中國及西班牙雖然文化發展迥異，但十九世紀晚期（ 1875- 1900)，地處天涯兩端的知識分子，鑑於國勢頹廢，爲力挽狂 瀾，乃對政治、社會弊端，提出諸多針砭之法；在文學上，亦不 乏美學革新運動：如中國的「新文學」運動及西班牙的「九八年 代」運動。革新的浪潮下，少數奇幻文學作品藉由鬼魅諷喻時 勢，陳訴身處混亂時局之迷惘。 本論文除前言與結論外，主要分爲兩部分：首先分析中國及 西班牙十九世紀晚期的社會及文化現象；之後’列舉此時期兩地 的奇幻敘述作品，並依據巴克斯（Vax)的奇幻主題論與托鐸洛夫（Todorov)的結構主義分析論，針對其「主題」及「敘述結 構」，分析比較中、西作者的奇幻敘述技巧。

It’s easy to say that there is the cultural difference between China and Spain; but at the end of 19th century (1875-1900)， the intellectuals of both countries won’t be satisfied with their government, they intended to resolve the urgent socio-political problems and make their countries better. It also occurred in Literature, so there was the new aesthetic movements； ex.: the “New Literature”（新文學）in China, the “generaci6n del 98” in Spain. Among these movements, the literary works of the fantastic literature didn’t disappear. We can find a few of writers who reflected their socio-political opinion by their fantastic descriptions. In addition to the introduction and the conclusion, this research will include two main parts: the socio-cultural phenomenon, in which we will analyze the socio-cultural background of both countries; the fantastic art, in which we will present the narrative works of the fantastic literature of China and Spain, as well as compare the theme and the structure of these works on the basis of the methodology of the theme of Louis Vax and the structural methodology of Tzvetan Todorov.