It is supposed in this text that the main three characteristics of the ch'uan-ch'i creation in the Tang Dynasty are multiple traditions in the course of creation, the oriented aesthetics in the motives and a tendency toward innovation in ethos. Their impacts are as follows. Multiple traditions make ch'uan-ch'i more fine and vivid, and the oriented aesthetics engender contradiction and tensility with the moral evaluation and traditional documentary, while the tendency toward innovation induces stylistics amalgamation. These three features also generate a phenomenon of one subject accompanying by many writings concurrently.