「看見」藝術品：十八世紀後期至十九世紀初英國圖解藝術書籍的發展_

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題名：	「看見」藝術品：十八世紀後期至十九世紀初英國圖解藝術書籍的發展
書刊名：	國立臺灣大學美術史研究集刊
作者：	謝佳娟
作者(外文)：	Hsieh, Chia-chuan
出版日期：	2021
卷期：	50
頁次：	頁223-279+281-286+290
主題關鍵詞：	複製版畫；圖解藝術書籍；收藏圖錄；紙上美術館；英國；Reproductive print；Illustrated art book；Illustrated catalogue of collection；Museum on paper；Britain
原始連結：	連回原系統網址
相關次數：	被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0) 排除自我引用:0 共同引用:5 點閱:6

期刊論文
1.	謝佳娟(20120900)。十八世紀英國「宗教藝術」重建的契機：從對拉斐爾圖稿及二則宗教圖像的論辯談起。歐美研究，42(3)，535-590。延伸查詢
2.	Fullerton, Peter(1982)。Patronage and Pedagogy: The British Institution in the Early Nineteenth Century。Art History，5(1)，59-72。
3.	Leca, Benedict(2005)。An Art Book and its Viewers: The 'Recueil Crozat' and the Uses of Reproductive Engraving。Eighteenth-Century Studies，38(4)，623-649。
4.	謝佳娟(20191200)。「自然之美與藝術經典的國家品味」：十八至十九世紀初印刷文化對英國貴族鄉間別墅形象的塑造。藝術學研究，25，1-91。延伸查詢
5.	(18080410)。Analysis of Longman and Rees's First Number of The British Gallery of Pictures。The Examiner，15。
6.	(1841)。A Brief History of the Fine Arts。The Saturday Magazine，19(583)，41-48。
7.	(1841)。A Brief History of the Fine Arts。The Saturday Magazine，19(593)，121-128。
8.	(1841)。A Brief History of the Fine Arts。The Saturday Magazine，19(604)，209-216。
9.	(1842)。A Brief History of the Fine Arts。The Saturday Magazine，20(625)，121-128。
10.	Ottley, William Young(2010)。A Series of Plates Engraved After the Paintings and Sculptures of the Most Eminent Masters of the Early Florentine School。The Walpole Society，72，503-575。
11.	Brigstocke, Hugh(2010)。A Catalogue of Drawings After Early Florentine Paintings and Sculpture Made by or for William Young Ottley in Italy。The Volume of the Walpole Society，72，371-502。
12.	Brigstocke, Hugh(2010)。William Young Ottley in Italy。The Volume of the Walpole Society，72，341-370。
13.	Bury, Michael(1993)。On Some Engravings by Giorgio Ghisi Commonly Called 'Reproductive'。Print Quarterly，10(1)，4-19。
14.	Gere, J. Allan(1953)。William Young Ottley as a Collector of Drawings。British Museum Quarterly，18(2)，44-53。
15.	Waterhouse, E. K.(1962)。Some Notes on William Young Ottley's Collection of Italian Primitives。Italian Studies，17，272-280。
16.	Hsieh, Chia-Chuan(2009)。Publishing the Raphael Cartoons and the Rise of Art-historical Consciousness in England, 1707-1764。The Historical Journal，52(4)，899-920。

學位論文
1.	黃韻璇(2013)。公共理念的實踐：1824至1865年早期倫敦國家畫廊的定位與革新(碩士論文)。國立中央大學。延伸查詢
2.	Chong, Alan David(1992)。Aelbert Cuyp and the Meanings of Landscape(博士論文)。New York University。

圖書
1.	Duro, Paul(1997)。The Academy and the Limits of Painting in Seventeenth-Century France。Cambridge University Press。
2.	Lichtenstein, Jacqueline(1993)。The Eloquence of Color: Rhetoric and Painting in the French Classical Age。University of California Press。
3.	Brewer, John(1997)。The Pleasures of the Imagination: English Culture in the Eighteenth-Century。Harper Collins Publishers。
4.	Malraux, André、Gilbert, Stuart、Price, Francis(1967)。Museum without walls。Seeker & Warburg。
5.	Haskell, Francis(2000)。The Ephemeral Museum: Old Master Paintings and the Rise of the Art Exhibition。Yale University Press。
6.	Honour, Hugh、Fleming, John A.、吳介禎、鄭韻伶、章敏(2001)。世界藝術史。木馬文化。延伸查詢
7.	Macdonald, Stuart(1970)。The History and Philosophy of Art Education。University of London Press。
8.	Lambert, Susan(1987)。The Image Multiplied: Five Centuries of Printed Reproductions of Paintings and Drawings。Trefoil Publications。
9.	Pears, Iain(1988)。The Discovery of Painting: the Growth of Interest in the Arts in England, 1680-1768。Yale University Press。
