:Palgrave Macmillan。  new window
16.Lu, Sheldon H.、Yeh, Emilie Yueh-yu(2005)。Chinese-Language Film: Historiography, Poetics, Politics。Honolulu:University of Hawaii Press。  new window
17.Meecham, Pam、Sheldon, Julie(2005)。Modern Art: A Critical Introduction。London:Routiedge。  new window
18.Sully, Jess(2010)。Challenging the Stereotype: The Femme Fatale in Fin-de-Siécle Art and Early Cinema。The Femme Fatale: Images, Histories, Contexts。Basingstoke:Palgrave Macmillan。  new window
19.Townsend, Julie.(2008)。Staking Salomé: The Literary Forefathers and Choreographic Daughters of Oscar Wilde’s 'Hysterical and Perverted Creature。Oscar Wilde and Modern Culture: The Making of a Legend。Athens, OH:Ohio UP。  new window
20.Wasson, Haidee(2008)。Studying Movies at the Museum: The Museum of Modern Art and Cinema’s Changing Object。Inventing Film Studies。Durham:Duke UP。  new window
21.Zhang, Yingjin(2010)。Chinese Cinema and Transnational Film Studies。World Cinemas, Transnational Perspectives。New York:Routiedge。  new window
22.Danto, Arthur C.、林雅琪、鄭慧雯(1997)。在藝術終結之後:當代藝術與歷史藩籬。臺北:麥田。  延伸查詢new window
23.Yek, Emilie Yueh-yu、Davis, Darrell William(2005)。Taiwan Film Directors: A Treasure Island。New York:Columbia University Press。  new window
24.Lu, Sheldon Hsiao-Peng(1997)。Transnational Chinese Cinemas: Identity, Nationhood, Gender。University of Hawai'i Press。  new window
圖書論文
1.Belting, Hans(2007)。Contemporary Art and the Museum in the Global Age。Contemporary Art and the Museum: A Global Perspective。Ostfildern:Hatje Cantz。  new window
 
 
 
 
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