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題名：視覺性的超越與語藝的複訪：數位時代視覺語藝的初探性研究
書刊名：中華傳播學刊
作者：邱誌勇 引用關係
作者(外文)：Chiu, Chih-yung
出版日期：2014
卷期：26
頁次：頁107-135
主題關鍵詞：數位；視覺性；視覺語藝；軟體；Digital；Visuality；Visual rhetoric；Software
原始連結：連回原系統網址new window
相關次數：
  • 被引用次數被引用次數:期刊(5) 博士論文(1) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:4
  • 共同引用共同引用:106
  • 點閱點閱:61
在數位時代中，視覺圖像與動態影像已產生明顯的質變，傳統符號學式分析取徑中強調的形式元素，已逐漸被更具抽象性的邏輯與資訊結構取代，藉由演算法運算與視覺化呈現來服膺社會的慣習。本文試圖將視覺語藝的論述焦點置放於數位時代中探究其本質與意義，並認為數位時代視覺語藝的本質不再僅是關乎勸服與言說策略的組構關係，人們在接收到數位視覺圖像之際，如何解構數位視覺圖像背後數據與軟體之規律與模式，才是關鍵命題。
In the age of digital distribution, visual graphics and moving images have generated significant change ontologically. Traditional semiotic approach that emphasizes on analyzing symbolic elements has gradually been replaced by an abstract quality of mathematical logic and information architecture that can make a fluid transition between different states of materiality. Through the process of algorithmic computing, symbolic codes are generated to be recognizable symbols, signs, or images based on traditional conventions. To the extent, this research attempts to place visual rhetoric into the digital era in order to explore the essence and significance of digital visual rhetoric. The research claims that the key element in mapping and our understanding for the spectator to perceive the digital visual image is to comprehend that the underlying concept and structure of those visualization projects are the archive and database, rather than just a fabric relationship between persuasive and speech strategies.
期刊論文
1.Bonsiepe, G.(1967)。Visual/verbal rhetoric。Dot Zero，2，37-42。  new window
2.Poggenpohl, S. H.(1998)。Doubly damned。Visible Language，32，200-233。  new window
3.Anderson, T.(1993)。Defining and structuring art criticism for education。Studies in Art Education，34(4)，199-208。  new window
4.邱誌勇(20120500)。幻化流形：後電影時代的數位活動影像。現代美術學報，23，101-123。new window  延伸查詢new window
5.黃冠華(20060400)。觀看不見：凝視的概念。新聞學研究，87，131-167。new window  延伸查詢new window
6.Jonas, Hans(1953)。The Nobility of Sight: A Study in the Phenomenology of the Sense。Philosophy and Phenomenological Research，14，507-519。  new window
圖書
1.Bolter, Jay David、Gromala, D.(2003)。Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency。MIT Press。  new window
2.Gombrich, E. H.(1982)。The Image and the Eye: Further studies in the psychology of pictorial representation。N. J：London：Cornell University Press：Phaidon。  new window
3.張惠、田麗娟、王春辰、Brett, D.(2006)。裝飾新思維：視覺藝術中的愉悅和意識形態。南京：江蘇美術。  延伸查詢new window
4.福嶋亮大、蘇文淑(2012)。當神話開始思考：網路社會的文化論。台北市：大鴻藝術。  延伸查詢new window
5.Brinkmann, H.(1980)。Mittelalterliche hermeneutik。Darmtadt, Germany：Wissenschaftl Buchgesellschaft。  new window
6.Burnett, R.(1995)。Cultures of vision: Images, media, and the imaginary。Bloomington, IN：Indiana University Press。  new window
7.Dondis, Donis A.(1973)。A primer of visual literacy。Cambridge, MA：The MIT Press。  new window
8.Fuller, Matthew(2003)。Behind the blip: Essays on the culture of software。Autonomedia。  new window
9.Lima, M.(2011)。Visual complexity mapping patterns of information。New York：Princeton Architectural Press。  new window
10.Manovich, Lev(2013)。Software takes command。Bloomsbury Academic。  new window
11.Sporre, D. J.(2000)。Perceiving the arts: An introduction to the humanities。Englewood Cliffs, NJ：Prentice Hall。  new window