10.	Stourton, James、Sebag-Montefiore, Charles(2012)。The British as Art Collectors: From the Tudors to the Present。Scala Publishers。
11.	Taylor, Brandon(1999)。Art for the Nation: Exhibitions and the London public, 1747-2001。Manchester University Press。
12.	Solkin, David H.(1993)。Painting for Money: The Visual Arts and the Public Sphere in Eighteenth-Century England。Yale University Press。
13.	Anderson-Riedel, Susanne(2010)。Creativity and Reproduction: Nineteenth Century Engraving and the Academy。Cambridge Scholars。
14.	宮布利希、雨云(1997)。藝術的故事。聯經。延伸查詢
15.	Brettingham, Matthew Jr.(1773)。The Plans, Elevations and Sections, of Holkham in Norfolk, the Seat of the Late Earl of Leicester. To which are added. The Ceilings and Chimney-Pieces; And Also A Descriptive Account of the Statues, Pictures and Drawings; Not in the Former Edition。T. Spilsbury。
16.	Gambarini, Carlo(1731)。A Description of the Earl of Pembroke's Pictures。A. Campbell。
17.	Creed, Cary(1731)。The Marble Antiquities, The Right Honble. the Earl of Pembrokes, at Wilton。Cary Creed。
18.	Bruntjen, Sven Hermann Arnold(1985)。John Boydell, 1719-1804: A Study of Art Patronage and Publishing in Georgian London。Garland Publishing。
19.	van Claerbergen, Ernst Vegelin(2006)。David Teniers and the Theatre of Painting。Courtauld Institute of Art Gallery。
20.	Gaehtgens, Thomas W.、Marchesano, Louis(2011)。Display & Art History: The Düsseldorf Gallery and Its Catalogue。Getty Research Institute。
21.	Boydell, John、Boydell, Josiah(1788)。A Set of prints engraved after the most capital paintings in the collection of Her Imperial Majesty, the Empress of Russia: lately in the possession of the Earl of Orford at Houghton in Norfolk。John & Josiah Boydell。
22.	Ralph, Benjamin(1759)。The School of Raphael, or, The student's guide to expression in historical painting。J. Boydell。
23.	Dias, Rosie(2013)。Exhibiting Englishness: John Boydell's Shakespeare Gallery and the Formation of a National Aesthetic。Yale University Press。
24.	Seroux d'Agincourt, Jean Baptiste Louis Georges(1823)。Histoire de l'art par les monumens, depuis sa décadence au IVe siècle jusqu'à son renouvellement au XVIe。Treuttel et Würtz。
25.	(1807)。The British Gallery of Pictures, In Two Series [A Prospectus]。Longman, Hurst, Rees, and Orme：J. White：Cadell and Davies：P. W. Tomkins。
26.	(1807)。The Historic Gallery of Portraits and Paintings; or, Biographical Review, Containing a Brief Account of the Lives of the Most Celebrated Men in Every Age and Country, and Graphic Imitations of the Finest Specimens of the Arts, Ancient and Modern; with Remarks, Critical and Explanatory。Vernor, Hood, and Sharpe。
27.	(1831)。Engravings from the Pictures of the National Gallery。Authority。
28.	(1832)。The National Gallery of Pictures by the Great Masters, Presented by Individuals or Purchased by Grant of Parliament。Jones & Co.。
29.	(1873)。A Picture Gallery of British Art: Containing Twenty Permanent Photographs After Paintings by Eminent Artists。Sampson Low, Marston & Co.。
30.	Dézallier D'Argenville, Antoine Joseph(1745)。Abrégé de la vie des plus fameux peintres。
31.	Bellori, Giovanni Pietro(1672)。Le vite de'pittori, scultori et architetti moderni。
32.	Boydell, John(1769)。A Collection of Prints, Engraved After the Most Capital Paintings in England...With a Description of Each Picture in English and French。John Boydell。
33.	Cowdry, Richard(1751)。A Description of the Pictures, Statues, Busto's, Basso-relievo's, and Other Curiosities at the Earl of Pembroke's House at Wilton。Richard Cowdry。
