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題名:當代臺灣遷移電影:論陳界仁《殘響世界》與高俊宏《博愛》中的空間、歷史、觀眾
書刊名:藝術學研究
作者:孫松榮
作者(外文):Sing, Song Yong
出版日期:2021
卷期:28
頁次:頁1-50
主題關鍵詞:遷移電影影像藝術陳界仁殘響世界高俊宏博愛諸眾式觀眾Relocated cinemaMoving imagesChen Chieh-JenRealm of ReverberationsKao Jun HonnBoaiUniversal LoveMultitudinous spectators
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:11
  • 點閱點閱:2
期刊論文
1.Stark, Trevor(2012)。'Cinema in the Hands of the People': Chris Marker, the Medvedkin Group, and the Potential of Militant Film。October,139,117-150。  new window
2.Paini, Dominique、林心如、林志明(2008)。漫遊者的回返。電影欣賞,137,23-31。  延伸查詢new window
3.孫松榮(20161200)。事件之後的當代跨域影像:論陳界仁早期作品及《殘響世界》的概念生成與轉化。藝術學研究,19,105-147。new window  延伸查詢new window
4.高俊宏(20121100)。行為藝術轉向過程中身體、檔案與諸眾問題探討。現代美術學報,24,31-56。new window  延伸查詢new window
5.Getino, Octavio、Solanas, Fernando(1969)。Toward a Third Cinema。Tricontinental,14,107-132。  new window
6.陳界仁(20171000)。殘響世界抗歷史減噪?。文化研究,24,254-281。new window  延伸查詢new window
7.孫松榮(20150300)。面對影像:蔡明亮的跨影像實踐對於臺灣電影研究分析方法論的啟迪。電影欣賞,33(1)=162,86-99。  延伸查詢new window
8.孫松榮(20191200)。臺灣錄像藝術的電影性:論袁廣鳴與王俊傑作品自八○年代迄今的三個創作時期及轉變。藝術學研究,25,189-234。new window  延伸查詢new window
9.孫松榮(2018)。野放電影:論《歷史拼本》作為游擊投映行動的遊歷、實踐與遺贈。今藝術,311,84-87。  延伸查詢new window
10.Connolly, Maeve(2012)。Temporality, Sociality, Publicness: Cinema as Art Project。Afterall: A Journal of Art, Context and Enquiry,29,4-15。  new window
11.Chen, Tina Mai(2003)。Propagating the Propaganda Film: The Meaning of Film in Chinese Communist Party Writings, 1949-1965。Modern Chinese Literature and Culture,15(2),154-193。  new window
12.Connolly, Maeve(2006)。Jessie Jones 'Twelve Angry Films'. Pigeon House, Dublin. 10-12 November' 06。The Visual Artists' News Sheet Review Supplement,2006(Dec.)。  new window
13.Kepley, Vance Jr.(1994)。'Cinefication': Soviet Film Exhibition in the 1920s。Film History,6(2),262-277。  new window
14.Ingawanij, May Adadol(2018)。Itinerant Cinematic Practices in and Around Thailand During the Cold War。Southeast of Now: Directions in Contemporary and Modern Art in Asia,2(1),9-41。  new window
15.Royoux, Jean-Christophe(1997)。Pour un cinéma d'exposition. Retour sur quelques jalons historiques。Omnibus,20,36-41。  new window
16.Schoonover, Karl(2012)。Wastrels of Time: Slow Cinema's Laboring Body, the Political Spectator。Framework: The Journal of Cinema and Media,53(1),65-78。  new window
17.Wodiczko, Krzysztof(2003)。The Tijuana Projection, 2001。Rethinking Marxism,15(3),422-423。  new window
18.Zhou, Chenshu(2016)。The Versatile Film Projectionist: How to Show Films and Serve the People in the 17 Years Period, 1949-1966。Journal of Chinese Cinemas,10(3),228-246。  new window
19.Wodiczko, Krzysztof(2015)。The Inner Public。Field,1。  new window
20.陳界仁(20150700)。從《蔣渭水--臺灣大眾葬葬儀》紀錄片,談異議音像「從對抗策略到再質變運動」。藝術觀點,63,132-159。  延伸查詢new window
學位論文
1.高俊宏(20170000)。新自由主義時代的台灣當代藝術與諸眾美學(博士論文)。國立臺南藝術大學。new window  延伸查詢new window
