古代中國是世界上最早擁有先進陶瓷製作技術及陶瓷文化發展最成熟的國家之一，但在過去量產技術不發達的年代裡，先民對於破損陶瓷生活用品，仍秉持愛物惜物的美德，竭盡所能的加以修補使其能恢復功能，因而發展出修補、結合破損陶瓷品的技藝。近年來，有創作者開始嘗試將破、舊陶瓷品作為構成元素，並結合多樣技巧、多元材質、手法進行全新觀點的藝術與設計再創作，但關於此領域的發展卻尚未有系統性的研究，緣此，本研究即以陶瓷品於藝術與設計上的再創作為課題，藉由紮根理論、社會網絡分析等方法，搭配現有創作品為分析文本，探究、解析創作品其表徵與意義，進而歸納其發展脈絡，以供後續相關研究者參考。研究成果整理如下：1.統整出「陶瓷品再創作」作品在使用素材、創作手法、創作理念及作品評論上的樣貌；2.探索出「陶瓷品再創作」主題於創作理念、使用材質、創作手法之間的社會網絡關係；3.導引出一個「陶瓷品再創作」在創作發展議題中的整體脈絡框架，供後續研究及創作者的參考。

The ancient China is the one of the earliest areas that owned advanced ceramic production technology and mature ceramic cultural development in the world. Yet, in the past era when the technology of mass production was not developed, ancestors treasured damaged ceramic articles for daily purpose, clinging to the moral excellence of thrift and care for things around and doing everything they can to restore their functions, and developed the repair technology united with the damaged ceramic art. Lately, some creators began to take breakage ceramics as constituting elements, blended with various skills, multiple materials, methods to create novel ideas of artistic creation and design. Because there are not enough studies with systemic methods for the maturation of this region, this study adopts grounded theory, social network analysis with the existing ceramics works to explore its manifestations and significance, and resumed the development of reprocessing in the graphics and design. The findings are as follows: (1) ＂ceramics reusing＂ issues in the use of material, technique, creative thoughts, and commentaries on works are generalized; (2) the ＂ceramics reusing＂ issues on the social network relationship between material, technique and creative concept are explored; (3) an overall contextual framework of ＂ceramics reusing＂ within the growing topic of creation and point of some possibilities for further inquiry is offered.