本論文研究關懷以台灣離島發展為關注焦點，我們藉由文創產業在澎湖開展的社會創業實踐，探討鑲嵌在當地歷史與文化傳統的創業行動者們，如何從傳統經濟與文化邊界限制中脫離開來，如何從外部帶入新興文創產業。研究方法採取敘說探究，通過創業敘說我們發現社會創業包含邊界跨越工作，卽社會創業者必須挑戰既有空間、文化、經濟與資本邊界限制。最後，透過認知觀點視角，本研究將進一步提出 -想像、旅行與對話幫助社會創業者挑脫邊界限制。

Given by the Portuguese explorers, the Portuguese name of the Penghu archipelago, “Pescadores”, referring to "the islands of fisherman", consist of more than 90 islands, like the drops of pearls in the Pacific Ocean, situated on the center line of the strait between Mainland China and Taiwan. For centuries, the local people have depended on the ocean for sustenance; however, with the decline of the fishing-based economy, these pearls have become lonely islands of slow economic development. The story of this thesis starts with an invitation from a Penghu governmental agency, received by one of researchers, to plan and set up a cultural district in an unused public space of the Penghu archipelago. At the beginning, the researcher travels to these lonely islands and attempts to establish an artistic urban culture, inspired by one Japanese artist and her own mindset of urban culture. However, gradually affected by the spatial practice of the site, the researcher finally changed her mindset and decides to revive the regional historic and cultural treasures, rather than to bring urban culture to the islands. This research tries to provide such entrepreneurial narrative of cultural park planner’s mindset change over the course of a full year as a planner, and to reveal how this entrepreneurship is connected to boundary work based on the spatial practice of the site.