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題名：西方經典在臺灣劇場 : 改編與轉化
作者：段馨君 引用關係
出版日期：2012
出版項：新竹:國立交通大學出版社
ISBN：978-986-6301-46-9
主題關鍵詞：劇場藝術；劇評；跨文化研究
學門：藝術學
資料類型：專書
相關次數：
  • 被引用次數被引用次數:期刊(5) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:4
  • 共同引用共同引用:0
  • 點閱點閱:110
期刊論文
1.Balme, Christopher B.(1999)。Decolonizing the Stage: Theatrical Syncretism and Post- Colonial Drama。Theatre Journal，53(2)，353-354。  new window
2.Bayer, Mark(2007)。The Merchant of Venice, the Arab-Israeli Conflict, and the Perils of Shakespearean Appropriation。Comparative Drama，41(4)，465-492。  new window
3.Bayer, Mark(2004)。Foreign Asia/Foreign Shakespeare: Dissenting Notes on New Asian Interculturality, Postcoloniality, and Recolonization。Theatre Journal，56(1)，1-28。  new window
4.Bhabha, Homi K.(1985)。Signs Taken for Wonders: Questions of Ambivalence and Authority under a Tree outside Delhi。Critical Inquiry，12(1)，144-165。  new window
5.Bharucha, Rustom(2004)。oreign Asia/Foreign Shakespeare: Dissenting Notes on New Asian Interculturality, Postcoloniality, and Recolonization。Theatre Journal，56(1)，1-28。  new window
6.Case, Sue Ellen(1987)。The Personal is Not the Political。Art and Cinema，1(3)。  new window
7.Cheng, Scarlet(1998)。At Home But Out of Place: Puccini s Chinese Princess of Darkness, Turandot, Arrives in the Forbidden City。Los Angeles Times，23，6。  new window
8.Daniel, Drew(2010)。Let me have judgment, and the Jew his will: Melancholy Epistemology and Masochistic Fantasy in The Merchant of Venice。Shakespeare Quarterly，61(2)，206-234。  new window
9.Dasenbrock, Reed Way(2005)。Imitation versus Contestation: Walcott's Postcolonial Shakespeare。Callaloo，28(1)，104-113。  new window
10.de Man, Paul(1976)。Autobiography as De-Facement。Modern Language Notes，94，919-930。  new window
11.Ellis, Jim(2001)。Conjuring The Tempest: Derek Jarman and the Spectacle of Redemption。A Journal of Lesbian and Gay Studies，7(2)，265-284。  new window
12.Enright, Robert(1994)。A Clean, Well-lighted Grace: An Interview with Robert Wilson。Border Crossings，13(2)，14-22。  new window
13.Fendt, Gene(2009)。Sweet Use: Genre and Performance of The Merchant of Venice。Philosophy and Literature，33(2)，280-295。  new window
14.Fischer-Lichte, Erika(2003)。Shakespeare, Brecht, and the Intercultural Sign。Asian Theatre Journal，20(1)，91-93。  new window
15.Fitzpatrick, Lisa(2007)。Staging The Merchant of Venice in Cork: The Concretization of a Shakespearean Play for a New Society。Modem Drama，50(2)，168-183。  new window
16.Florence, Penny(1993)。A Conversation with Sally Potter。Screen，34(3)，277-284。  new window
17.Floriane Reviron-Piegey(2009)。Translating Generic Liberties: Orlando on Page and Screen。Biography，32(2)，316-339。  new window
18.Imre, Aniko(2003)。Twin Pleasures of Feminism: Orlando Meets My Twentieth Century。Camera Obscura，18(3)，176-211。  new window
