This paper examines Singapore Chinese Writer Yin Song-wei (pen name of Lim Song-hwee, 1965-) and his creative prose, focusing on "Dwell in Writing", as a form of writing style that inherently bases itself on the concept of "existence". In other words, the main discussion in this paper focuses on exploring Yin Song-wei's "Dwell in Writing" as a unique writing style in Singapore Chinese literature. As to Yin Song-wei，Mu Xin（pen name of Sun Pu, 1927-2011）and Lo Chih-cheng（1955-）, both inspirational writers from mainland China and Taiwan respectively, who have significant influence on his aesthetic experience and writing techniques. With his critical sensitivity and complicated imagery, aesthetic standards and approaches, Yin has absorbed and diverted Mu Xin's phraseology, writing styles and aesthetic thought into his writing of prose, which made up the "scenery and sound" as well as "imagery and temperament" in his context of writing. At the same time, blooming with rational thinking, insights and with his high level of self-consciousness, Lo Chih-cheng's writing technique which is the ideal textual style Yin desired and pursued for long, and has been practising in hardship for years. To such an extent, Lo Chih-cheng's principle of thought has also penetrated Yin's subconsciousness. Be it in the chronicling of incidents and emotions or displaying of rational thinking, Yin takes utmost care of words and harmonious development of thought and feeling so as to have all these elements transformed into "sensory" language forms, with the aim of constructing "Dwell in Writing", which may be characterised as rationality, sensitivity, confidence, as well as its solitude and reflectiveness in subconsciousness. Herewith, Yin's writing style, "Dwell in Writing" represents unique scenery in its modernism as in the field of Singapore Chinese literature, without similarity to any other writers.