本文透過科學奈米微觀製作的角度，引伸出語言奈米化自然宇宙和人類情感思想的關聯，並論及與斷捨離精神、極簡主義的糾葛關係，討論語言與詩「微之小之」的利基和必然。截句的風潮既追上了「微的時代」的科技大潮、也符合了人性「去舊務新」的特質、接續絕句傳統及百年小詩未完成之任務、呼應了「去中心」「拼貼」「庶民化」的後現代性、大增與書畫杯碗枕門屏公共運輸結合的能量、更隱涵了極簡的「斷捨離」近乎禪的精神

This paper employs the perspective of scientific nano-micro production to extend the relationship between the nano-natural language universe and human emotions, elaborate on the relationship between the spirit and minimalism, and discuss the necessity to shorten poetry in a more condensed language. In line with the ＂micro-era＂ technology tide, the trend of the cut-off sentence also conforms to the human tendency of ＂replacing the old with the new,＂ continues with the tradition of quatrains, and takes on the unfinished tasks of a hundred years of little poetry, echoing the post-modern spirit of ＂decentralization,＂ ＂collage,＂ and ＂popularization,＂ while significantly increasing the energy of combining with the calligraphic cups, bowls, door screens, and public transportation, and even implying the minimalist concepts of ＂breaking off, giving up, and leaving＂ like the Zen spirit