19.Johnson, Erica L.(2004)。Giving Up the Ghost: National and Literary Haunting in Orland。MFS Modern Fiction Studies，52(1)，110-128。  new window
20.Johnson, Nora。Body and Spirit, Stage and Sexuality in The Tempest。ELH，64(3)，683-701。  new window
21.Kitch, Aaron(2008)。Shylock's Sacred Nation。Shakespeare Quarterly，59(2)，131-155。  new window
22.Korda, Natasha(2009)。Dame Usury: Gender, Credit and (Ac)counting in the Sonnets and The Merchant of Venice。Shakespeare Quarterly，60(2)，129-153。  new window
23.Lara, Irene(2007)。Caliban's Curses: The Decolonial Feminist Literacy of Sycorax。Journal of International Women's Studies，9(1)。  new window
24.Lawrence, Karen R.(1992)。Orlando's Voyage Out。MFS Modern Fiction Studies，38(1)，253-277。  new window
25.Lei, Daphne(2011)。Interruption, Intervention, Interculturalism。Theatre Journal，63(4)，570-586。  new window
26.Liao, Ping(1993)。Hope, Recollection, Repetition: Turandot Revisited。The Mu-sical Quarterly，77(1)，67-80。  new window
27.Matibag, Eugenio D.(1991)。Self-consuming Fictions: The Dialectics of Cannibalism in Modern Caribbean Narratives。Postmodern Culture，1(3)，31-35。  new window
28.Metzger, Sean(2003)。Ice Queens, Rice Queens, and Intercultural Investments in Zhang Yimou's Turandot。Asian Theatre Journal，20，212。  new window
29.Mishra, Vijay、Hodge, Bob(2005)。What Was Postcolonialism?。M New Literary His-tory，36(3)，375-402。  new window
30.O'Connor, Erin(2003)。Preface for a Post-Postcolonial Criticism。Victorian Studies，45(2)，217-246。  new window
31.Ormsby, Robert(2003)。Richard the Second: Adapting Shakespeare to the Local in a Culture of Global Celebrity。Racism and Homophobia in The Merchant of Venice，70(2)，375-397。  new window
32.Perng, Ching(1989)。At the Crossroad: Peking Opera in Taiwan Today。Asian theatre Journal，6(2)，124-144。  new window
33.Pidduck, Julianne(1997)。Travels with Sally Potter's Orlando: Gender, Narrative, Movement。Screen，38(2)，177-183。  new window
34.Platt, Kevin(199807)。How Chinese Remade Turandot, the Italian Opera on China。Christian Science Monitor, Internationalt，14。  new window
35.Rosenshield, Gary(2002)。Deconstructing the Christian Merchant: Antonio and The Merchant of Venice。An ItUerdisciplittary Journal of Jewish Studies，20(2)，28-51。  new window
36.Sanchez, Melissa E.。Seduction and Service in The Tempest。Sturies in Philol-ogy，105(1)，50-82。  new window
37.Schechner, Richard(1989)。Intercultural Themes。Performing Arts Journal，11，151-62。  new window
38.Schwartz, Arman(2010)。Mechanism and Tradition in Puccini's Turandot。The Opera Quarterly，25(1-2)，28-50。  new window
39.Shevtsova, Maria(1995)。Isabelle Huppert Becomes Orlando。New Theatre Quarterly，6，3-16。  new window
40.Shin, Hiewon(2008)。Single Parenting, Homeschooling: Prospero, Caliban, Miranda。SEL Studies in English Literature，48(2)，373-393。  new window
