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題名:帶有雜質的樂音--聽覺模型及「泛音-噪音比」
書刊名:關渡音樂學刊
作者:蔡振家 引用關係
作者(外文):Tsai, Chen-gia
出版日期:2009
卷期:10
頁次:頁113-125
主題關鍵詞:音色泛音-噪音比音景分析吼音尺八電吉他京胡TimbreHarmonic-to-noise ratioAuditory scene analysisGrowl voiceShakuhachiElectric guitarJinghu
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:2
  • 點閱點閱:32
期刊論文
1.Plomp, R.、Levelt, W.(1965)。Tonal consonance and critical bandwidth。Journal of the Acoustic Society of America,38,548-560。  new window
2.Boersma, P.(1993)。Accurate short-term analysis of the fundamental frequency and the。Proceedings of the IFA,17,97-110。  new window
3.Borch, D. Z.、Sundberg, J.、Lindestad, P. A.、Thalén, M.(2004)。Vocal fold vibration and voice source aperiodicity in 'dist' tones: a study of a timbral ornament in rock singing.。Logopedics, Phoniatrics, Vocology,,29(4),147-153。  new window
4.de Cheveigné, A.(1997)。Concurrent vowel identification. III. A neural model of harmonic interference cancellation。ournal of Acoustical Society America,101,2857-2865。  new window
5.Gibiat, V.、Castellengo, M.(2000)。Period doubling occurrences in wind instruments musical performance。Acustica,86,746-754。  new window
6.Keister, J.(2008)。Song of the True Hand by Elizabeth Reian Bennett。Asian Music,39(2),194-197。  new window
7.Licklider, J. C. R.(1951)。.A duplex theory of pitch。Experientia,7(4),128-134。  new window
8.Meddis, R.、O'Mard, L.(1997)。A unitary model of pitch perception。Journal of the Acoustical Society of America,102(3),1811-1820。  new window
9.Riede, T.、Herzel, H.、Hammerschmidt, K.、Brunnberg, L.、Tembrock, G.(2001)。The harmonic-to-noise ratio applied to dog barks。Journal of Acoustical Society America,,110(4),2191-2197。  new window
10.蔡振家(2008)。具有非線性邊界條件的琴弦振動:京胡“開花音”的聲學研究。黃鐘(中國.武漢音樂學院學報),2008(4),168-174。  延伸查詢new window
11.蔡振家(20050700)。表演者的混沌嗓音--吼音的跨領域探討。戲劇學刊,2,39-62。new window  延伸查詢new window
12.Lee, M. H.、Lee, J. N.、Soh, K. S.(1998)。Chaos in segments from Korean traditional singing and Western singing。Journal of Acoustical Society America,103(2),1175-1182。  new window
會議論文
1.Tsai, C. G.(2004)。Auditory grouping in the perception of roughness induced by subharmonics: empirical findings and a qualitative model。International Symposium on Musical Acoustics,(會議日期: 20040331-20040403)。Nara。257-260。  new window
2.蔡振家、Auhagen, W.(2005)。中國笛的音準、音域與音色:笛膜的Duffing振子模型。傳統樂器學術研討會,(會議日期: 20050910-20050911)。臺北。  延伸查詢new window
圖書
1.von Helmholtz, H. L. F.、Ellis, A. J.(1954)。On the Sensations of Tone as the Physiological Basis for the。New York。  new window
2.Walser, R.(1993)。Running with the Devil: Power, Gender and Madness in Heavy Metal Music。Hanover, NH:University Press of New England。  new window
3.Bregman, A. S.(1990)。Auditory scene analysis: the perceptual organization of sound。Cambridge, Mass:The MIT Press。  new window
圖書論文
1.Mazo, M.、Ericson, D.、Harvery, T.(1995)。Emotion and expression: temporal data on voice quality in Russian lament。Vocal Fold Physiology: Voice Quality Control。San Diego:Singular。  new window
 
 
 
 
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