期刊論文1. | 陳淑義(19760600)。布雷希特(B. Brecht)、敍事劇與中國傳統的舞臺藝術。中外文學,5(1),4-37。 延伸查詢![new window](/gs32/images/newin.png) |
2. | Wayne, Don E.(1979)。Poetry and power in Ben Jonson's Epigrammes: The naming of 'facts' or the figuring of social relations?。Renaissance and Modern Studies,23,79-108。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
3. | Jameson, Fredric(1976)。Introduction/Prospectus: To Reconsider the Relationship of Marxism to Utopian Thought。Minnesota Review,6,51-58。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
4. | 李健鳴、沃爾夫拉姆、詩萊克爾(1979)。布萊希特的『伽利略傳』及其戲劇觀。戲劇藝術,1979(2)。 延伸查詢![new window](/gs32/images/newin.png) |
5. | 張黎明(1979)。布萊希特的史詩劇理論。外國文學研究集刊,1979(1)。 延伸查詢![new window](/gs32/images/newin.png) |
6. | 張漢良(19761100)。「灰闌記」斷案事件的德國變異--比較文學影響觀念之探討。中華文化復興月刊,9(11),52-56。 延伸查詢![new window](/gs32/images/newin.png) |
7. | Rabinbach, A.(1977)。Ernst Bloch's Heritage of Our Times and the Theory of Fascism。New German Critique,11。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
8. | Fuegi, John(1973)。The Soviet Union and Brecht。Brecht heute : Jahrbuch der Internationalen Brecht-Gesellschaft,3,209-221。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
9. | Kennedy, Richard S.、Halberstadt, John(1981)。'Crying Wolfe': An Exchange。New York Review Book,28(12),50-51。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
10. | Halberstadt, John(1980)。The Making of Thomas Wolfe's Posthumous Novels。Yale Review,70,79-94。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
圖書1. | Taylor, Roland(1977)。Aesthetics and Politics。London:NLB Publish。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
2. | Adorno, Theodor W.、Mitchell, Anne G.、Blomster, Wesley V.(1973)。Philosophy of Modern Music。New York:The Seabury Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
3. | Suleiman, Susan Rubin、Crosman, Inge(1980)。The Reader in the Text: Essays on Audience and interpretation。Princeton:Princeton University Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
4. | Escarpit, Robert、Pick, Ernest(1971)。Sociology of Literature。London:Frank Cass & Co. Ltd.。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
5. | Jameson, Fredric(1981)。The Political Unconscious: Narrative as a Socially Symbolic Act。Cornell University Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
6. | Politzer, Heinrich(1966)。Franz Kafka: Parable and Paradox。Ithaca:Cornell University Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
7. | Lukács, György、Mitchell, Hannah、Mitchell, Stanley(1962)。The Historical Novel。London:Merlin Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
8. | 北京大學(1979)。文學運動史料選。上海:上海教育出版社。 延伸查詢![new window](/gs32/images/newin.png) |
9. | Buck-Morss, Susan(1979)。The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, And the Frankfurt Institute。New York:Free Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
10. | Lukács, Georg、Mander, John、Mander, Necke(1964)。Realism in Our Time。New York:Harper and Row。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
11. | 陳繼法(1979)。美學的厄運。台北:時報文化出版公司。 延伸查詢![new window](/gs32/images/newin.png) |
12. | Tatlow, Antony(1977)。The Mask of Evil: Brecht's Response to the Poetry, Theater and Thought of China and Japan。Bern:Peter Lang。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
13. | Harrison, John R.(1967)。The Reactionaries: A Study of the Anti-Democratic Intelligentsia。New York:Schocken Books。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
14. | Jameson, Fredric(1979)。Fables of Aggression: Wyndham Lewis, the Modernist as Fascist。University of California Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
15. | Hall, John(1979)。The Sociology of Literature。Longman Group Limited。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
16. | Berg-Pan, Renata(1979)。Bertolt Brecht and China。Bonn:Bouvier。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
17. | Tompkins, Jane P.(1980)。Reader-Response Criticism: From Formalism to Post-Structuralism。Baltimore:Johns Hopkins University Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
18. | Lyon, James K.(1980)。Bertolt Brecht in America。Princeton, New Jersey:Princeton University Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
19. | Watt, Ian(1963)。The Rise of the Novel。Harmondsworth:Penguin Books Ltd.。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
20. | Grebetein, Sheldon N.(1968)。Perspectives in Contemporary Criticism。New York:Harper and Row。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
21. | Scott, Wilbur(1962)。Five Approaches to Literary Criticism。New York:Collier。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
