| 期刊論文| 1. | Negus, K. R.(2002)。The work of cultural intermediaries and the enduring distance between production and consumption。Cultural Studies，16(4)，501-515。   | | 2. | 李令儀(20141200)。文化中介者的中介與介入：出版產業創意生產的內在矛盾。臺灣社會學，28，97-147。 延伸查詢 | | 3. | Lee, S. H.、Lee, J. W.(2016)。Art Fairs as a Medium for Branding Young and Emerging Artists: The Case of Frieze London。The Journal of Arts Management, Law, and Society，46(3)，95-106。 | | 4. | Morgner, C.(2014)。The Evolution of the Art Fair。Historical Social Research，39(3)=149，318-336。 | | 5. | Morgner, C.(2014)。The Art Fair as Network。Journal of Arts Management, Law & Society，44(1)，33-46。 | | 6. | Shields, Rob(1990)。The 'System of Pleasure': Liminality and the Carnivalesque at Brighton。Theory, Culture & Society，7(1)，39-72。 | | 7. | Velthuis, O.(2003)。Symbolic meanings of prices: Constructing the value of contemporary art in Amsterdam and New York galleries。Theory and Society，32(2)，181-215。 | | 8. | Yogev, T.(2010)。The social construction of quality: status dynamics in the market for contemporary art。Socioecon Rev，8(3)，511-536。 | | 9. | Yogev, T.、Thomas, G.(2012)。Network Dynamics and Market Structure: The Case of Art Fairs。Sociological Focus，45(1)，23-40。 | | 10. | Quemin, A.(2006)。Globalization and Mixing in the Visual Arts: An Empirical Survey of 'High Culture' and Globalization。International Sociology，21(4)，522-550。 | | 11. | Quemin, A.(2013)。International Contemporary Art Fairs in a 'Globalized' Art Market。European Societies，15(2)，162-177。 | | 12. | Foucault, Michel、Miskowiec, Jay(1986)。Text/Context of Other Spaces。Diacritics，16(1)，22-27。 | 會議論文| 1. | Lucas, M.、Wright, A.(2013)。Liminal performativity: Modern-day festivals and embodied practice。European Group for Organization Studies Colloquium，(會議日期: 5-7 Jul 2013)。Montréal。 | 學位論文| 1. | 魏嘉慧(2014)。台灣文化政策與視覺藝術產業的互動--以《台北國際藝術博覽會（1992-2012)》為例(碩士論文)。國立臺灣師範大學。 延伸查詢 | 圖書| 1. | Bourdieu, Pierre(1996)。The Rules of Art。Cambridge：Polity Press。 | | 2. | Turner, Victor(1995)。The ritual process: Structure and anti-structure。New York：Aldine de Gruyter。 | | 3. | 李宜修(2011)。臺灣當代美術社會發展：1980-2000。臺灣商務印書館。 延伸查詢 | | 4. | Adam, G.、項幼榕(2016)。錢暴：21世紀藝術市場大爆發。臺北：典藏藝術家庭。 延伸查詢 | | 5. | 臺北藝術產經研究室(2013)。全球藝術博覽會指南。臺北：社團法人中華民國畫廊協會。 延伸查詢 | | 6. | 柯人鳳(2013)。藝術經濟力：藝術經濟學論述之基礎研究。臺北：文化部。 延伸查詢 | | 7. | Bachmann-Medick, D.(2016)。Cultural Turns: New Orientations in the Study of Culture。Walter de Gruyter GmbH & Co KG。 | | 8. | Duncan, Carol(1995)。Civilizing Rituals: Inside Public Art Museums。Routledge。 | | 9. | Featherstone, Mike(2007)。Consumer culture and postmodernism。Sage。 | | 10. | Stallybrass, Peter、White, Allen(1986)。The Politics and Poetics of Transgression。Methuen。 | | 11. | Velthuis, Olav(2005)。Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art。Princeton University Press。 | | 12. | 吉見俊哉、蘇碩斌、李衣雲、林文凱、陳韻如(2010)。博覽會的政治學。群學。 延伸查詢 | | 13. | Bourdieu, Pierre、Nice, Richard(1984)。Distinction: A Social Critique of the Judgment of Taste。Harvard University Press。 | | 14. | Bourdieu, Pierre、Johnson, Randal(1993)。The Field of Cultural Production: Essays on Art and Literature。Polity Press：Columbia University Press。 | 其他| 1. | Georgina Adam, G.(2012)。Fair or foul: more art fairs and bigger brand galleries, but is the model sustainable?，http:ec2-79-125-124-178.eu-west-1.compute.amazonaws.comarticlesFair-or-foul-more-artfairs-and-bigger-brand-galleries-but-is-the-model-sustainable26672。 | 圖書論文| 1. | Bennett, Tony(1995)。The Exhibitionary Complex。The Birth of the Museum: History, Theory, Politics。London：Routledge。 | | 2. | Robertson, I.(2005)。The international art market。Understanding international art markets and management。London：Routledge。 | | 3. | Shubik, M.(2003)。Dealers in art。A Handbook of Cultural Economics。Edward Elgar Publishing Limited。 | | 4. | Simmel, G.(1997)。The Berlin Trade Exhibition。Simmel on culture。London：Sage。 | | 5. | Cusack, Carole M.、Digance, Justine(2008)。Shopping for a Self: Pilgrimage, Identity-Formation, and Retail Therapy。Victor Turner and Contemporary Cultural Performance。New York：Berhahn Books。 | | 6. | Benjamin, W.(1978)。Paris, Capital of the nineteenth century。Reflections。New York：Schocken Books。 | | 7. | Chong, D.(2005)。Stakeholder relationships in the market for contemporary art。Understanding international art markets and management。London：Routledge。 | | 8. | Foucault, M.(1980)。The Confession of the Flesh。PowerKnowledge: Selected Interviews and Other Writings 1972-1977。New York：Random House。 | | 9. | Jeffri, J.(2005)。Managing uncertainty: The visual art market for contemporary art in the United States。Understanding international art markets and management。London：Routledge。 | | 10. | Nixon, S.(2013)。Exhibiting masculinity。Representation: Cultural Representation and Signifying Practices。London：Sage。 | | 11. | St John, G.(2008)。[Victor Turner and Contemporary Cultural Performance] Introduction。Victor Turner and Contemporary Cultural Performance。New York：Berhahn Books。 | |