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題名:朝向多重寫實性:論林龍吟《蚵豐村》中臺灣新電影寫實主義美學的承繼與轉化
書刊名:中外文學
作者:林庭瑩 引用關係
作者(外文):Lin, Ting-ying
出版日期:2022
卷期:51:3=478
頁次:頁25-54
主題關鍵詞:寫實主義美學臺灣新電影後-新電影巴贊式寫實主義感知寫實主義蚵豐村林龍吟侯孝賢Realist aestheticsTaiwan new cinemaPost-New cinemaBazinian realismPerceptual realismOhong VillageLim Lung-yinHou Hsiao-hsien
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:11
  • 點閱點閱:3
期刊論文
1.孫松榮(20100300)。輕歷史的心靈感應--論臺灣「後-新電影」的流體影像。電影欣賞學刊,28(2)=142,137-156。new window  延伸查詢new window
2.Prince, Stephen(1996)。True Lies: Perceptual Realism, Digital Images, and Film Theory。Film Quarterly,49(3),27-37。  new window
3.Yeh, Emilie(2014)。Bentu: Marketplace and sentiments of contemporary Taiwan cinema。Asian Cinema,25(1),7-13。  new window
4.王萬睿(20170300)。少無可歸:數位寫實主義、流行歌曲與趙德胤的「歸鄉三部曲」。中外文學,46(1)=456,147-184。new window  延伸查詢new window
5.Chen, Ru-shou Robert(2010)。Bazin at Work: The Concept of Realism in Chinese-language Films。Journal of Chinese Cinemas,4(1),57-64。  new window
6.De Luca, Tiago(2011)。Sensory Everyday: Space, Materiality and the Body in the Films of Tsai Ming-liang。Journal of Chinese Cinemas,5(2),157-179。  new window
7.Giralt, Gabriel F.(2010)。Realism and Realistic Representation in the Digital Age。Journal of Film and Video,62(3),3-16。  new window
圖書
1.Harper, Graeme、Rayner, Jonathan(2010)。Cinema and Landscape。Bristol:Intellect。  new window
2.Yip, June(2004)。Envisioning Taiwan: Fiction, Cinema, and the Nation in the Cultural Imaginary。Duke University Press。  new window
3.洪國鈞、何曉芙(2018)。國族音影:書寫臺灣‧電影史。聯經出版社。  延伸查詢new window
4.謝世宗(20210000)。侯孝賢的凝視:抒情傳統、文本互涉與文化政治。群學。new window  延伸查詢new window
5.沈曉茵(20200000)。光影羅曼史:台港電影的藝術與歷史。國立中央大學出版中心。new window  延伸查詢new window
6.張靄珠(20150000)。全球化時空、身體、記憶:台灣新電影及其影響。國立交通大學出版社。new window  延伸查詢new window
7.Chiu, Kuei-fen、Rawnsley, Ming-yeh、Rawnsley, Gary(2017)。Taiwan Cinema: International Reception and Social Change。Routledge。  new window
8.Knowles, Kim、Schmid, Marion(2020)。Cinematic Intermediality: Theory and Practice。Edinburgh UP。  new window
9.Pickowicz, Paul G.、Zhang, Yingjin(2020)。Locating Taiwan Cinema in the Twenty-first Century。Cambria Press。  new window
10.Pethő, Ágnes(2020)。Cinema and Intermediality: The Passion for the In-between。Cambridge Scholars Publishing。  new window
11.Udden, James(2017)。No Man an Island: The Cinema of Hou Hsiao-hsien。Hong Kong UP。  new window
12.Bazin, André、Gray, Hugh(1967)。What Is Cinema?。U of California P。  new window
其他
1.文化部(2021)。導演林龍吟首部長片《蚵豐村》入圍馬德里電影節官方競賽單元。  延伸查詢new window
2.祁玲(20200630)。講台語會被笑!林龍吟出國留學驚覺「裡外不是人」【戲說返鄉者1】,https://www.mirrormedia.mg/story/20200629insight002/。  延伸查詢new window
3.祁玲(20200630)。回家必須擺闊 他在漁村蹲點一年半看盡生活大小事【戲說返鄉者 2】,https://www.mirrormedia.mg/story/20200629insight003/。  延伸查詢new window
4.馬曼容,謝佳錦(20190513)。以一個下沉的蚵村,作為台灣縮影:訪《蚵豐村》導演林龍吟。  延伸查詢new window
5.攝影圖書室(2017)。Photobook Hour:姚瑞中X巨神連線,https://www.lightboxlib.org/events/photobookhour-yaobebe。  延伸查詢new window
6.(2021)。Lim Lung-yin: Ohong Village。  new window
圖書論文
1.Lim, Song Hwee(2013)。Taiwan New Cinema: Small Nation with Soft Power。The Oxford Handbook of Chinese Cinemas。Oxford University Press。  new window
2.Rawnsley, Ming-yeh T.(2009)。Observational Realism in New Taiwan Cinema。Realism and the Audiovisual Media。Palgrave Macmillan。  new window
3.Berry, Chris(2007)。Haunted Realism: Postcoloniality and the Cinema of Chang Tso-chi。Cinema Taiwan: Politics, Popularity, and States of the Arts。Routledge。  new window
4.林文淇(2014)。「醚味」與侯孝賢電影詩學。戲夢時光:侯孝賢電影的城市、歷史、美學。國家電影中心。  延伸查詢new window
5.孫松榮(20150000)。臺灣電影的寫實新景框:侯孝賢與蔡明亮的銀幕脈動。新空間.新主體:華語電影研究的當代視野。臺中:國立中興大學。new window  延伸查詢new window
6.裴開瑞(20210000)。愛情何處尋?《愛情萬歲》中的誇張寫實主義與縱情。蔡明亮的十三張臉:華語電影研究的當代面孔。新竹:國立交通大學出版社。new window  延伸查詢new window
7.Lin, Ting-ying(2019)。Charting the Transnational within the National: The Case of Contemporary Taiwan Popular Cinema。Positioning Taiwan in a Global Context: Being and Becoming。Routledge。  new window
 
 
 
 
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