22. | Burns, Elizabeth、Burns, Tom(1973)。Sociology of Literature and Drama。Harmondsworth:Penguin。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
23. | Laurenson, Diana、Swingewood, Alan(1972)。Sociology of Literature。London:Mac Gibbon。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
24. | Fischer, Ernst(1959)。The Necessity of Art。Harmondsworth:Penguin。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
25. | 北師大文藝理論組(1956)。文學理論學習參考資料。高等教育出版社。 延伸查詢![new window](/gs32/images/newin.png) |
26. | (1980)。「八方」文藝叢刊。香港。 延伸查詢![new window](/gs32/images/newin.png) |
27. | Ottwalt, Ernst(1931)。Denn sie wissen, was sie tun. Ein deutscher Justiz-Roman。Berlin:Malik-Verlag。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
28. | (1934)。A Chinese Testament。紐約。 延伸查詢![new window](/gs32/images/newin.png) |
29. | Fernbach, David(1981)。Essays on Realism。Cambridge:MIT Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
30. | 卞之琳。布萊希特戲劇印象記。 延伸查詢![new window](/gs32/images/newin.png) |
31. | (1979)。戲劇藝術論叢。 延伸查詢![new window](/gs32/images/newin.png) |
32. | 黃佐臨。導演的話。 延伸查詢![new window](/gs32/images/newin.png) |
33. | Wollen, Peter(1969)。Sign and Meaning in the Cinema。Bloomington:Indiana Univ. Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
34. | (1973)。Arbeits journal。Frankfurt:Suhrkamp。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
35. | Chace, William(1973)。The Political Identities of Ezra Pound & T. S. Eliot。Stanford:Stanford University Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
36. | Leavis, F. R.(1969)。The Great Tradition。New York:New York Univ. Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
37. | Willet, John(1964)。Brecht on Theater。New York:Methuen。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
38. | Graf, William D.(1971)。Solzhenitsyn。Cambridge:TI Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
39. | Mitchell, Stanley(1965)。Essays on Thomas Mann。New York:Grosset and Dunlap。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
40. | (1963)。Die Eigenart des Ästhetischen。Berlin:Luchterhand。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
41. | Rose, Gillian(1978)。The Melancholy Science is Gillian Rose's investigation into Theodor W. Adorno, Walter Benjamin, and the Frankfurt Institute。New York:Free Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
圖書論文1. | Horkheimer, M.、Adorno, Theodor W.(1972)。The Culture Industry: Enlightenment as Mass Deception。Dialectic of Enlightenment。New York:Seabury Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
2. | 鄭樹森(1980)。Fragmentary Negation: A Reappraisal of Ezra Pound's Ideogrammic Method。Chinese-Western Comparative Literature: Theory and Practice。Hong Kong:Chinese Univ. Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
3. | 佛克馬、義布思(1980)。俄國形式主義文學理論述評。結構主義的理論與實踐。臺北:黎明。 延伸查詢![new window](/gs32/images/newin.png) |
4. | Simmel, Georg(1968)。''Sociological Aesthetic'' and ''On Aesthetic Question''。Georg Simmel: The Conflict in Modern Culture and Other Essays。New York:Teachers College Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
5. | Aronowitz, Stanley(1974)。Colonized Leisure, Trivialized Work。False Promises: The Shaping of American Working Class Consciousness。New York:McGraw-Hill。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
6. | (1971)。The Intellectual Physiognomy of Literary Characters。Writer and Critic: and Other Essays。New York:Grosset and Dunlap。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
7. | (1964)。Tolstoy and Development of Realism。Studies in European Realism。New York:Grosset and Dunlap。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
8. | (1971)。Narrate or Describe?。Writer and Critic: and Other Essays。New York:Grosset and Dunlap。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
9. | 盧卡契(1981)。表現主義的重要性及其沒落。Essays on Realism。Cambridge:MIT Press。 延伸查詢![new window](/gs32/images/newin.png) |
10. | Eisenstein(1949)。The Cinematographic Principle and the Ideogram。Film Form。New York:Harcourt Brace Jovanovich。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
11. | Joll, James(1960)。F. T. Marinetti: Futurism and Fascism。Three Intellectuals in politics。New York:Pantheon。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
12. | O'Brien, Conor C.(1965)。Passion and Cunning: An Essay on the Politics of W. B. Yeats。Excited Reverie。London:Macmillan。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
13. | Benjamin, Walter(1977)。Conversations with Brecht。Aesthetics and Politics。London:NLB。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |
14. | Adorno, Theodor W.(1978)。On the fetish-character in music and the regression of listening。The Essential Frankfurt School Reader。New York, NY:Urizen。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) |