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外文摘要
引文資料
題名:
Mariko Mori and the Globalization of Japanese "Cute" Culture: Art and Pop Culture in the 1990s
書刊名:
藝術學研究
作者:
李秀真
作者(外文):
Lee, Soojin
出版日期:
2015
卷期:
16
頁次:
頁131-167
主題關鍵詞:
森萬里子
;
村上隆
;
軟實力
;
藝術與流行文化
;
日本式的可愛
;
卡哇伊
;
日本式的酷
;
美少女戰士
;
Mariko Mori
;
Takashi Murakami
;
Soft power
;
Art and pop culture
;
Japanese cute
;
Kawaii
;
Japanese cool
;
Sailor Moon
原始連結:
連回原系統網址
相關次數:
被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
排除自我引用:0
共同引用:0
點閱:28
本文將以歷史文化的角度探究日本藝術家森萬里子(Mariko Mori, 1967-)的重要性,以及森萬里子在1990年代如何以藝術明星的姿態在國際間嶄露頭角。1995年森萬里子首次於紐約藝廊展出後,即迅速享有盛名並成為二十世紀末全球化日本的代表人物。當年她展出了《日本製造》(Made in Japan)系列,以廣告看版大小的彩色照片,顯示自己身穿各種可愛的、如電玩遊戲角色般的未來服裝。我認為森萬里子的《日本製造》系列作品是在日本創作,並且於歷史中一個非常特殊的時刻,接收於西方主導的藝術世界。在這個時刻,國際開始將當代日本藝術與流行文化視為日本軟實力的象徵和要素。大部分對於此系列作品的重要書寫皆出版於1990年代末,然而有問題的是,其中西方的著作顯露了對於森萬里子如何使用當代日本文化指涉的理解尚未成熟且欠缺均衡。我將在本文中檢視此西方藝術界的接收,並且提供一個逆向的詮釋,分析《日本製造》中的照片與日本流行文化的關係,特別討論森萬里子藝術與個人形象中所具備的「可愛」此日本大眾文化的美學。在這個過程中,我將提供森萬里子與日本流行的動畫人物的類比,特別是美少女戰士。為了進一步的論證日本當代藝術與流行文化潮流的相關性,我將解釋村上隆(Takashi Murakami, 1962-)如何在1990年代繼森萬里子的全盛期後崛起,代表了日本的全球化形象由商品文化的「可愛」夢境轉移到「酷」夢境。
以文找文
This essay offers a cultural-historical exploration of the significance of the Japanese artist Mariko Mori (b. 1967) and her emergence as an international art star in the 1990s. After her New York gallery debut show in 1995, in which she exhibited what would later become known as her Made in Japan series- billboard-sized color photographs of herself striking poses in various "cute," video-game avatar-like futuristic costumes-Mori quickly rose to stardom and became the poster child for a globalizing Japan at the end of the twentieth century. I argue that her Made in Japan series was created (in Japan) and received (in the Western-dominated art world) at a very specific moment in history, when contemporary Japanese art and popular culture had just begun to rise to international attention as emblematic and constitutive of Japan's soft power. While most of the major writings on the series were published in the late 1990s, problematically the Western part of this criticism reveals a nascent and quite uneven understanding of the contemporary Japanese cultural references that Mori was making and using. I will examine this reception, and offer a counter-interpretation, analyzing the relationship between Mori's Made in Japan photographs and Japanese pop culture, particularly by discussing the Japanese mass cultural aesthetic of kawaii ("cute") in Mori's art and persona. In so doing, I proffer an analogy between Mori and popular Japanimation characters, especially Sailor Moon. To further argue for a correlation between contemporary Japanese art and pop culture trends, I will explain how the rise of Takashi Murakami (b. 1962) following Mori's heyday in the 1990s, embodies the shift of Japan's global image from "cute" to the "cool" dreamland of commodity culture.
以文找文
Other
1.
Pollack, Andrew(19950917)。Japan, a Superpower Among Superheroes。
2.
