François Cheng is a Chinese-French poet, writer, translator, critic, whose early works focused on introducing French poetry and literature, while his main works after 1975 on analyzing Chinese poetry, and arts. François Cheng was elected as “Académicien français”, the first one between Chinese, in 2002, which is a highly appreciated for his contribution in Chinese-French cultures. François Cheng spent 12 years on plotting 《Le Dit de Tianyi》, which could be considered as his life work, however, the essential notions of yin/ yang, Empty/Full referred in this novel were less discussed particularly in Taiwan. This paper will apply the text analysis methodology to reflect upon the relation between Empty/Full in Taoism and the novel through the perspectives of feminine characters, nature elements, and writing atonement. Thus, this paper will first discuss the Mediation rule in females, and then try to deconstruct the symbols of plants, mountains, rocks, earths and rivers, by communicating with Nature. Finally, this paper will discuss how to reach Eternity through the living process of forgiveness and writing. The purposes of this paper are to broaden François Cheng’s analysis of Empty/Full by paying attention to the internal dynamics of《Le Dit de Tianyi》 leading to his understanding of self-cultivation in Taoism and furthermore, to represent his important cross-cultural ideology.