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題名：Transvestite Performance--Gender and Theatricality in As You Like It
書刊名：國立臺灣大學文史哲學報
作者：張小虹 引用關係
作者(外文)：Chang, Hsiao-hung
出版日期：1990
卷期：38
頁次：頁121+123-160
主題關鍵詞：莎士比亞；戲劇；如願；扮裝；性別論述；戲劇感；Shakespeare；As You Like It
原始連結：連回原系統網址new window
相關次數：
  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:0
  • 點閱點閱:28
期刊論文
1.Case, Sue-Ellen(1984)。Gender as Play: Simone Benmussa's The Singular Life of Albert Nobbs。Women and Performance，1(2)，21-24。  new window
2.Goldberg, Marianne(1987)。Ballerinas and Ball Passing。Women and Performance，3(2)，7-31。  new window
3.Felman, Shoshana(1981)。Rereading Femininity。Yale French Studies，62，19-44。  new window
4.Dolan, Jill(1985)。Gender Impersonation Onstage: Destroying or Maintaining the Mirror of Gender Roles?。Women and Performance: A Journal of Feminist Theory，2(2)，5-11。  new window
5.Kimbrough, Robert(1982)。Androgyny Seen Through Shakespeare's Disguise。Shakespeare Quarterly，33(1)，17-33。  new window
6.Waller, Marguerite(1987)。Academic Tootsie: The Denial of Difference and the Difference It Makes。Diacritics，17(1)，2-20。  new window
7.Montrose, Louis Adrian(1980)。The purpose of Playing: Reflections on a Shakespearean Anthropology。Helios，7(2)，51-74。  new window
8.Orgel, Stephen(1989)。Nobody's Perfect: Or Why Did the English Stage Take Boys for Women?。South Atlantic Quarterly，88(1)，7-29。  new window
9.Rackin, Phyllis(1987)。Androgyny, Mimesis, and the Marriage of the Boy Heroine on the English Renaissance Stage。PMLA，102(1)，29-41。  new window
10.Bracher, Mark(1984)。Contrary Notions of Identity in As You Like It。Studies in English Literature，24，225-240。  new window
11.Clark, Sandra(1985)。Hic Mulier, Haec Vir, and the Controversy over Masculine Women。Studies in Philology，82(2)，157-183。  new window
12.Cohen, Walter(1983)。The Artisan Theatres of Renaissance England and Spain。Theatre Journal，35(4)，499-518。  new window
13.Dollimore, Jonathan(1986)。Subjectivity Sexuality and Transgression: The Jacobean Connection。Renaissance Drama，17，53-81。  new window
14.Freedman, Barbara(1988)。Frame-up: Feminism, Psychoanalysis, Theatre。Theatre Journal，40(3)，375-397。  new window
15.Gruber, William E.(1985)。The Actor in the Script: Affective Strategies in Shakespeare's Antony and Cleopatra。Comparative Drama，19(1)，30-48。  new window
16.Gubar, Susan(1981)。Blessings in Disguise: Gross-Dressing as Re-Dressing for Female Modernists。The Massachusetts Review，23(2)，477-508。  new window
17.Hyland, Peter(1987)。A Kind of Woman': The Elizabethan Boy-Actor and the Kabuki Onnagata。Theatre Research International，12(1)，1-8。  new window
18.Hyland, Peter(1978)。Shakespeare's Heroines: Disguise in the Romantic Comedies。Ariel，9，23-39。  new window
19.Iser, Wolfgang(1983)。The Dramatization of Double Meaning in Shakespeare's As You Like It。Theatre Journal，35(3)，307-332。  new window
20.Kuhn, Maura Slattery(1977)。Much Virtue in If。Shakespeare Quarterly，28，40-50。  new window
21.Levine, Laura(1986)。Men in Women's Clothing: Anti-Theatricality and Effeminization from 1579 to 1642。Criticism，28(2)，121-143。  new window
22.Rose, Mary Beth(1984)。Women in Men's Clothing: Apparel and Social Stability in The Roaring Girl。English Literary Renaissance，14(3)，367-391。  new window
23.Schleiner, Louise(1989)。Ladies and Gentlemen in Two Genres of Elizabethan Fiction。Studies in English Literature，29，1-20。  new window
24.Staton, Shirley F.(1981)。Female Transvestism in Renaissance Comedy: A Natural Perspective, That Is and Is Not。Lowa State Journal of Research，56(1)，79-89。  new window
25.Hayles, Nancy K.(1979)。Sexual Disguise in 'As You Like It' and 'Twelfth Night'。Shakespeare Survey，32，63-72。  new window
26.Montrose, Louis Adrian(1981)。'The Place of a Brother' in As You Like It: Social Process and Comic Form。Shakespeare Quarterly，32(1)，28-54。  new window
圖書
1.Eagleton, Terry(1986)。William Shakespeare。Basil Blackwell。  new window
2.Shakespeare, William、Latham, Agnes(1975)。As You Like it。Methuen。  new window
3.Dreher, Diane Elizabeth(1986)。Domination and Defiance: Fathers and Daughters in Shakespeare。The University Press of Kentucky。  new window
4.Marcus, Leah S.(1988)。Puzzling Shakespeare: Local Reading and Its Discontents。Berkeley：University of California Press。  new window
5.Shakespeare, William、Brooks, Harold F.(1979)。A Midsummer Night's Dream。London：Methuen。  new window
6.Shakespeare, William、Jenkins, Harold(1982)。Hamlet。London：Routledge。  new window
7.Jardine, Lisa(1983)。Still Harping on Daughters: Women and Drama in the Age of Shakespeare。Brighton：The Harvester Press。  new window
8.Dusinberre, Juliet(1975)。Shakespeare and the Nature of Women。London：Macmillan。  new window
9.Woodbridge, Linda(1984)。Women and the English Renaissances Literature and Nature of Womankind, 1540-1620。Urbana：University of Illinois Press。  new window
10.Barber, C. L.(1959)。Shakespeare's Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom。Princeton。  new window