41.Slights, Jessica(2001)。Rape and the Romanticization of Shakespeare's Miranda。SEL Studies in English Literature，41(2)，357-379。  new window
42.Smith, Victoria L.(2006)。Ransacking the Language。Finding the Missing Goods in Virginia Woolfs Orlando Journal of Modern Literature，27(4)，57-75。  new window
43.Spivak, Gayatri Chakravorty(1985)。Three Women's Texts and a Critique of Imperialism。Critical Inquiry，12(1)，243-261。  new window
44.Turner, Henry S.(2006)。The Problem of the More-than-One: Friendship, Calculation, and Political Association in The Merchant of Venice。Shakespeare Quar-terly，57(4)，413-442。  new window
45.Wilson, Robert(2005)。Bob Wilson and The Ring: Painting with Light。ArtPress，316，47-51。  new window
46.Wilson, Robert、Newman, Fred、Schechner, Richard(2003)。Robert Wilson and Fred Newman: A Dialogue on Politics and Therapy, Stillness and Vaudeville。The Drama Review，47(3)，113。  new window
47.Wollen, Peter(1987)。Fashion/Orientalism/The Body。New Formations，1，5-33。  new window
48.Woolf, Virginia(1980)。The Diary of Virginia Woolf3，1925-1930。  new window
49.Wynter, Sylvia(2003)。Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation -- An Argument。The New Centennial Review，3(3)，257-337。  new window
50.Yang, Mina(2007)。East Meets West in the Concert Hall: Asians and Classical Music in the Century of Imperialism, Postcolonialism, and Multiculturalism Asian Music38(1)，1-30。  new window
51.Zyl, Susan Van(1998)。The Other and Other Others: Post-colonialism, Psychoanalysis and the South African Question。American Image，55(1)，77-100。  new window
52.王安祈(200901)。在燈光設計框架裡編劇的奇特經驗。表演藝術，193，78-79。  延伸查詢new window
53.王虹、焦敏(2010)。《暴風雨》的後殖民解讀與挪用。湖南大學學報（社會科學版），24(3)，93-97。  延伸查詢new window
54.古嘉齡。紀念俞大綱先生百歲誕辰戲曲學術研討會紀要。民俗曲藝，160。new window  延伸查詢new window
55.林明澤(19961200)。走出暴風雨--後殖民情境中「卡力班」認同的困境。中外文學，25(7)=295，163-185。new window  延伸查詢new window
56.段馨君(2007)。跨文化表演與文化帝國主義7。  延伸查詢new window
57.耿一偉、張育嘉、陳安伶、劉昌漢(200903)。Two is One西方的前衛在東方。表演藝術雜誌，195，60-70。  延伸查詢new window
58.陳學霖(20080000)。明代宦官與鄭和下西洋的關係。中國文化研究所學報，17=48，163-192。new window  延伸查詢new window
59.黃尹瑩(2008)。當代傳奇的莎士比亞：論暴風雨的改編策略和跨文化劇場美學。香港戲劇學刊，7，527-540。  延伸查詢new window
60.黃慧敏(1997)。彼得格林威--以電影作畫的畫家導演。電影欣賞，89。  延伸查詢new window
61.廖培真(2008)。暴風雨中的完美女人：比較解構米蘭達的身體。臺大語言與文學研究，19，81-116。  延伸查詢new window
62.廖炳惠(2001)。從後殖民思潮看台灣。文化視窗，31，40-45。  延伸查詢new window
63.廖炳惠(20060900)。後殖民主義導引。國立編譯館館刊，34(3)，105-109。  延伸查詢new window
64.楊俊鴻(20021000)。從後現代的再現觀談課程研究的新趨勢。教育研究，102，67-75。new window  延伸查詢new window
65.蔡振家(2005)。表演者的渾沌嗓音--吼音的跨領域探討。戲劇學刊，2，39-62。new window  延伸查詢new window
66.劉若瑀(2010)。鄭和1433的取材和改編。PAR表演藝術，205。  延伸查詢new window
67.閻鴻亞(201003)。鄭和1433--激烈的美感實驗‧動人的反暴力宣言。中華戲劇協會會訊，19。  延伸查詢new window
68.劉若瑀(2010)。鄭和1433的取材和改編。PAR表演藝術，205。  延伸查詢new window
69.陳淑芬(20081200)。莎士比亞翻譯與「跨文化劇場」交流--以臺南人劇團「莎士比亞工作坊《奧賽羅》」呈現為例。文山評論，2(1)，99-120。new window  延伸查詢new window
70.Said, Edward W.、林明澤(19951100)。東方論再思。中外文學，24(6)=282，76-93。new window  延伸查詢new window