圖書
1.Balsom, Erika(2013)。Exhibiting Cinema in Contemporary Art。Amsterdam:Amsterdam University Press。  new window
2.Connolly, Maeve(2009)。The Place of Artists' Cinema: Space, Site and Screen。Intellect。  new window
3.Kim, JiHoon(2016)。Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age。New York:Bloomsbury Academic。  new window
4.高俊宏(2015)。陀螺:創作與讓生。遠足文化事業股份有限公司。  延伸查詢new window
5.W.J.T.米契爾、石武耕(2020)。形象科學。馬可孛羅。  延伸查詢new window
6.高俊宏(2015)。諸眾:東亞藝術佔領行動。遠足文化。  延伸查詢new window
7.高俊宏(2020)。泡沬•再會•無聊•書寫:高俊宏早期創作檔案 Kao Junhonn art documents (1996-2000)。臺灣當代文化實驗場。  延伸查詢new window
8.董冰峰(2018)。展覽電影:中國當代藝術中的電影。阿橋社文化。  延伸查詢new window
9.尼寇斯、井迎兆(2020)。紀錄片導論。五南。  延伸查詢new window
10.Virno, Paolo、董必成(2017)。諸眾的語法:當代生活方式的分析。商務印書館。  延伸查詢new window
11.Casetti, Francesco(2015)。The Lumière Galaxy: Seven Key Words for the Cinema to Come。Columbia University Press。  new window
12.Butler, Alison(2019)。Displacements: Reading Space and Time in Moving Image Installations。Palgrave Macmillan。  new window
13.Foti, Alex(2017)。General Theory of the Precariat: Great Recession, Revolution, Reaction。Institute of Network Cultures。  new window
14.Fowler, Catherine(2021)。Thinking Outside the Black Box: Encounters with Artistic Moving Images。Edinburgh University Press。  new window
15.Gennari, Daniela Treveri、Hipkins, Danielle、O'Rawe, Catherine(2018)。Rural Cinema Exhibition and Audiences in a Global Context。Palgrave Macmillan。  new window
16.Hallam, Julia、Roberts, Les(2014)。Locating the Moving Image: New Approaches to Film and Place。Indiana University Press。  new window
17.Maltby, Richard、Biltereyst, Daniel、Meers, Philippe(2011)。Explorations in New Cinema History: Approaches and Case Studies。Wiley-Blackwell。  new window
18.Radner, Hilary(2018)。Raymond Bellour: Cinema and the Moving Image。Edinburgh University Press。  new window
19.Negri, Antonio、Dufourmantelle, Anne、DeBevoise, M. B.(2004)。Negri on Negri。Routledge。  new window
20.Mulvey, Laura(2006)。Death 24x a Second: Stillness and The Moving Image。Reaktion Books。  new window
21.Medvedkin, Alexander、Leyda, Jay、Lary, Nikita(2016)。The Alexander Medvedkin Reader。The University of Chicago Press。  new window
22.Mandelli, Elisa(2019)。The Museum as a Cinematic Space: The Display of Moving Images in Exhibitions。Edinburgh University Press。  new window
23.Rogers, Ariel(2019)。On the Screen: Displaying the Moving Image, 1926-1942。Columbia University Press。  new window
24.Saether, Susanne、Bull, Synne Tollerud(2020)。Screen Space Reconfigured。Amsterdam University Press。  new window
25.Vélez-Serna, Maria Antonia(2020)。Ephemeral Cinema Spaces Stories of Reinvention, Resistance and Community。Amsterdam University Press。  new window
26.Widdis, Emma(2005)。Alexander Medvedkin。I.B. Tauris。  new window
27.龔卓軍、高森信男、陳莘(2014)。鬼魂的迴返:臺灣當代藝術中的幽靈徘徊學。邱再興文教基金會。  延伸查詢new window