11.Barish, Jonas(1981)。The Anti-Theatrical Prejudice。Berkeley：University of California Press。  new window
12.Evans, Malcolm(1986)。Signifying Nothing: Truth's True Contents in Shakespeare's Text。London：Harvester。  new window
13.Hanna, Judith Lynne(1988)。Dance, Sex and Gender: Signs of Identity, Dominance, Defiance, and Desire。Chicago：The University of Chicago Press。  new window
14.Neale, J. E.(1965)。Elizabeth I and Her Parliaments, 1584-1601。London：Jonathan Cape。  new window
15.Shakespeare, William、Brown, John Russell(1955)。The Merchant of Venice。London：Methuen。  new window
16.Shakespeare, William、Morris, Brian(1981)。The Taming of the Shrew。London：Methuen。  new window
17.Woolf, Virginia(1928)。Orlando: A Biography。New York：A Harvest：HBJ Book。  new window
18.Derrida, Jacques、Spivak, Gayatri Chakravorty(1974)。Of Grammatology。The Johns Hopkins University Press。  new window
19.Butler, Judith P.(1990)。Gender Trouble: Feminism and the Subversion of Identity。Routledge。  new window
20.Greenblatt, Stephen Jay(1980)。Renaissance Self-Fashioning: From More to Shakespeare。University of Chicago Press。  new window
圖書論文
1.Greenblatt, Stephen(1985)。Invisible Bullets: Renaissance Authority and Its Subversion, Henry IV and Henry V。Political Shakespeare: New Essays in Cultural Materialism。Itasca, IL：Cornell University Press。  new window
2.Young, Iris Marion(1989)。Throwing Like a Girl: A Phenomenology of Feminine Body Comportment, Motility, and Spatiality。The Thinking Muse: Feminism and Modern French Philosophy。Bloomington：Indiana University Press。  new window
3.Gilbert, Sandra M.(1982)。Costumes of the Mind: Transvestism as Metaphor in Modern Literature。Writing and Sexual Difference。Chicago：University of Chicago Press。  new window
4.Gilbert, M. Sandra、Gubar, Susan(1989)。Cross-dressing and Re-Dressing: Transvestism as Metaphor。No Man's Land: The Place of the Woman Writer in the Twentieth Century, Vol. II: Sexchanges。New Haven：Yale University Press。  new window
5.Montrose, Louis Adrian(1986)。The Elizabethan Subject and the Spenserian Text。Literary Theory/Renaissance Texts。Baltimore：Johns Hopkins University Press。  new window
6.Greenblatt, Stephen(1986)。Psychoanalysis and Renaissance Culture。Literary Theory/Renaissance Texts。Baltimore：The Johns Hopkins University Press。  new window
7.Berggren, Paula S.(1980)。The Woman's Part: Female Sexuality as Power in Shakespeare's Plays。The Woman's Part: Feminist Criticism of Shakespeare。Urbana：University of Illinois Press。  new window
8.Belsey, Catherine(1986)。Disrupting Sexual Difference: Meaning and Gender in the Gomedies。Alternative Shakespeare。New York：Methuen。  new window
9.Bono, Barbara J.(1986)。Mixed Gender, Mixed Genre in Shakespeare's As You Like It。Renaissance Literary Genre: Essays in Theory, History, and Interpretation。Cambridge：Harvard University Press。  new window
10.Erickson, Peter(1985)。Sexual Politics and Social Structure in As You Like It。Patriarchal Structures in Shakespeare's Drama。Berkeley：University of California Press。  new window
11.Evans, Malcolm(1985)。Deconstructing Shakespeare's Comedies。Alternative Shakespeares。New York：Methuen。  new window
12.Fineman, Joel(1980)。Fratricide and Cuckoldry: Shakespeare's Doubles。Representing Shakespeare: New Psychoanalytic Essays。Baltimore：The Johns Hopkins University Press。  new window
13.Freeburg, Victor Oscar(1915)。The Female Page。Disguise Plots in Elizabethan Drama: A Study in Stage Tradition。New York：Columbia University Press。  new window
14.Greenblatt, Stephen(1985)。Shakespeare and the Exorcists。Shakespeare and the Question of Theory。New York：Methuen。  new window
15.Howard, Jean E.(1987)。Renaissance Antitheatricality and the Politics of Gender and Rank in Much Ado About Nothing。Shakespeare Reproduced: The Text in History and Ideology。New York：Methuen。  new window
16.Jacobus, Mary(1986)。Reading Woman (Reading)。Reading Woman: Essays in Feminist Criticism。New York：Columbia University Press。  new window
17.Jamieson, Michael(1964)。Shakespeare's Celibate Stage: The Problem of Accommodation to the Boy-Actress in As You, Like It, Antony and Cleopatra and The Winter's Tale。Papers, Mainly Shakespearean。Edinburgh：Oliver and Boyd。  new window
18.Novy, Marianne(1984)。Shakespeare's Imagery of Gender and Gender Crossing。Love's Argument: Gender Relations in Shakespeare。Chapel Hill：The University of North Carolina Press。  new window
19.Suleiman, Susan Rubin(1985)。[The Female Body in Western Culture: Contemporary Perspectives] Introduction。The Female Body in Western Culture: Contemporary Perspectives。Cambridge：Harvard University Press。  new window
20.Tennenhouse, Leonard(1980)。The Counterfeit Order of The Merchant of Venice。Representing Shakespeare: New Psychoanalytic Essays。Baltimore：The Johns Hopkins University Press。  new window
 
 
 
 
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