71.顏玉雲(200303)。從後現代主義到後殖民主義的台灣文化研究。人文藝術學報，2，55-76。  延伸查詢new window
72.廖炳惠(19920300)。後殖民與後現代--Homi K. Bhabha的訪談。當代，71，20-25。  延伸查詢new window
73.陳芳(20110700)。豈能約束？--「豫莎劇」《約／束》的跨文化演繹。戲劇學刊，14，63-83。new window  延伸查詢new window
74.廖炳惠(19930700)。在臺灣談後現代與後殖民論述。當代，87，94-107。  延伸查詢new window
75.廖炳惠(19970900)。後殖民研究的問題及前景--幾個亞太地區的啟示。當代，3=121，48-61。  延伸查詢new window
76.戴雅雯、呂健忠(19941200)。臺灣劇場的跨文化改編--橋樑或是裂痕﹖。中外文學，23(7)=271，12-25。new window  延伸查詢new window
會議論文
1.康保成(2010)。契合與背離的雙重變奏--關於中西戲劇交流的個案考察與理論閫釋87-107。  延伸查詢new window
圖書
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18.Shevtsova, Maria(2007)。Robert Wilson。London：Routledge。  new window
19.Sheyer, Lawrence(1989)。Robert Wilson and His Collaborators。New York：Theatre Communications Group。  new window
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22.Woolf, Virginia(1928)。Orlando。New York：Harcourt。  new window
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24.石山(2000)。一個宦官的傳奇歷程：鄭和的一生。臺北：遠流。  延伸查詢new window
25.史特拉汶斯基、施寄青(1988)。史特拉斯基一春天加冕。臺北：北辰文化。  延伸查詢new window
26.段馨君(2010)。凝視台灣當代劇場一女性劇場、跨文化劇場與表演工作坊。臺北。  延伸查詢new window
27.莎士比亞(2006)。威尼斯商人。臺北：聯經出版社。  延伸查詢new window
28.莎士比亞(1981)。威尼斯商人。臺北：河洛圖書出版社。  延伸查詢new window
29.莎士比亞(1981)。暴風雨。臺北：河洛圖書出版社。  延伸查詢new window
30.莎士比亞、楊牧(1999)。暴風雨。臺北：洪範書店。  延伸查詢new window
31.耿一偉(2009)。羅伯．威爾森：光的無限力量。臺北：國立中正文化中心。  延伸查詢new window
32.彭鏡禧、陳芳(2009)。豫莎劇約/束--改編自莎士比亞威尼斯商人。臺北：學生書局。  延伸查詢new window
33.彭鏡禧、陳芳(2009)。約/束。臺北：學生書局。  延伸查詢new window
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39.當代傳奇(2005)。暴風雨。臺北：當代傳奇。  延伸查詢new window
40.(20110316)。張藝謀維基百科。  延伸查詢new window
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49.Diamond, Catherine Theresa Cleeves、呂健忠(2000)。做戲瘋，看戲傻：十年所見臺灣劇場的觀眾與表演(1988-1998)。臺北：書林。  延伸查詢new window
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56.陳芳、嚴立模(2003)。臺灣豫劇五十年圖志。國立傳統藝術中心。  延伸查詢new window
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62.鍾明德(19950000)。現代戲劇講座：從寫實主義到後現代主義：你也可以打通任督二脈。臺北：書林。new window  延伸查詢new window
63.Butler, Judith(1993)。Bodies that Matter: On the Discursive Limits of "Sex"。Routledge。  new window
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66.Butler, Judith(1997)。Excitable Speech: A Politics of the Performative。New York：Routledge。  new window
67.Butler, Judith P.(1990)。Gender Trouble: Feminism and the Subversion of Identity。Routledge。  new window
其他
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2.汪宜儒(20090206)。羅伯威爾森打造中文版歐蘭朵，http://tw.news.yahoo.eom/article/ui.l/d/ a/090206/4/le008.html。  延伸查詢new window
3.張小虹(2009)。陰陽同體的生命流變，http://moviel.cca.gov.tw/ Topics/Content.asp?ID=1968。  延伸查詢new window
4.彭鏡禧，陳芳(20101116)。莎士比亞的戲曲合同：約/束的編劇理念，http://www.doc88.com/p-90251104571.html。  延伸查詢new window
5.Wilson, Robert，魏海敏(200903)。歐蘭朵，http://jimmyblanca.blogspot.com/2009/03/ robert-wilson.html。  new window
