本文透過呂格爾之《勾勒形構神聖者——宗教、敘事；與想像》一書出發，回返由其詮釋學早期的《活的隱喻》、《時間與敘事》中的主要思想、與晚期的《自性宛如他者》一書之認同性與自身性的研究，以期望運用其詮釋學探討敘事認同與勾勒形構神聖者之間的關係。全文透過隱喻、模擬之三重模擬論、時間與敘事、與敘事認同之自身認同性與同一性的關係、探討如何透過呂格爾的詮釋學，思考基督宗教在儀式內一個詮釋者的敘事認同與對於神聖者的勾勒形構活動之間的關係。

The paper begins with the research in Paul Ricoeur's Figuring the Sacred—Religion, Narrative, and Imagination, by going detour on identity-ipse (identite-ipseite), via his early books on The Rule of Metaphor, and Time and Narrative, and his later book, Oneself as Another. The paper wishes to apply Ricoeur's Hermeneutics on the relation between narrative identity and about figuring the sacred. The whole paper is going through metaphor, threefold mimesis, time and narrative, and through the ipse-identity (identite-ipseite) and sameness (memete) for the research of narrative identity. The main focus is for how to apply Ricoeur's Hermeneutics on thinking Christian religion within ceremony, especially on the process that one interpreter applies on narrative identity and the figuring the sacred.