This is Part Ⅱ of a previous article bearing the same title by the author . He presents in this study more commentaries on the theories about Wen Fdi-ch'ing's 溫飛卿(812-870) lyrics by previous scholars . Eighteen of Wen's lyrics are covered , including fourteen in the melody of "P'u-sa man" 菩薩蠻 , one in the "Kui-kuo yao" 歸國謠 , and three in the "Yang-liu chih" 楊柳枝 . While evaluating Wen's lyrics , the author analyses in detail their meaning and versification . He compares various version and points out the typographical errors in some of them . Proofs are cited to bring to light the underlying meaning of the fourteen lyrics in the "P'u-sa man" and to illustrate the profundity and wisdom embedded in Wen's lyrics .