34.	Cunningham, Allan(1834)。The Cabinet Gallery of Pictures by the First Masters of the English and Foreign Schools, In Seventy-Two Line Engravings, With Biographical and Critical Dissertations。John Major and G. and W. Nicol。
35.	D'Anvers, N.(1874)。Elementary History of Art. An Introduction to Ancient and Modern Architecture, Sculpture, Painting, Music。Asher & Co.。
36.	Dallaway, James(1824)。An Account of All the Pictures Exhibited in the Rooms of the British Institution, from 1813 to 1823: Belonging to the Nobility and Gentry of England。Priestley and Weale。
37.	Duchesne, Jean(1828)。Museum of Painting and Sculpture, or Collection of the Principal Pictures, Statues and bas-Reliefs in the Public and Private Galleries of Europe' Drawn and Etched by Réveil, with Descriptive, Critical and Historical Notices, by Duchesne Senior。Bossange, Barthes and Lowell：Audot。
38.	Félibien, André(1666)。Entretiens sur les vies et sur les ouvrages des plus excellents peintres anciens et modernes。
39.	Goodyear, William Henry(1888)。A History of Art。A.S. Barnes & Company。
40.	Greenwood, Thomas(1888)。Museums and Art Galleries。Simpkin, Marshall and Co.。
41.	Houbraken, Arnold(1718)。De groote schouburgh der Nederlantsche konstschilders en schilderessen。
42.	Humphreys, Henry Noel(1852)。Ten Centuries of Art. Its Progress in Europe from the 9th to the 19th Century。Grant and Griffith。
43.	Jameson, Anna(1842)。A Handbook to the Public Galleries of Art in and near London。John Murray。
44.	Kennedy, James(1758)。A New Description of the Pictures, Statues, Bustos, Basso-relievos, and Other Curiosities at the Earl of Pembroke's House at Wilton。Benjamin Collins。
45.	Kennedy, James(1769)。A Description of the Antiquities and Curiosities in Wilton-House. Illustrated with Twenty-five Engravings of Some of the Capital Statues, Bustos and Relievos。E. Easton。
46.	Kugler, Franz(1841)。A Hand-Book of the History of Painting。John Murray。
47.	Lanzi, Luigi、Roscoe, Thomas(1828)。The History of Painting in Italy, From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century: Translated from the Original Italian of the Abate Luigi Lanzi。W. Simpkin and R. Marshall。
48.	Lübke, Wilhelm(1868)。History of Art。Smith, Elder and Co.。
49.	Ottley, William Young(1823)。The Italian School of Design: Being a Series of Facsimiles of Original Drawings, by the Most Eminent Painters and Sculptors of Italy; with Biographical Notices of the Artists, and Observations on Their Works。Taylor and Hessey。
50.	Ottley, William Young(1826)。A Series of Plates Engraved After the Paintings and Sculptures of the Most Eminent Masters of the Early Florentine School; Intended to Illustrate the History of the Restoration of the Arts of Design in Italy; And Dedicated to John Flaxman, Esq. R.A. Professor Of Sculpture To The Royal Academy。W. Y. Ottley。
51.	Ottley, William Young(1835)。A Descriptive Catalogue of the Pictures in the National Gallery, with Critical Remarks on Their Merits.... A New Edition, in Which the Entire Collection is Arranged Chronologically in One Unbroken Series。W. Nicol。
52.	Ottley, William Young、Tomkins, Peltro William(1818)。Engravings of the Most Noble the Marquis of Stafford's Collection of Pictures in London, Arranged According to Schools, and in Chronological Order, with Remarks on Each Picture。Longman, Hurst Rees, Orme, and Brown：Cadell and Davies：P. W. Tomkins。
53.	Passavant, Johann David(1836)。Tour of a German Artist in England. With Notices of Private Galleries, and Remarks on the State of Art。Saunders and Otley。
54.	Patmore, P. G.(1824)。British Galleries of Art。G. and W. B. Whittaker。
