河洛歌子戲的《秋風辭》，係根據漢武帝時期的巫蠱之禍敷演而成，並以漢武帝之作〈秋風辭〉為之命名，乃由流行於福建省莆田、仙遊二縣及閩中、閩南興化語地區的莆仙戲劇本之一《秋風辭》進行改編之作。本文透過探討河洛歌子戲《秋風辭》對《史記》、《漢書》、《左傳》、《詩經》等經傳、史籍與莆仙戲《秋風辭》的繼承與改編，並分析《秋風辭》的表演特色與語言風格，期能更透徹明瞭《秋風辭》一劇與歷史的關聯及其文學本質。

Holo Taiwanese Drama “Qiu Feng Ci” , according to The puppet witchcraft in Han Dynasty when happened in Emperor Wu of Han. This article through to explore Holo Taiwanese Drama “Qiu Feng Ci ” on the “Shi-Ji” , “Han-Shu” , “Zuo-Chuan” “Shi-Jing” these historical records and a traditional local opera called Puxian Opera “Qiu Feng Ci” inheritance and adaptation, analyzing “Qiu Feng Ci” performance characteristics and style of language, for those the above , we can understand the nature of a literary and historical drama in “Qiu Feng Ci”.