當代新媒體互動藝術因其介面性與互動性特質，改變了傳統藝術創作中主體與對象之間單向的傳播途徑，也引發了觀眾的審美方式、閱讀性質及閱讀心理等多方面的重大改變。由此，本研究試圖從觀者角度切入，以現象學美學的觀點，探究在大眾普遍認知的「沉浸」概念之後，觀者如何在新媒體藝術中被定位，並以臺灣當代新媒體藝術家的創作為例，剖析創作者、觀者如何在創作與觀賞過程中，進行意義的產製與對藝術物件的詮釋。

The characteristics of interactivity and interfaciality of contemporary interactive new media art has changed the relationship between creators and spectators in traditional artistic creations. There is no exception in dimensions of aesthetic perception, reading approaches, and physiological responses. Hence, this research's departure is from the perspective of spectatorship, and aims to examine how the new media artist locates the position of spectator after general recognition of the concept of "immersion." By applying phenomenological aesthetics, the research attempts to analyze the dynamic interactive relationship between creations and interpretations of the artwork of contemporary youth artists in Taiwan.