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題名:臺灣K-POP女性「迷/粉絲」的跨國消費與文化想像
書刊名:傳播與社會學刊
作者:許如婷
作者(外文):Hsu, Ju-ting
出版日期:2014
卷期:30
頁次:頁97-131
主題關鍵詞:韓流韓國流行音樂跨國明星迷文化偶像崇拜Korean waveK-POPTransnational starsFan culturesIdolatry
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:14
  • 點閱點閱:235
期刊論文
1.Couldry, N.(2004)。Theorising media as practice。Social Semeotics,14(2),115-132。  new window
2.Shin, Hyeonjoon(2009)。K-pop 與亞洲(主義), 此混合的階段。黃海文化,65,2-41。  延伸查詢new window
3.毛利嘉孝、高子航、周昱伶、莊幃婷、胡綺珍(20091000)。J-pop : 從創意的意識型態到DiY的音樂文化。新聞學研究,101,215-244。new window  延伸查詢new window
4.梁鴻斌(20010900)。從哈日風與韓流談臺灣音樂文化。中華民國出版年鑑,176-179。  延伸查詢new window
5.蔡如音(20050600)。全球化/後殖民亞洲的跨國明星論:媒介文化生產關係中的金城武。中外文學,34(1)=397,67-88。new window  延伸查詢new window
6.蔡如音、申鉉準(20130600)。在東亞彈出一席之地:性別、獨立、與流行搖滾影視。臺灣社會研究,91,175-203。new window  延伸查詢new window
7.鍾智凱(20130700)。韓國流行文化/韓國男性氣質。新聞學研究,116,207-214。  延伸查詢new window
8.Chua, B. H.(2004)。Conceptualizing an East Asian popular culture。Inter-Asia Cultural Studies,5(2),200-221。  new window
9.Frith, S.(1986)。Art versus technology: The strange case of popular music。Media, Culture and Society,8(3),263-279。  new window
10.Huang, Shuling(2011)。Nation-branding and transnational consumption: Japan-mania and the Korean wave in Taiwan。Media, Culture & Society,33(1),3-18。  new window
11.Lee, J. S. H.(2004)。Linguistic hybridization in K-pop: Discourse of self-assertion and resistance。World Englishes,23(3),429-450。  new window
12.Mori, Y.(2009)。J-pop: From the ideology of creativity to DIY music culture。Inter-Asia Cultural Studies,10(4),498-512。  new window
13.Shin, H.(2009)。Reconsidering transnational cultural flows of popular music in East Asia: Transbordering musicians in Japan and Korea searching for "Asia"。Korean Studies,33(1),101-124。  new window
14.Shin, H.(2007)。K-Pop (music) in the emerging cultural economy of Asian pop。Journal of Communication Arts,25(4),1-11。  new window
15.Siriyuvasak, Ubonrat、Shin, Hyunjoon(2007)。Asianizing K-pop: Production, consumption and identification patterns among Thai youth。Inter-Asia Cultural Studies,8(1),109-136。  new window
16.Shin, H.、Ho, D.(2009)。Translation of 'America' during the early Cold War period: A comparative study on the history of popular music in South Korea and Taiwan。Inter-Asia Cultural Studies,10(1),83-102。  new window
17.Hill, A.(2002)。Big brother: The real audience。Television and New Media,3(3),323-340。  new window
18.Straubhaar, J.(1991)。Beyond Media Imperialism: Asymmetrical Independency and Cultural Proximity。Critical Studies in Mass Communication,8(1),39-59。  new window
19.Shim, Doobo(2006)。Hybridity and the rise of Korean popular culture in Asia。Media, Culture & Society,28(1),25-44。  new window
20.王宜燕(20121000)。閱聽人研究實踐轉向理論初探。新聞學研究,113,39-75。new window  延伸查詢new window
21.Shin, Hyun-Joon(2009)。Have you ever seen the rain? And who'll stop the rain? The globalizing project of Korean pop (K-pop)。Inter-Asia Cultural Studies,10(4),507-523。  new window
會議論文
1.吳金鍊、曾湘雲(2002)。從韓劇的風行看台灣閱聽眾的文化認同--以新竹市為例。中華傳播學會2002年年會。  延伸查詢new window
學位論文
1.江佩蓉(2004)。想像的文化圖景:韓流與哈韓族在台灣(碩士論文)。國立政治大學。  延伸查詢new window
2.郭家平(2007)。台灣女性韓劇迷的收視經驗及認同過程(碩士論文)。國立交通大學。  延伸查詢new window
3.劉伊倩(2005)。韓劇閱聽人研究--以台北女性為例(碩士論文)。臺灣大學。  延伸查詢new window
4.陳依秀(2004)。打造電視觀眾:台灣韓劇市場興起之歷程分析(碩士論文)。淡江大學。  延伸查詢new window
5.林文婷(2011)。追星族的新人:少女時代男性迷群的消費與認同(碩士論文)。國立臺灣師範大學。  延伸查詢new window
6.邱琡涵(2012)。K-pop迷群的社會識別與消費儀式:虛擬社群中的認同學習(碩士論文)。世新大學。  延伸查詢new window
7.陳姿伶(2008)。台灣年輕男性韓劇閱聽人的收視經驗(碩士論文)。國立臺灣師範大學。  延伸查詢new window
8.廖淑敏(2013)。韓國流行音樂在台灣之發展與成功因素分析(碩士論文)。中國文化大學。  延伸查詢new window
9.盧開朗(2009)。翻唱曲的政治經濟學--改自韓國曲的國語歌曲研究(碩士論文)。國立臺灣師範大學。  延伸查詢new window
10.饒怡雲(2006)。融化師奶的北極星--師奶迷戀偶像之消費行為研究:以裴勇俊粉絲為例(碩士論文)。國立中正大學。  延伸查詢new window
11.簡妙如(1996)。過度的閱聽人:「迷」之初探(碩士論文)。國立中正大學。  延伸查詢new window
圖書
1.Abercrombie, Nicholas、Longhurst, Brian J.(1998)。Audiences: A Sociological Theory of Performance and Imagination。Sage Publication。  new window