Smith, Roberta(19950331)。Art in Review: Mariko Mori。
3.
Gustines, George Gene(20071207)。New York Anime Festival,http://query.nytimes.com/gst/fullpage.html?res=9904E3D7133BF934A35751C1A9619C8B63&scp=4&sq=cosplay&st=nyt, 2010/02/05。
4.
Lubow, Arthur(20050403)。The Murakami Method,http://www.nytimes.com/2005/04/03/magazine/the-murakamimethod.html?_r=0, 2015/06/03。
期刊論文
1.
Bryson, Norman(1998)。Cute Futures: Mariko Mori’s Techno-Enlightenment。Parkett,54,76-80。
2.
Cohen, Michael(199706)。Mariko Mori: Plastic Dreams in the Reality Bubble。Flash Art,30(194),94-97。
3.
Daliot-Bul, Michal(200910)。Japan Brand Strategy: The Taming of ‘Cool Japan’ and the Challenges of Cultural Planning in a Postmodern Age。Social Science Japan Journal,12(2),247-266。
4.
Fouser, Robert(199804)。Mariko Mori: Avatar of A Feminine God。Art-Text,60,34-36。
5.
Haye, Christian(199510)。Mariko Mori: American Fine Arts, New York。Frieze,24,68。
6.
Kinsella, Sharon(200205)。What’s Behind the Fetishism of Japanese School Uniforms?。Fashion Theory: The Journal of Dress, Body & Culture,6(2),215-237。
7.
Munroe, Alexandra(199204)。Wandering Position: Conceptual Art in the Post-Hirohito Era。Flash Art,25(163),71-74。
8.
Rhee, Jieun(2004)。From Goddess to Cyborg: Mariko Mori and Lee Bul。N. Paradoxa,14,5-12。
9.
Saito, Kumiko(201402)。Magic, Shojo, and Metamorphosis: Magical Girl Anime and the Challenges of Changing Gender Identities in Japanese Society。The Journal of Asian Studies,73(1),143-164。
10.
Sawaragi, Noi、Nanjo, Fumio(199204)。Dangerously Cute: Noi Sawaragi and Fumio Nanjo Discuss Contemporary Japanese Culture。Flash Art,25(163),75-77。
11.
Vetrocq, Marcia E.(199709)。The 1997 Venice Biennale: A Space Odyssey。Art in America,85(9),66-77。
12.
Vine, Richard(199609)。Mariko Mori at Deitch Projects and Other Venues。Art in America,84,107。
13.
Wallis, Jonathan(2008)。The Paradox of Mariko Mori’s Women in Post-Bubble Japan: Office Ladies, Schoolgirls, and Video-Vixens。Woman’s Art Journal,29(1),3-12。
14.
Yano, Christine R.(2009)。Wink on Pink: Interpreting Japanese Cute as It Grabs the Global Headlines。Journal of Asian Studies,68(3),681-688。
15.
McGray, Douglas(2002)。Japan's Gross National Cool。Foreign Policy,130,44-54。
16.
Grigsby, Mary(1998)。Sailormoon: Manga (Comics) and Anime (Cartoon) superheroine meets Barbie: Global entertainment commodity comes to the United States。Journal of Popular Culture,32(1),59-80。
17.
Iwabuchi, Koichi(2002)。'Soft' Nationalism and Narcissism: Japanese Popular Culture Goes Global。Asian Studies Review,26(4),447-470。
圖書
1.
Murakami, Takashi、Schimmel, Paul、Hebdige, Dick(2007)。©Murakami。Los Angeles:Museum of Contemporary Art。
2.
Schodt, Frederik L.(1988)。Inside the Robot Kingdom: Japan, Mechatronics, and the Coming Robotopia。Tokyo:Kodansha International。
3.
Vartanian, Ivan(2005)。Dead Cute: The New Generation of Women Artists in Japan。San Francisco:Chronicle Books。
4.
