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外文摘要
引文資料
題名:
藝術、文化知覺和社區取向藝術教育之探討:以1999年「珈雅瑪文化藝術夏令營」為例
書刊名:
人文藝術學報
作者:
陳箐繡
作者(外文):
Chen, Jin-shiow
出版日期:
2002
卷期:
1
頁次:
頁435-449
主題關鍵詞:
文化認同
;
文化自覺
;
文化脈絡
;
多元文化藝術教育
;
社區取向藝術教育
;
Cultural identity
;
Cultural awareness
;
Cultural context
;
Multicultural art education
;
Community-based art education
原始連結:
連回原系統網址
相關次數:
被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(
1
)
排除自我引用:0
共同引用:0
點閱:11
臺灣原住民文化近年來面臨文化保存延續上的難題,文化自動成為重要課題。因感教育有責任求族群文化知覺與榮譽感和促進文化間彼此瞭解與尊重;吾人乃設計「珈雅瑪(茶山)文化藝術夏令營」,試圖將藝術文學習結合社區資源,推動鄒族文化知覺與認同,並進一步促進跨文化交流與了解。 「珈雅瑪文化藝術夏令營」主要以原住民中的鄒族文化為學習基礎,阿里山鄉茶山村為執行地點,服對象以茶山國小學童為主,共有44人。營隊為期一週,輔導與山作人員由二十七位嘉義師院美教系學生組成。本文將透過分析「社區取向藝術教育」的課程設計與教學理念和原則所建立的觀念架構來檢視該藝術文化營隊的教學活動過程、內容設計以及與社區互動方式,充分挖掘其內含之藝術教育意義。 「茶山文化藝術夏令營」執行結果所啟示的教育意義如下:一、在社區生活、文化環境脈絡中進行的藝術學習,比較容易推動族群文化經驗和認知;二、適當的跨文化接觸與交流,比較能夠促進族群間三、藝術學習範圍擴展至社區生活層面,比較容易強化學生的社區參與和價值體系的瞭解;四、以多元、合作、參與性、開收性和是索性的建構性教學為基礎,比較容易培養學生客觀思辨的能力與彼此尊重的態度。
以文找文
A phenomenon shared by Taiwanese aboriginal cultures is the struggle for cultural identity within the context of fast changing values and impacts of global cultures or the conscious enculturation by the core culture. The need to strengthen pride and cultural awareness within ethnic groups, and mutual respects among them remains important issues in Taiwan’s education at present. For the purpose of preparing children to be sensitive to their own cultures and communities, the “Chia-Shan’s Art and Culture Summer Camp” was designed especially for aboriginal Zou children at Chia Shan elementary school in Chia Shan village. The design of curriculum and teaching strategies for this program was based on concepts of community-based art education in which applications of community resources, community participation, and learning about community are emphasized. This program was centered on the study of Chia-Shan village and its Zou culture. Its purpose is threefold: (a)strengthening Zou children’s sensitivity and obligation to their own culture and community, (b)promoting cross-cultural communication and mutual respects, and (c)bridging the gap between art and life in art education. Work in this summer camper threw some insights upon art education as follows: (1)community-based art education can play a significant role in strengthening cultural pride and awareness, (2)cross-cultural understandings and respects can be more easily reached through appropriate contacts and collaborations, (3)a socio-culturally responsive curriculum will equip students with senses of community participation and obligation, and (4)it is more accessible to cultivating students’ critical thinking and mutual respects through a reflective, collaborative, and democratic pedagogy.
以文找文
期刊論文
1.
Chalmers, F. G.(1974)。A cultural foundation for art education in the arts。Art Education,17(1),20-25。
2.
Katter, E.(1995)。Multicultural connections, craft and community。Art Education,49(1),9-13。
3.
Lovano-Kerr, J.(1985)。Cultural diversity and art education。Journal of Multi-cultural and Cross-cultural Research in Art Education,3(1),25-33。
4.
MacDonald, S.(1995)。The outing of school art: Art & design & community。INSEA NEWS,2(2),20-23。
5.
Marche, T.(1998)。Looking outward, looking in: Community in art education。Art Education,51(3),6-13。
6.
Marschalek, D.(1989)。A new approach to curriculum development in environmental design。Art education,42(4),8-17。
7.
Morris, C. B.(1998)。Cultural Ecology: Arts of the mountain culture。Art Education,51(3),14-19。
8.
Nadaner, D.(1985)。The art teacher as cultural mediator。Journal of Multicultural and Cross-cultural Research in Art Education,3(1),51-55。
9.
Stuhr, P.、Petrovich-Mwaniki, L.、Wasson, R.(1992)。Curriculum guidelines for the multicultural art classroom。Art Education,45(1),16-24。
10.
Sahasrabudhe, P.(1992)。Multicultural art education: A proposal for curriculum content, structure and attitudinal understandings。Art Education,45(3),41-47。
11.
Blandy, D.、Hoffman, E.(1993)。Toward an art education of place。Studies in Art Education,35(1),22-33。
會議論文
1.
陳箐繡(1997)。以質化方式探索兒童繪畫內容與社會環境間的關係。一九九七藝術教育國際研討會:藝術與文化認同。彰化:中華民國藝術教育協會。177-190。
延伸查詢
2.
萬煜瑤(1997)。原住民文化與藝術--排灣族古樓村聚落研究。彰化:中華民國藝術教育協會。191-201。
延伸查詢
圖書
1.
徐宗林(1979)。文化與教育。台北市:文景書局。
延伸查詢
2.
Blandy, D.、Congdon, K. G.(1987)。Art in a democracy。New York:Teachers College Press。
3.
Clark, G.、Zimmerman, E.(1997)。Project ARTS: Programs for ethnically diverse, economically disadvantaged, high ability, visual arts students in rural communities。Bloomington, IN:Indiana University。
4.
London, P.(1994)。Step outside: Community-based art education。Portsmouth, NJ:Heinemann。
5.
McFee, J.、Degge, R.(1977)。Art, culture, and environment: A catalyst for teaching。Dubuque, Iowa:Kendall/Hunt。
6.
Shannon, M. J.(1992)。Education-based community development。Englewood, NJ:Center for Design Study。
7.
Sleeter, C. E.、Grant, C. A.(1988)。Making choices for multicultural education: Five approaches to race, class, and gender。Columbus, Ohio:Merrill。
8.
McFee, J. K.(1961)。Preparation for art。Wadsworth。
圖書論文
1.
孫大川(1998)。序--原住民不再是歷史的缺席者。搖滾祖靈--台灣原住民藝術家群象。台北市:藝術家。
延伸查詢
2.
Blandy, D.(1992)。A community art setting inventory for elementary art and classroom teachers: Towards the community integration of students experiencing disabilities。Art Education: Elementary。Reston, VA:National Art Education Association。
3.
Herskovits, M. J.(1955)。Cultural relativism and cultural values。Cultural relativism: Perspectives in cultural pluralism。New York:Random House。
4.
McFee, J. K.(1998)。Society, art and education。Cultural Diversity and the structure and practice of art education。Reston, VA:The National Art Education Association。
5.
Naperud, R.(1995)。Texture of community: An environmental design education。Context, content, and community in art education。New York:Teachers College Press。
6.
Sturhr, P.(1995)。Social reconstructionist multicultural art curriculum design: Using the Powwow as an example。Context, content, and community in art education。New York:Teachers College Press。
7.
Banks, J. A.、Banks, C. A. M.(1993)。Approaches to multicultural curriculum reform。Multicultural Education: Issues and Perspectives。Allyn & Bacon。
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