2.Jung, Sun(2011)。Korean masculinities and transcultural consumption: Yonsama, Rain, Oldboy, K-Pop idols。Hong Kong:Hong Kong University Press。  new window
3.Howard, K.(2006)。Korean pop music: Riding the wave。Kent:Global Oriental。  new window
4.Jenkins, H.(2002)。Hop on pop: The politics and pleasures of popular culture。Durham, NC:Duke University Press。  new window
5.Jennings, D.(2007)。Net, blogs and rock n'roll: How digital discovery works and what it means for consumers, creators and culture。London:Nicholas Brealey。  new window
6.Wertsch, J. V.(2002)。Voices of collective remembering。New York, US:Cambridge University Press。  new window
7.Jenkins, H.(1992)。Textual poachers: television fans and participatory cultures。New York:Routledge。  new window
8.Iwabuchi, Kōichi(2002)。Recentering Globalization: Popular Culture and Japanese Transnationalism。Duke University Press。  new window
9.Appadurai, Arjun(1996)。Modernity At Large: Cultural Dimensions of Globalization。University of Minnesota Press。  new window
10.Bacon-Smith, C.(1992)。Enterprising women: Television fandom and the creation of popular myth。University of Pennsylvania Press。  new window
11.Jenkins, Henry(2006)。Convergence culture: Where old and new media collide。New York University Press。  new window
其他
1.Leung, S.(2012)。Catching the K-Pop wave: Globality in the production, distribution, and consumption of South Korean popular music,http://digitalwindow.vassar.edu/senior_capstone/149。  new window
圖書論文
1.Alasuutari, P.(1999)。Introduction: Three phase of reception studies。Rethinking the media audience。London:Sage。  new window
2.Chua, Beng Huat、Iwabuchi, Koichi(2008)。Introduction: East Asian TV dramas: Identifications, sentiments and effects。East Asian pop culture: Analysing the Korean wave。Hong Kong:Hong Kong University Press。  new window
3.Howard, K.(2002)。Exploding ballads: The transformation of Korean pop music。Global goes local: Popular culture in Asia。Vancouver:UBC Press。  new window
4.Jenkins, H.(1992)。"Strangers no more, we sing": Filking and the social construction of the science fiction fan community。The adoring audience。New York:Routledge。  new window
5.Iwabuchi, K.、Muecke, S.、Thomas, M.(2004)。Introduction: Sitting Asian cultural flows。Rogue flows: Trans-Asian cultural traffic。Hong Kong:Hong Kong University Press。  new window
6.Jung, E. Y.(2006)。Articulating Korean youth culture through global popular music styles: Seo Taiji's use of rap and metal。Korean pop music: Riding the wave。Kent:Global Oriental。  new window
7.Jenkins, H.(2006)。Interactive audiences? The "collective intelligence" of media fans。Fans, bloggers and gamers: Exploring participatory culture。New York:New York University Press。  new window
8.Kashima, Y.、Klein, O.、Clark, A. E.(2007)。Grounding: Sharing information in social interaction。Social Communication。New York:Psychology Press。  new window
9.Lee, H. E.(2006)。Discourse of Korean-ness in Korean popular music。Medi@sia: Global mediation in and out of context。UK:Routledge。  new window
10.Lee, D.(2004)。Cultural contact with Japanese TV dramas: Modes of reception and narrative transparency。Feeling Asian modernities: Transnational consumption of Japanese TV dramas。Hong Kong:Hong Kong University Press。  new window
11.Shim, D.(2008)。The growth of Korean cultural industries and the Korean wave。East Asian pop culture: Analysing the Korean wave。Hong Kong:Hong Kong UniversityPress。  new window
12.Siriyuvasak, U.(2008)。Consuming and producing (post) modernity: Youth and popular culture in Thailand。Media consumption and everyday life in Asia。New York:Routledge。  new window
13.Sutton, R. A.(2006)。Bounded variation? Music television in South Korea。Korean pop music: Riding the wave。Kent:Global Oriental。  new window
14.Fiske, J.(1992)。The cultural economy of fandom。The Adoring Audience: Fan Culture and Popular Media。Routledge。  new window
 
 
 
 
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