其他
1.林怡秀(2017)。1983陳界仁於西門町發表行為「機能喪失第三號」,https://soundtraces.tw/space-performance/陳界仁於西門町發表行為「機能喪失第三號」/。  延伸查詢new window
2.孫松榮(20161125)。就像咧風中仔花蕊:論高俊宏的《博愛》,https://talks.taishinart.org.tw/juries/ssy/2016112501。  延伸查詢new window
3.陳泰松(20181105)。關於陳界仁的《帝國邊界》考或補遺:諸眾、餘民與安那其主義,https://artouch.com/view/content-19.html。  延伸查詢new window
4.張安蕎(20170629)。海山煤礦舊址蓋大樓 新北官員、議員疑收賄護航遠雄,https://news.ltn.com.tw/news/society/breakingnews/2115790。  延伸查詢new window
5.樊香君(20161201)。找身體VII:2016臺北雙年展幾件作品的啟發,https://pareviews.ncafroc.org.tw/?p=22350。  延伸查詢new window
6.高俊宏(2013)。廢墟影像晶體計畫前言,https://sites.google.com/site/ruinimage。  延伸查詢new window
7.(20160513)。陳界仁:記憶的時空,https://kknews.cc/zh-tw/news/jvolrpe.html。  延伸查詢new window
8.黃孫權。〔新書〕流眾的一般性理論|General Theory of the Precariat,https://www.heterotopias.org/archives/1921。  延伸查詢new window
9.法務部調查局安康接待室,https://hsi.nhrm.gov.tw/home/zh-tw/injusticelandmarks/112548。  延伸查詢new window
10.攝影史敘事工作坊系列二:離散空間的影像與建築性工作坊,https://vopmagazine.com/vopworkshop2/。  延伸查詢new window
圖書論文
1.陳界仁(2015)。機能喪失第三號。造音翻土:戰後臺灣聲響文化的探索。臺北:遠足文化。  延伸查詢new window
2.孫松榮(2019)。謠言電影。臺灣理論關鍵詞。聯經。  延伸查詢new window
3.Agamben, Giorgio(2000)。What Is a People?。Means Without End: Notes on Politics。University of Minnesota Press。  new window
4.Andrew, Dudley(2020)。Announcing the End of the Film Era: The Lumière Galaxy: Seven Key Words for the Cinema to Come by Francesco Casetti。Post-cinema: Cinema in the Post-art Era。Amsterdam University Press。  new window
5.Altman, Rick(2006)。From Lecturer's Prop to Industrial Product: The Early History of Travel Films。Virtual Voyages: Cinema and Travel。Duke University Press。  new window
6.Christie, Ian(2012)。Introduction: In Search of Audiences。Audiences。Amsterdam University Press。  new window
7.Kirn, Gal(2015)。Between Socialist Modernization and Cinematic Modernism: The Revolutionary Politics of Aesthetics of Medvedkin's Cinema-Train。Marxism and Film Activism: Screening Alternative Worlds。Berghahn Books。  new window
8.Ruoff, Jeffrey(2006)。Show and Tell: The 16mm Travel Lecture Film。Virtual Voyages: Cinema and Travel。Duke University Press。  new window
9.Steyerl, Hito(2008)。A Language of Practice。The Greenroom Reconsidering the Documentary and Contemporary Art。Sternberg Press and Center for Curatorial Studies, Bard College。  new window
10.Steyerl, Hito(2017)。The Essay as Conformism? Some Notes on Global Image Economies。Essays on the Essay Film。Columbia University Press。  new window
11.Wasson, Haidee(2013)。Moving Images. Portable Histories of Film Exhibition。The International Encyclopedia of Media Studies, vol 1: Media History and the Foundations of Media Studies。Wiley-Blackwell。  new window
12.Weerasethakul, Apichatpong(2009)。Ghosts in the Darkness。Apichatpong Weerasethakul。Österreichisches Filmmuseum and Synema。  new window
 
 
 
 
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