本文基於近年來部落產業與文創產業的興起，大量政府資金與民間團體進入部落協助發展部落特色產業，以往的傳統工藝是因為族群生活所需，生活日用、祭典儀式、婚嫁聘禮而生產製作，而現今的工藝已成為人文傳統的延續，與文化特色傳播、知識體系轉換成知識經濟，逐漸形成為文化創意產業，甚至於發展成原住民文化產業的模式。因此，本文針對在花蓮縣豐濱鄉新社部落的新社香蕉絲工坊觀察，說明傳統工藝的重要性與文化資產之間的關聯性，藉由傳統工藝復振、在地扎根與文化定位，才能發展部落文創產業，並且提出部落文創產業的分析與未來可能性。

In recent years, the government and non-government organizations have poured financial supports to assist Indigenous Peoples in developing trial industries. In the past, traditional handicrafts were developed for daily uses, especial ceremonial ones. Nowadays, tribal handicrafts not only carry and transmit cultural traditions but also constitute cultural creative industry by transforming indigenous knowledge into knowledge economy. This article records the operation of a banana weaving workshop at Kavalan tribe in Halien and illustrates how traditional handicrafts are related to the nourishment of Indigenous cultural industries.