6.薪傳劇藝擁抱金鍾一影、視、劇三迎的小生唐美雲，http://www.taiwanl23. com. tw/ S ONG/g2c-2-1. htm。  延伸查詢new window
7.劉若璃。台灣大百科全書，http://taiwanpedia.culture.tw/web/ content?ID=6793。  延伸查詢new window
8.優人神鼓，http://utheatre.glis.ntnu.edu.tw/node/52。  new window
9.(2010)。2010劇照除圖5,圖1-圖6。  延伸查詢new window
10.(20101018)。維基百科：威尼斯商人，http://zh.wikipedia.org/zh/%E5%A8%81%E5%B0%BC%E6%96%AF%E5%95%86%E4%BA%BA。  new window
11.汪宜儒(20101018)。約/束不受傳統約/束豫劇.演莎 劇首登莎翁雙年會，http://bangzi.pixnet.net/blog/ post/27823596。  延伸查詢new window
12.(20101018)。台灣豫劇團新聞稿：豫莎劇約束，http:// webcache.googleusercontent.com/search?q=cache:CWUaFDqjVikJ:www. bengzi.org.tw/word/980824a.doc+%E7%B4%84/%E6%9D%9F+%E8%B l%AB%E5%8A%87&cd=18&hl=zh-TW&ct=clnk&gl=tw&client=firefox-a。  new window
13.(20101117)。台灣大百科全書：豫劇，http://taiwanpedia.culture.tw/web/ content?ID=6854。  延伸查詢new window
14.許寶勛(20101117)。豫劇唱腔分類與主要板式部分介紹，http://w90. bengzi.org. tw/c-main-1 .htm。  延伸查詢new window
15.(20101117)。台灣豫劇團：基本板式與唱腔慢板，http://w90.bengzi.org.tw/c_side/c-right-bl-3a.htm。  延伸查詢new window
16.(20101117)。台灣豫劇團：基本板式與唱腔。二八，http://w90.bengzi.org.tw/c_side/c-right-bl-3b.htm。  延伸查詢new window
17.(20101117)。台灣豫劇團：基本板式與唱腔。流水，http://w90.bengzi.org.tw/c_side/c-i.ight-bl-3c.htm。  延伸查詢new window
18.(20101117)。台灣豫劇團：基本板式與唱腔。飛板，http://w90.bengzi.org.tw/c_side/c-right-bl-3d.htm。  延伸查詢new window
19.黃尹瑩(20101015)。當代傳奇的莎士比亞：論暴風雨的改編策略和跨文化劇場美學，http://www.com2.tw/chta-news/2007-3/chta-0703- ac7.htm。  延伸查詢new window
20.(20101018)。當代傳奇劇場網站--人物介紹，http://p0028.cyberstage.com. tw/。  延伸查詢new window
21.時惠文(20101019)。只見風雨不見天--評台灣當代傳奇劇場暴風雨，http://paper.wenweipo.eom/2008/12/07/OT0812070009.htm。  延伸查詢new window
22.紀慧玲(20101111)。徐克舞台首部曲掀起暴風雨，http://city.udn.com/1240/1027317?tpno=6&cate_no=0。  延伸查詢new window
23.樂多文創，欣寧的文字收納室(20101111)。劇場吳興國：二十年，千種人生，http://blog_roodo.com/ifictee/archives/8048933.html。  延伸查詢new window
24.鄭和1433精彩片段與羅伯‧威爾森的訪問，http://www.youtube.com/ watch?v=izir8tFHHTg。  延伸查詢new window
25.人間新聞(20100226)。重現鄭和下西洋前衛劇場美學，http://www.youtube.com/ watch?v=KwgiuhVRsvw&NR=l。  延伸查詢new window
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28.石光生(2007)。論近來臺灣傳統戲曲文本的歐洲作品改編：以歌仔戲與布袋戲為例。俞大綱百年學術研討會。宜蘭：國立傳統藝術中心。  延伸查詢new window
29.石光生(2010)。台灣跨文化劇場詮釋的再省思。2010跨文化研究學術研討會。南台科技大學。new window  延伸查詢new window
30.Balme, Christopher、耿一偉(2010)。劍橋劇場研究入雰門。劍橋劇場研究入雰門。臺北：書林。  延伸查詢new window
31.李菁菁(2000)。重回歷史現場。海上史詩鄭和下西洋。臺北：經典雜誌。  延伸查詢new window
32.林境南(2004)。另類莎劇--當代傳奇暴風雨。暴風雨。臺北：當代傳奇。  延伸查詢new window
33.夏維中(2000)。眾說紛紜的歷史動因。海上史詩鄭和下西洋。臺北：經典雜誌。  延伸查詢new window
34.莫默(201003)。對歷史施以輕浮，不莊重的魅惑--默看鄭和1433。表演藝術。  延伸查詢new window
35.張靜二(2004)。威尼斯商人的彩匣情節。發現莎士比亞--台灣莎學論述選集。臺北：貓頭鷹。  延伸查詢new window
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37.魏明倫(1995)。中國公主杜蘭朵。潘金蓮：魏明倫劇作三部曲。臺北：爾雅。  延伸查詢new window
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40.王海玲(20101018)。南部地區傳統戲曲教育資源網。台灣豫劇團。  延伸查詢new window
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