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題名:李漁的戲曲評點
書刊名:戲曲學報
作者:高美華 引用關係
作者(外文):Kao, Mei-hua
出版日期:2017
卷期:16
頁次:頁39-78
主題關鍵詞:李漁評點秦樓月香草吟Li YuLiterary appraisalQin louyueXiang cao yin
原始連結:連回原系統網址new window
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  • 共同引用共同引用:12
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李漁評鑑傳奇兩種:評閱《秦樓月》、鑑定《香草吟》,一稱評閱,一稱鑑定,已先針對二書評點的重點做了明確的區分。在《秦樓月》的評閱中,以劇本創作者的角度提出對傳奇創作的看法,並以觀眾接受的角度提供增改以作觀摩切磋,在評價新作品給予高度定位的同時,也參與共同創作,「寓評於創、增補情節」,體現了劇本創作的互動性和可塑性。在《香草吟》的鑑定中,有更多的釋義、提示、引導和鑑賞,他掌握劇本的格局結構和特質,運用關目離合、出場構局、筆墨轉動等結構面向,引導讀者深入劇作者的構思安排。但他以鑑定賞識為主,給作者極高的評價與鼓勵,讚譽是主體,教化成了重心,而寓莊於諧的游戲精神,文心百變的出神入化,更是他嚮往而標舉的藝術境界。李漁透過評點,溝通了讀者與作者之間的關係,凸顯了作者的才華,更發表了個人的戲曲創作理論。他在微觀的過程中,隨處閃現他對「文字三昧」的掌握,他最大的貢獻在於提出的「優人三昧」之底蘊。他的評點中,一方面承繼了儒家教化觀的淑世旨趣,傳統文人創作的章法結構思維,以及詞采曲律規範的精心刻畫;一方面,掌握劇曲之本質,進行曲、文、劇的系統思辨,著重關目情節排場的內在結構脈絡,活用體製規範與翻新技巧,明確提出了戲劇文本與劇場藝術的分際,有區隔、有融合,有承襲、有創新,實現了戲曲理論的延續性。
Li Yu (李漁) appraises twoChuanqi (傳奇): he comments on Qin louyue (《秦樓月》) and examines Xiang cao yin (《香草吟》). By "commenting" and "examining," Li already clarifies his different focuses of his appraisal of these two books. On his comment on Qin louyue, Li offers his opinions from the perspective of a playwright, and also provides ideas to adapt the play based on the audience's reception. While evaluating and highly complimenting on a new work, Li simultaneously co-creates the work. "To create and complement art through commenting" shows the interactive-ness and flexibility of play writing. On his appraisal on Xiang cao yin, there are more clarification, implication, guidance and evaluation of the work. Li understands well the structure and qualities of the play. By analyzing the plot, structure, and writing techniques, Li leads readers to comprehend the writer's mind and arrangement of the play. Yet he aims his job as an appraiser, approving and encouraging the playwright. While making compliments, Li actually gives instructions. This is the very art standard that Li aspires to and holds up to: to instruct and enlighten through humor and playfulness; to reach perfection through constant inventions. By making literary appraisal, Li Yu bridges the gap between the reader and the playwright. He not only points out the talents of the playwright, but also presents his own viewpoint on creative writing ofXiqu. In his observation, Li shows his control and grasp of "Samadhi of Literacy" (文字三眛). His greatest contribution is to present the essence of "Samadhi of Playacting" (優人三眛). On his appraisal, on one hand, Li passes down the reformism of the Confucianism, the exterior structure and ideas of the traditional literary creations, and the deliberate arrangement of the rules of traditional tunes, melodies and music. On the other hand, Li understands well the qualities of Xiqu plays, reflecting on the system of tunes, lyrics, and plays, focusing on the interior structure of the plot and settings, and utilizing the conventionalized forms and renewing the techniques. Li does point out the division between dramatic texts and theatrical arts. He distinguishes, merges, adopts and innovates various arts, and carries out the continuity of Xiqu theories.
期刊論文
1.高美華(20111200)。歡喜心,游戲筆:李漁「游戲神通」的理念內涵與精神內蘊。中正大學中文學術年刊,2011(2)=18,297-319。new window  延伸查詢new window
2.蔣星煜(1983)。論朱素臣校訂本《西廂記演劇》。文學遺產,1983(4),132-141。  延伸查詢new window
圖書
1.王漢民、劉奇玉(2008)。清代戲曲史編年。四川出版集團巴蜀書社。  延伸查詢new window
2.呂新昌(1998)。歸震川及其散文。臺北:文津出版社。  延伸查詢new window
3.朱萬曙(2004)。明代戲曲評點研究。合肥:安徽教育出版社。  延伸查詢new window
4.鄧長風(1994)。明清戲曲家考略。上海:上海古籍出版社。  延伸查詢new window
5.羅麗容(20020000)。清人戲曲序跋研究。臺北:里仁書局。new window  延伸查詢new window
6.郭英德(2001)。明清傳奇史。江蘇古籍出版社。  延伸查詢new window
7.吳梅、王衛民(1983)。吳梅戲曲論文集。北京:中國戲劇出版社。  延伸查詢new window
8.吳新雷(1996)。中國戲曲史論。南京:江蘇教育出版社。  延伸查詢new window
9.青木正兒、王古魯(1958)。中國近世戲曲史。北京:作家出版社。  延伸查詢new window
10.李漁(1992)。李漁全集。杭州:浙江古籍出版社。  延伸查詢new window
11.王起(1985)。中國戲曲選。北京:人民文學出版社。  延伸查詢new window
12.蕭統、孫鑛、閔齊華(1997)。孫月峰先生評文選三十卷。臺南:莊嚴出版社。  延伸查詢new window
13.趙景深、張增元(1987)。方志著錄元明清曲家傳略‧明代戲曲作家‧朱素臣。北京:中華書局。  延伸查詢new window
14.黃麗貞(1977)。李漁。臺北:河洛圖書出版社。  延伸查詢new window
15.黃麗貞(1995)。李漁研究。臺北:國家出版社。  延伸查詢new window
16.劉靜(2010)。論明清之際蘇州派戲曲家朱素臣。香港:香港大學饒宗頤學術館。  延伸查詢new window
17.譚帆(1995)。金聖嘆與中國戲曲批評。上海:華東師範大學出版社。  延伸查詢new window
18.譚帆(1995)。傳統文藝思想的現代闡釋。上海:上海社會科學院出版社。  延伸查詢new window
19.郭英德(1997)。明清傳奇綜錄。石家莊:河北教育出版社。  延伸查詢new window
20.李修生(1997)。古本戲曲劇目提要。北京:文化藝術出版社。  延伸查詢new window
圖書論文
1.沈德潛(1995)。凌氏如松堂文識觀劇。歸愚詩鈔。上海:上海古籍出版社。  延伸查詢new window
2.朱偉明(1992)。朱素臣。中國古代戲曲家評傳。鄭州:中州古籍出版社。  延伸查詢new window
 
 
 
 
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