宴飲的空間是文人視覺靈感的來源，漢魏以來，宴會融合了園林與 自然景觀，成為文人重要的詩意空間，其中雪天的宴飲，挾帶著溫暖熱 鬧與蒼茫冷冽的異質情境，成為宋代文人宴飲妙境與情感依附的空間。 本文擬從文本（text）的角度出發，提出另類閱讀角度：首先藉助法國 哲學家詩人加斯東‧巴什拉（Bachelard,Gaston，1884～1962）《空間詩 學》中，關於雪與「家屋」的視覺空間，觀北宋詩人梅堯臣（1002-1060） 等人如何藉寒冬宴飲，營造其家屋內外的意象空間，與隱現其中的詩意 想像；其次，針對詩人在宴飲中所姿意展現的身體與生理現象，以及言 行的脫序現象，就俄國文學理論家米哈爾伊‧巴赫金（Mikhail Bakhtin， 1895~1975）關於狂歡節的提示，說明宴飲的私密家屋如何成為詩人的 狂歡所，乃至隱現於其間的個體存在與氛圍思考，並以此回顧梅詩所以 為宋詩另闢溪逕之精神所在。

The visual inspiration source of scholars sources from the space entertainment at a banquet. The banquet compromises the merits of garden and nature landscape became an important poetry space of scholars.An entertainment at a banquet with personal privacy flavor in Song Dynasty distinguished from the one having garden visual atmosphere. Among those personal privacy entertainments, the banquet held at home in a snow winter having boundless excitement and chilly sense perception is proven to be poetry space for sprouting the inspiration. In this paper, author intends to observe how Yao-Chin Mei, the Song Dynasty poet who is famous in daily life poem style, stretches and incubates his poetry imagination of inside/outside of houseold and indistinct appearance of happiness space form the text view point of image extension of Bachelard, Gaston, a France philosopher and poet, imagination of snow and home. Furthermore, demonstration on how Mei and his colleagues display their physiological body and disorder statements and behaviors as well as era circumstance implications among aforementioned statement and behaviors based on the clues in Mikhail Bakhtin, a Russia literature theoretician, carnival circumstance exhibition is, also, presente.