55.	Perrier, François(1638)。Segmenta nobilium signorum et statuarum。
56.	Perrier, François(1645)。Icones et Segmenta Illustrium e Marmore Tabularum quae Romae adhuc extant。
57.	de Piles, Roger(1699)。Abrégé de la Vie des Peintres: Avec des Réflexions sur Leurs Ouvrages。
58.	Pio, Nicola(1724)。Le vite di pittori, scultori et architetti。
59.	Von Sandrart, Joachim(1675)。Teutsche Academie der Edlen Bau-, Bild- und Mahlerey-Künste。
60.	Smith, Thomas(1860)。Recollections of the British Institution, for Promoting the Fine Arts in the United Kingdom。Simpkin & Marshall。
61.	Tresham, Henry、Ottley, William Young、Tomkins, Peltro William(1818)。The British Gallery of Pictures, Selected from the Most Admired Productions of the Old Masters, in Great Britain; Accompanied with Descriptions, Historical and Critical。Longman, Hurst, Rees, Orme, and Brown。
62.	Turner, Francis C.(1886)。A Short History of Art. With Numerous Illustrations。Swan Sonnenschein, Le Bas & Lowrey。
63.	Vasari, Giorgio(1568)。Le Vite delle più eccellenti pittori, scultori, ed architettori。
64.	Westmacott, C. M.(1824)。British Galleries of Painting and Sculpture: Comprising a General Historical and Critical Catalogue, with Separate Notices of Every Work of Fine Art in the Principal Collections。Sherwood, Jones, and Co.。
65.	Walpole, Horace(1747)。Ædes Walpolianæ: A dèscription of the collection of pictures at Houghton-Hall in Norfolk, the seat of the Right Honourable Sir Robert Walpole, Earl of Orford。
66.	Voltaire(1733)。Le Temple du goust。
67.	Waagen, Gustav(1854)。Treasures of Art in Great Britain: Being an Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated Mass. &c.。John Murray。
68.	Avery-Quash, Susanna、Huemer, Christian(2019)。London and the Emergence of a European Art Market, 1780-1820。Getty Research Institute。
69.	Barnes, Bernadine Ann(2010)。Michelangelo in Print: Reproductions as Response in the Sixteenth Century。Ashgate。
70.	Dejardin, Ian A. C.(2008)。The Dutch Italianates: 17th-century Masterpieces from Dulwich Picture Gallery, London。Dulwich Picture Gallery。
71.	Dukelskaya, Larissa、Moore, Andrew(2002)。A Capital Collection: Houghton Hall and the Hermitage: with a Modern Edition of Aedes Walpolianae, Horace Walpole's Catalogue of Sir Robert Walpole's Collection。Yale University Press。
72.	Grasselli, Margaret Morgan(2003)。Colorful Impressions: The Printmaking Revolution in Eighteenth-century France。National Gallery of Art。
73.	Haskell, Francis(1976)。Rediscoveries in Art: Some Aspects of Tastes, Fashion and Collecting in England and France。Phaidon Press。
74.	Haskell, Francis(1987)。The Painful Birth of the Art Book。Thames and Hudson。
75.	Haskell, Francis(1993)。The Paper Museum of Cassiano dal Pozzo。British Museum。
76.	Humfrey, Peter(2019)。The Stafford Gallery: The Greatest Art Collection of Regency London。Unicorn Press。
77.	Jackson-Stops, Gervase(1985)。The Treasure Houses of Britain: Five Hundred Years of Private Patronage and Art Collecting。National Gallery of Art：Yale University Press。
78.	Kloek, Wouter Th.(2002)。Aelbert Cuyp: Land, Water, Light。Rijksmuseum。
79.	Palmer, Rodney、Frangenberg, Thomas(2003)。The Rise of the Image: Essays on the History of the Illustrated Art Book。Ashgate。
80.	Panzanelli, Roberta、Preti-Hamard, Monica(2007)。La Circulation des Œuvres d'Art. The Circulation of Works of Art in the Revolutionary Era, 1789-1848。Presses Universitaires de Rennes：Institut national d'histoire de l'art：Getty Research Institute。
81.	Pon, Lisa(2004)。Raphael, Dürer, and Marcantonio Raimondi: Copying and the Italian Renaissance Print。Yale University Press。