Yang, Jeff、Gan, Dina、Hong, Terry(1997)。Eastern Standard Time: A Guide To Asian Influence on American Culture from Astro Boy to Zen Buddhism。Houghton Mifflin。
5.
Nye, Joseph S. Jr.(1990)。Bound to Lead: The Changing Nature of American Power。Basic Book。
6.
Nye, Joseph S. Jr.(2004)。Soft Power: The Means to Success in World Politics。Public Affairs。
其他
1.
Wakefield, Neville(199906)。Interview with Artist Mariko Mori (Interview)。
2.
Blair, Dike(199507)。We’ve Got Twenty-Five Years: Interview with Mariko Mori,http://www.thing.net/~lilyvac/writing33.html., 2010/02/05。
3.
Martell, Carey(20101923)。Cosplayers: The Movie (Video Documentary About Anime Fandom),https://www.youtube.com/watch?v=ZvD1wzIOJtA&feature=youtube_gdata_player, 2013/11/10。
4.
Cunningham, Bill,Oliver, Simone S.(20091003)。On the Street: Animated,http://video.nytimes.com/video/2009/10/03/style/1247464976097/on-thestreet-animated.html., 2010/05/10。
5.
onthehalfshel(20110901)。Cutey Honey transformations 1,https://www.youtube.com/watch?v=mWRC1pHI6c0&feature=youtube_gdata_player, 2013/11/10。
6.
DiPietro, Monty(2015)。Mariko Mori at the Tokyo Museum of Contemporary Art,http://www.assemblylanguage.com/reviews/MoriMoT.html, 2015/06/03。
7.
Mahoney, Robert(19960430)。Morimania: Welcome to the New Century,http://www.artnet.com/magazine_pre2000/features/mahoney/mahoney4-30-96.asp, 2010/03/14。
8.
danoogy(20110528)。Sailor Moon Transformations [HQ],https://www.youtube.com/watch?v=HsX0VHMw_Z8&feature=youtube_gdata_player, 2013/11/10。
圖書論文
1.
Allison, Anne(2000)。Can Popular Culture Go Global?: How Japanese ‘Scouts’ and ‘Rangers’ Fare in the U.S.。A Century of Popular Culture in Japan。Lewiston, M.E.:Edwin Mellen Press。
2.
Hasegawa, Yuko(2002)。Post-Identity Kawaii: Commerce, Gender and Contemporary Japanese Art。Consuming Bodies: Sex and Contemporary Japanese Art。London:Reaktion Books。
3.
King, Margery(1998)。Mori Pop。Mariko Mori。London:Chicago:Serpentine Gallery:Museum of Contemporary Art。
4.
Matsui, Midori(2005)。Beyond the Pleasure Room to a Chaotic Street: Transformations of Cute Subculture in the Art of the Japanese Nineties。Little Boy: The Arts of Japan’s Exploding Subculture。New York:New Haven:Japan Society:Yale University Press。
5.
Matsui, Midori(2007)。Murakami Matrix: Takashi Murakami’s Instrumentalization of Japanese Postmodern Culture。©Murakami。Los Angeles:Museum of Contemporary Art。
6.
Munroe, Alexandra(2005)。Introducing Little Boy。Little Boy: The Arts of Japan’s Exploding Subculture。New York:New Haven:Japan Society:Yale University Press。
7.
Murakami, Takashi(2005)。Superflat Trilogy: Greetings, You Are Alive。Little Boy: The Arts of Japan’s Exploding Subculture。New York:New Haven:Japan Society:Yale University Press。
8.
Shiokawa, Kanako(1999)。Cute But Deadly: Women and Violence in Japanese Comics。Themes and Issues in Asian Cartooning: Cute, Cheap, Mad, and Sexy。Bowling Green, OH:Bowling Green State University Popular Press。
9.
Kinsella, Sharon(1995)。Cuties in Japan。Women, Media and Consumption in Japan。University of Hawaï Press。
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