松江鄭澈（1536~1593）為朝鮮時代著名詩人，且是韓國文學史上最具代表性的歌辭、時調大家。著書有詩文集《松江集》與詩歌作品集《松江歌辭》，筆寫本有《松江別集追錄遺辭》與《文清公遺辭》。上述詩文集中，總計有741首的漢詩，以及4首的長篇歌辭與85首的短篇時調。過去學界對其詩歌之研究多偏重其韓語詩歌，而對其詩歌作品中數量佔絕大多數的漢詩則少有系統性、客觀性的專精研究，特別是在美學範疇的意象研究方面，更是有待開拓。松江現存741首的漢詩中計有151首（172處）的詩中使用「月」字，約佔整體詩數的五分之一（20.4%），若納入玉京、桂輪、一鏡、蟾宮與寒蟾等指稱月亮的用語，並剔除明示時間的歲月、臘月、旬月與三月等非關物象的用語（16首／17處），則有135首（155處）使用與月亮有關的涉月詩，約佔整體詩數的18.2%。此外，松江4首（10處）長篇歌辭中，篇篇涉月。顯見松江不僅在其詩歌作品中愛用「月」字，更說明了「月」在松江詩歌作品中並非單純的材料或隨興的妝點，而是松江詩歌創作的重要題材之一。基此，本文將以松江漢詩中出現的「月」意象為中心，考究其意象的類型與特性，以及其在詩歌作品中藉月抒發的特定情感與投射的思想內涵。整體而言，除了作為純粹的自然意象出現的「月」之外，松江八成五的涉月詩中的月均內含表象詩人主觀情思的特殊意象，顯見松江在詩歌創作上，雖喜以自然物象作為素材妝點，然多著重主觀情感的抒發，而非客觀物象的描繪。松江漢詩中的月意象大致可分為別離、失意（孤獨）、浪漫（李白）、脫俗（超凡）等4類。其中，又以別離意象所占比重最高，脫俗意象居次。

Songgang Jeong Cheol (1536~1593) is a famous poet in Joseon times, and he is also renowned as the representative one who is good at writing gasa and shijo in the Korean literary history. His writings including 《Songgang Chip（松江集）》 and 《Songgang gasa（松江歌辭）》which were written in prose collection and 《Songgang qyuljipchurokyusa（松江別集追錄遺辭）》 and 《Muncheonggong yusa（文清公遺辭）》 which were pen comp books .The above writings are total 741 classical chinese poems, 4 lengthy gasas and 85 short shijos. Songgang used the word ＂月（moon）＂ for 155 times in 135 classical chinese poems, which took place by 18.2 percent of his whole classical chinese poems. It not only showed Songgang's like to use the word ＂moon＂ in his works but illustrated the truth that the word ＂moon＂ is not just a decoration, it is an important subject matter for Songgang's creation. Therefore, this study took the image of the ＂moon＂ in Songgang's classical Chinese poems as a subject to analyze its types, characters, and also Songgang's special feelings and ways of thinking transmitted by the word ＂moon＂. To sum up, besides those which appeared as a natural phenomena, Songkang noted the word ＂moon＂ as a special image of revealing the feelings of his own in more than 80 percent of his poems, which showed one of Songkang's distinguishing feature that he stressed the importance of expressing feelings but not just depicting. Overall, Songgang's moon-related poems mostly implied sentimental, and the sentimental mood is the basic melody throughout his poems.