82.	Rosenblum, Robert(1967)。Transformations in Late Eighteenth-century Art。Princeton University Press。
83.	Schatborn, Peter(2001)。Drawn to Warmth: 17th-century Dutch Artists in Italy。Waanders Publishers：Rijksmuseum。
84.	Shawe-Taylor, Desmond(2010)。Dutch Landscapes。Royal Collection Publications。
85.	Vermeulen, Ingrid R.(2010)。Picturing Art History: The Rise of the Illustrated History of Art in the Eighteenth Century。Amsterdam University Press。
86.	Waterfield, Giles(2015)。The People's Galleries: Art Museums and Exhibitions in Britain 1800-1914。Yale University Press。
87.	Zorach, Rebecca、Rodini, Elizabeth(2005)。Paper Museums: The Reproductive Print in Europe, 1500-1800。University of Chicago。
88.	Van Mander, Karel(1604)。Het Schilder-boeck。
89.	Stechow, Wolfgang(1980)。Dutch landscape painting of the Seventeenth Century。Hacker Art Books。

其他
1.	(18090624)。The British Gallery of Pictures。

圖書論文
1.	Brewer, John、林俊宏(2013)。藝術、藝術市場、可複製的圖像與藝術史的發展。複製、再現與傳播：近代版畫文化。國立陽明大學人文與社會科學院。延伸查詢
2.	Hazlitt, William(1917)。On the Pleasure of Painting。Hazlitt, Selected Essays。Cambridge University Press。
3.	Anderson, Patricia(1991)。The New Printed Image: The Penny Magazine and the Mass Circulation of Illustration, 1832-1845。The Printed Image and the Transformation of Popular Culture 1790-1860。Clarendon Press。
4.	Binaman, David(2007)。The Orléans Collection and Its Impact on British Art。La Circulation des Œuvres d'Art. The Circulation of Works of Art in the Revolutionary Era, 1789-1848。Presses Universitaires de Rennes：Institut National d'Histoire de l'Art：Getty Research Institute。
5.	Chong, Alan David(2001)。Aristocratic Imaginings: Aelbert Cuyp's Patrons and Collectors。Aelbert Cuyp。National Gallery of Art：Thames and Hudson。
6.	Hamber, Anthony(2003)。Photography in Nineteenth-Century Art Publications。The Rise of the Image: Essays on the History of the Illustrated Art Book。Ashgate。
7.	Hamber, Anthony(2011)。Facsimile, Scholarship, and Commerce: Aspects of the Photographically Illustrated Art Book (1839-1880)。Art and the Early Photographic Album。National Gallery of Art：Yale University Press。
8.	Levi, Donata(2007)。'Like the Leaves of the Sybil': The Orléans Collection and the Debate on a National Gallery in Great Britain。La Circulation des Œuvres d'Art. The Circulation of Works of Art in the Revolutionary Era, 1789-1848。Presses Universitaires de Rennes：Institut National d'Histoire de l'Art：Getty Research Institute。
9.	Marchesano, Louis(2011)。The Düsseldorf Gallery and the End of the Galeriewerk Tradition。Display & Art History: The Düsseldorf Gallery and Its Catalogue。The Getty Research Institute。
10.	Rosa de Carvalho, Fleur Roos(2013)。The Original Print: All the Rage at the fin de siècle。Printmaking in Paris: The Rage for Prints at the fin de siècle。Mercatorfonds：Yale University Press。
11.	Sluijter, Eric J.(1999)。New Approaches in Art History and the Changing Image of Seventeenth-Century Dutch Art between 1960-1990。The Golden Age of Dutch Painting in Historical Perspective。Cambridge University Press。
12.	Taylor, Brandon(2012)。National Gallery, London: for 'All Ranks and Degrees of Men'。The first modern museums of art: the birth of an institution in 18th- and early-19th-century Europe。The J. Paul Getty Museum。
13.	Verhoogt, R. M.(2010)。Free Access to the History of Art: Art Reproduction and the Appropriation of the History of Art in Nineteenth-Century Culture。Free Access to the Past: Romanticism, Cultural Heritage and the Nation。Brill。

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