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題名:動態圖像信息在模糊邊緣與明度對比分析上之視覺評量方法研究
書刊名:設計學報
作者:陳瀚凱 引用關係管倖生 引用關係
作者(外文):Chen, Han-kaiGuan, Shing-sheng
出版日期:2012
卷期:17:1
頁次:頁59-77
主題關鍵詞:動態圖像信息審美信息率模糊邊緣寬度視覺評量DIIDynamic images informationAIRAesthetics information ratioBEWBlurred-edge-widthVisualized evaluation
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(6) 博士論文(2) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:14
  • 點閱點閱:75
在數位媒體設計的應用上,動態圖像信息所佔的比例更是佔大部分,因此瞭解動態圖像信息對觀者 在視覺心理上的影響,使其符合數位設計需求,其實是個非常重要的課題。所以在動態圖像呈現被普及 化的今天,設計師更應該對相關動態圖像呈現的媒介技術(例如:液晶螢幕、單槍投影、顯示器等), 也必須有同步的認知與瞭解,這樣在數位設計的管理過程中,如動畫設計、網頁設計或多媒體設計等, 才能期待有更好的設計品質呈現。研究目的:(1)探討動態圖像信息在模糊邊緣與明度對比上對觀者心 理所產生的影響。(2)提出呈現動態圖像信息之視覺評量方法與改良建議。(3)最後的研究成果,希 望可以做為設計實務之參考。研究方法:本研究透過視覺評量方法以及高速攝影取像技術,兩者同步進 行驗證測試。另在統計分析部份,本研究導入「審美信息率」(aesthetics information ratio, AIR)與「正 面與負面信息」的概念,藉由「動態圖像信息熵式」統一轉換BEW,便於分析高複雜度的動態圖像信息。 最後從研究結果顯示,透過正負面信息的概念,可以對動態圖像信息獲得初步的驗證,亦即當AIR 趨近 於1 時,代表觀者所看到的動態模糊寬度尚在可接受範圍,亦表示信息傳達介於中間程度。其次,當AIR 數值大於1 者,代表觀者所看到的動態模糊寬度較小,亦表示信息傳達較為清楚。反之,當AIR 小於1 時,則代表觀者所看到的動態模糊寬度較大,亦表示信息傳達較為模糊與不清楚。
Most of the dynamic image has to be presented in the application of digital media design. Therefore, it is essential to understand the influence of dynamic image on observers’ visual psychology and make the information conform to the demands of media design. Designers at modern times should keep abreast of pertinent media technology in imaging display and so forth so as to the quality in multimedia design, games design, or web page design. The purpose of this study is triplefold: (1) to explore the related methods for visualized evaluation of dynamic images and examine the influence of dynamic images on viewers’ visual psychology, (2) to propose a visualized evaluation method for displaying dynamic images and improving imaging performance, (3) to provide validated results for design applications and design practice. In this study, visualized evaluation criteria were offered to support high-speed photography and perform simultaneous verifying tests. Accordingly, the concept of AIR was introduced in this research to transform the BEW through the dynamic images entropy and a validation test was conducted by visualized evaluation and high speed imaging. It is found that static or dynamic images are affected by brightness contrast to some extent in human being’s visual acuity. In conclusion, a brand-new idea in this research is to bring in the AIR to validate complicated dynamic images information and the concept of positive and negative information is proposed. The bigger number of AIR (>1.0) means a better quality of information communication. On the contrary, the quality of information communication is worse when the AIR is less than one.
期刊論文
1.Petrov, V. M.(2002)。Entropy and stability in painting: An information approach to the mechanisms of artistic creativity。LEONARDO,35(2),197-202。  new window
2.管倖生、童鼎鈞(20020900)。CIELAB、CMC、BFD、CIE94色差公式之績效評估--以ABS塑膠材料為例。設計學報,7(2),23-46。new window  延伸查詢new window
3.陳瀚凱、管倖生(20070600)。以信息熵理論探討視覺特徵信息對審美性與注目性之影響--以海報設計為例。設計學報,12(2),53-70。new window  延伸查詢new window
4.陳瀚凱、管倖生(20080300)。液晶顯示器呈現動態畫面品質在色彩偏移分析之視覺評量方法研究。設計學報,13(1),51-70。new window  延伸查詢new window
5.Yamamoto, T.、Aono, Y.、Tsumura, M.(2000)。Guiding principles for high quality motion picture in AMLCDs applicable to TV monitors。SID 2000 Digest,30(2),456-459。  new window
6.Chen, H. K.、Guan, S. S.(2007)。Research of visual feature information influence between aesthetics & attention in information entropy theory- A case study of poster design。Journal of Design,12(2),53-70。  new window
7.Chen, H. K.、Guan, S. S.(2008)。The study for color-shift analysis and the visualized evaluation of the moving images information on LCD。Journal of Design,13(1),51-70。  new window
8.Guan, S. S.、Tong, D. J.(2002)。CIELAB、CMC、BFD、The efficacy evaluation of color shift formula in CIELAB, CMC, BFD, and CIE94: A Case Study in ABS Plastic Materials。Journal of Design,7(2),23-46。  new window
會議論文
1.Kurita, T.、Saito, A.(2002)。A characteristic of the temporal integrator in the eye-tracing integration model of the visual system on the perception of displayed moving images。The IDW'02 conference。International Display Workshops。1279-1282。  new window
研究報告
1.陳瀚凱(2010)。動態圖像信息之整合性視覺評量方法研究。彰化縣。  延伸查詢new window
2.Chen, H. K.(2010)。The study on integration visualized evaluation methods of dynamic images information。Changhua。  new window
圖書
1.Bense, M.、Reichard, J.(1971)。The projects of generative aesthetics, cybernetics, art and ideas。London:Studio Vista。  new window
2.亞士科勒福特、陳學志(2004)。認知心理學。臺北市:學富。  延伸查詢new window
3.De Valois, R.、De Valois, K.(1988)。Spatail vision。New York:Oxford University Press。  new window
4.Kaiser, P.、Boynton, R.(1996)。Human color vision。Washngton, DC:Optical society of America。  new window
5.Solso, R. L.(1994)。Cognition and the visual arts。Cambridge, MA:A Bradford Book。  new window
6.山中俊夫、黃書倩(2003)。色彩學的基礎。臺北市:六合。  延伸查詢new window
7.張春興(2002)。現代心理學。臺北市:東華書局。  延伸查詢new window
8.Huang, S. C.、Sadao, M.(2003)。Basics of colour。Taipei。  new window
9.Chen, S. J.、Ashcraft, M. H.(2004)。Cognition。Taipei。  new window
10.Chang, C. H.(1994)。Modern psychology。Taipei。  new window
 
 
 
 
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