12.Vesna, V.(2007)。Database aesthetics: Art in the age of information overflow。Minneapolis, MN：University of Minnesota Press。  new window
13.韓叢耀(2008)。圖像：一種後符號學的再發現。南京：南京大學出版社。  延伸查詢new window
14.Elkins, James(2003)。Visual Studies: A skeptical introduction。Routledge。  new window
15.Rancière, Jacques、Elliott, Gregory(2009)。The Future of the Image。Verso。  new window
16.Rose, G.(2001)。Visual methodologies: an introduction to the interpretation of visual materials。Sage Publications。  new window
17.Barrell, T.(2000)。Criticizing art, understanding the contemporary。Mountain View, CA：Mayfield。  new window
18.Lull, J.、陳芸芸(2004)。全球化下的傳播與文化。韋伯。  延伸查詢new window
19.Panofsky, Erwin(1955)。Meaning in the Visual Arts。Doubleday Anchor。  new window
20.Barthes, Roland、Heath, Stephen(1977)。Image,Music,Text。New York：Noonday Press。  new window
21.Negroponte, Nicholas(1995)。Being Digital。New York：Alfred A. Knopf。  new window
22.Holtzman, S.(1997)。Digital Mosaics: The Aesthetics of Cyperspace。NY：Touchstone。  new window
23.Manovich, Lev(2001)。The Language of New Media。MIT Press。  new window
24.陳懷恩(2008)。圖像學：視覺藝術的意義與解釋。臺北：如果出版社。new window  延伸查詢new window
25.Flusser, Vilém、李文吉(1994)。攝影的哲學思考。臺北：遠流出版事業公司。  延伸查詢new window
26.Mirzoeff, Nicholas、陳芸芸(2004)。視覺文化導論。台北：韋伯文化出版社。  延伸查詢new window
27.Berger, John、吳莉君(2005)。觀看的方式。臺北市：麥田出版有限公司。  延伸查詢new window
28.Mitchell, W. J. Thomas(1994)。Picture Theory: Essays on Verbal and Visual Representation。University of Chicago Press。  new window
29.Sturken, Marita、Cartwright, Lisa(2001)。Practices of Looking: An Introduction to Visual Culture。Oxford University Press。  new window
30.Rodowick, David Norman(2001)。Reading the Figural, or, Philosophy After the New Media。Duke University Press。  new window
其他
1.Steyerl, H.(2009)。In defense of the poor image. e-flux，http://www.e-flux.com/journal/in-defense-of-the-poorimage/， 2011/07/08。  new window
2.Manovich, L.(2005)。Soft Cinema: Navigating the Database，http://www.softcinema.net， 2011/12/13。  new window
圖書論文
1.Arns, I.(2008)。On contemporaneity: The media arts in the age of their postmedium condition。Media arts Zurich。Zurich, Switzerland：Scheidegger & Spiess。  new window
2.Manovich, Lev(2007)。Database as symbolic form。Database aesthetics: Art in the age of information overflow。Minneapolis, MN：University of Minnesota Press。  new window
3.Schmitz, N.(2000)。Bewegung als symbolische form. Die ikonologie und der kunstbegriff der modern。Uber bilder sprechen. Positionen und perspektiven der medienwissenschaft。Marburg, Germany：Schüren。  new window
4.Heibach, C.(2004)。Conversation on Digital Aesthetics: Synopsis of the Erfurt Discussions。The Aethetics of Digital Poetry。Ostfildern, Germany：Hatje Cantz。  new window
5.Christiane Paul.(2007)。The Database as System and Cultural Form: Anatomies of Cultural Narratives。Database Aesthetics: Art in the Age of Information Overflow。Minneapolis, MN：University of Minnesota Press。  new window
6.吳瓊(2005)。視覺性與視覺文化：視覺文化硏究的譜系。視覺文化的奇觀：視覺文化總論。北京：中國人民大學出版社。  延伸查詢new window
7.Manovich, Lev(2003)。Metadating the Image。Making Art of Databases。Rotterdam：V2_Publishing/NAi Publishers。  new window
8.Foss, S.(2004)。Framing the Study of Visual Rhetoric: Towards a Transformation of Rhetorical Theory。Defining Visual Rhetoric。Mahwah, NJ：Lawrence Erlbaum Associates。  new window
 
 
 
 
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