:::

詳目顯示

回上一頁
題名:離亂經歷與身分認同--蔡琰的悲憤交響曲
書刊名:婦女與兩性學刊
作者:蔡瑜 引用關係
作者(外文):Tsai, Yu
出版日期:1997
卷期:8
頁次:頁29-54
主題關鍵詞:身分認同主體意識性別種族階級IdentitySubjectivityGenderRaceClassWomen's literature
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(0) 博士論文(2) 專書(1) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:3
  • 點閱點閱:35
     漢末女詩人蔡琰出生於文學、音樂世家,以其卓絕出眾的才學及顛沛流離的人生經歷,頗受後人的矚目。本文即在探討其生存時空屢經移轉的特殊經歷以及相應而生的主體意識,呈現其一生在種族、階級、性別的糾結處境中,曾經如何經歷了複雜的認同過程;突顯其以一界身經胡漢文化洗禮的女子,經過一連串的斷裂與接續的掙扎,最後在漢族中心、男性本位的政治社會裡,無從建構自我的疏離,以及為了符應直線的、單一的認同,壓抑其在個人歷史形成中已然潛存之複雜、多元的認同欲望,從而觀知其悲憤情結的肯綮。 因此,本文的主旨在於重讀女性作家的作品,尋索女性主體的音聲,揭示女性在特定時空下的處境與生存策略;並進而質疑女性作品在文學正典的傳統下,如何面臨被篡改與被消音的危機。所謂被篡改與被消音的危機,係指自宋代蘇軾開始質疑<悲憤詩>為偽作之後,所掀起的熱烈的作品真偽之辨,戰火延至當代仍爭辯不休。在此一連串以史考詩的過程中,使其幽微的、邊緣的、他者的存在經驗無從符應,幾令蔡琰的音聲為巨大的歷史洪流所淹沒。
     Tsai Yen, the female poet born to a literary and musical family in late Han Dynasty, was renowned for her brilliant literary works and extraordinary personal experience. This essay traces her personal diaspora in the age of wars and ethnic confrontations, and by embedding her life in racial, class, and gender complexities, tries to reconstruct her identity issues. The upshot of this reconstruction brings it to light that, as a female intellectual going through both Hu (northern barbarian) and Han cultures, she constantly faced the urptures of transition and the angst of choice, and that thanks to the ethnocentrism and male chauvinism of the Han people who could not tolerate anything other than a linear, unitary national identity, returning to the Han society later in her life only alienated her all the more and repressed her deeply seated desires for richer, multifarious identities. The essay argues that only through such a subjectivity-oriented reading, one that highlights her own experience and the female point of view, can we unravel the debates around the authorship of the poems, "Grief and Indignation" (Bei-Fen Shi), that some attributed to Tsai Yen. This approach not simply allows us, through re-reading women's literary work, to "hear" the unheard female voice cried out in their real life struggles and strategies of resistance. More importantly, it also reveals the dangers of being falsified and silenced that women's literary works faced in the tradition of Chinese Canon. In the case of Tsai's "Grief and Indignation", these dangers grew out of the Sung's poet su Tung-Po's suspicions concerning the authorship of these two poems. The debate continues into contemporary literary research. Based on the Canonic reading of these poems and other historical documents, the suspicions have ignored the marginalized other-experience of their writer and, as shown in the essay, attempted to snuff out Tsai Yen's cries in her work.
期刊論文
1.葉慶炳(19720700)。蔡琰悲憤詩兩首析論。中外文學,1(2),6-15。new window  延伸查詢new window
2.李鍌(1990)。蔡琰悲憤詩釋疑。中原文獻,22(3),34。  延伸查詢new window
3.(1952)。蔡琰悲憤詩考證。大陸雜誌,4(12),1。  延伸查詢new window
4.張長弓(1945)。蔡琰悲憤詩辨偽。東方雜誌,40(7),58。  延伸查詢new window
會議論文
1.廖炳惠(1994)。後殖民與後現代36omi K. Bhabha的訪談。臺北。  延伸查詢new window
圖書
1.朱熹(1956)。楚辭集注。藝文印書館。  延伸查詢new window
2.何焯。義門讀書記。  延伸查詢new window
3.丁福保。全漢三國晉南北朝詩。臺北:世界書局。  延伸查詢new window
4.Martin, Wallace、伍曉明(1990)。當代敘事學。北京大學出版社。  延伸查詢new window
5.柯慶明(1983)。苦難與敘事詩的兩刑─論蔡琰「悲憤詩」與「古詩為焦仲卿妻作」。文學美綜論。臺北。new window  延伸查詢new window
6.譚其驤(1959)。蔡文姬的生平及其作品。胡笳十八拍討論集。北京。  延伸查詢new window
7.郭沫若(1982)。談蔡琰的〈胡笳十八拍〉。郭沬若全集。北京。  延伸查詢new window
8.王先進(1959)。根據蔡琰歷史論蔡琰作品真偽問題。胡笳十八拍討論集。北京。  延伸查詢new window
9.余冠英(1977)。論蔡琰悲憤詩。漢魏六朝詩論叢。臺北。  延伸查詢new window
10.高亨(1959)。蔡文姬與〈胡笳十八拍〉。胡笳十八拍討論集。北京。  延伸查詢new window
11.張德鈞(1959)。關於胡笳十八拍的一些問題。胡笳十八拍討論集。北京。  延伸查詢new window
12.劉大杰(1959)。關於蔡琰的〈胡笳十八拍〉。胡笳十八拍討論集。北京。  延伸查詢new window
13.郭沫若(1959)。跋〈胡笳十八拍〉畫卷。胡笳十八拍討論集。北京。  延伸查詢new window
14.胡念貽(1959)。關於胡笳十八拍作者的爭論問題。胡笳十八拍討論集。北京。  延伸查詢new window
15.卞孝萱(1959)。談蔡琰作品的真偽問題。胡笳十八拍討論集。北京。  延伸查詢new window
16.熊德基(1959)。〈胡笳十八拍〉非蔡琰作說商榷。胡笳十八拍討論集。北京。  延伸查詢new window
其他
1.北堂書鈔。  延伸查詢new window
2.(劉宋)范曄。後漢書,臺北。  延伸查詢new window
3.(魏)曹丕(1986)。蔡伯喈女賦,京都。  延伸查詢new window
4.蘇東坡全集。  延伸查詢new window
5.茗溪漁隱叢隱前後集(一)。  延伸查詢new window
6.(唐)歐陽詢。藝文類聚,臺北。  延伸查詢new window
7.祝本。關於胡笳十八拍。  延伸查詢new window
 
 
 
 
第一頁 上一頁 下一頁 最後一頁 top