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題名:臺灣電影的寫實新景框:侯孝賢與蔡明亮的銀幕脈動
作者:孫松榮 引用關係
書刊名:新空間.新主體:華語電影研究的當代視野
頁次:281-308
出版日期:2015
出版項:臺中:國立中興大學
主題關鍵詞:臺灣電影侯孝賢蔡明亮
學門:藝術學
資料類型:專書論文
相關次數:
  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:0
  • 點閱點閱:12
期刊論文
1.Parente, André、de Carvalho, Victa(2008)。Cinema as Dispositif: Between Cinema and Contemporary Art。CiNéMAS,19(1),37-55。  new window
2.Wood, Chris(2007)。Realism, intertextuality and Humour in Tsai Ming-liang's Goodbye, Dragon Inn。Journal of Chinese Cinemas,1(2),105-116。  new window
3.Royoux, Jean-Christophe(2000)。Cinéma d'exposition: L'espacement de la durée。Art Press,262,36-41。  new window
4.O'Neill, Dan Cuong、林郁庭(2008)。電影遊弋:《不散》與台灣電影之陌異移動身體。電影欣賞學刊,134,128-139。new window  延伸查詢new window
5.Nardelli, Matilde(2010)。Moving Pictures: Cinema and Its Obsolescence in Contemporary Art。Journal of Visual Culture,8(3),243-264。  new window
6.Chan, Kenneth(2007)。Goodbye, Dragon Inn: Tsai Ming-liang's Political Aesthetics of Nostalgia Place, and Lingering。Journal of Chinese Cinemas,1(2),89-103。  new window
圖書
1.Bordwell, David(2005)。Figures Traced in Light: On Cinematic Staging。University of California Press。  new window
2.Rancière, Jacques.(2008)。Le Spectateur émancipé。Paris:La fabrique。  new window
3.卓伯棠(2009)。侯孝賢電影講座。桂林:廣西師範大學出版社。  延伸查詢new window
4.白睿文(2014)。煮海時光:侯孝賢的光影記憶。台北:印刻。  延伸查詢new window
5.Udden, James(2009)。No Man an Island: The Cinema of Hou Hsiao-hsien。Hong Kong:Hong Kong University Press。  new window
6.Yek, Emilie Yueh-yu、Davis, Darrell William(2005)。Taiwan Film Directors: A Treasure Island。New York:Columbia University Press。  new window
7.Stam, Robert、Burgoyne, Robert、Flitterman-Lewis, Sandy、張梨美(1997)。電影符號學的新語彙。遠流出版事業股份有限公司。  延伸查詢new window
8.Elsaesser, Thomas、Hagener, Malte(2010)。Film Theory: An Introduction Through the Senses。Routledge。  new window
9.Bazin, André(1989)。Jean Renoir。Paris:G. Lebovici。  new window
10.Bazin, André(1987)。Qu'est-ce que le cinémal。Paris:Cerf。  new window
11.Gaudreault, André(1988)。Du littéraire au filmique: Système du récit。Paris:Klincksieck Press。  new window
12.Ma, Jean(2010)。Melancholy Drift: Making Time in Chinese Cinema。Hong Kong:Hong Kong University Press。  new window
13.Wollen, Peter(1998)。Signs and Meaning in the Cinema。London:BFI。  new window
其他
1.黃春明(1985)。兒子的大玩偶,台北:皇冠文學。  延伸查詢new window
圖書論文
1.劉森堯(1988)。風櫃來的人--電影的寫實主義。台灣新電影。台北:時報。  延伸查詢new window
2.Rawnsley, Ming-yeh T.(2009)。Observational Realism in New Taiwan Cinema。Realism and the Audiovisual Media。Palgrave Macmillan。  new window
3.Bellour, Raymond(2003)。Le cinéma, seul/multiples cinéma。Le septième art: Le cinéma parmi les arts。Paris:Léo Scheer。  new window
4.Altman, Charles F.(1985)。Psychoanalysis and Cinema: The Imaginary Discourse。Movies and Methods: An Anthology。Berkeley, California:University of California。  new window
5.Guest, Haden(2005)。Reflections On the Screen: Hou Hsiao-hsien's Dust In the Wind and the Rhythms of the Taiwan New Cinema。Island On the Edge: Taiwan New Cinema and After。HK:Hong Kong University Press。  new window
6.Zhang, Ying-jin(2010)。Chinese Cinema and Transnational Film Studies。World Cinemas, Transnational Perspectives。Routledge Press。  new window
7.Frodon, Jean-Michel、林志明(2000)。在鳳山的芒果樹上,感覺身處的時間和空間。侯孝賢。台北:國家電影資料館。  延伸查詢new window
8.Royoux, Jean-Christophe(2006)。重拍電影。龐畢度中心新媒體藝術1965-2005。臺北:臺北市立美術館,典藏藝術家庭。  延伸查詢new window
9.Parfait, Françoise(2006)。典藏裝置作品。龐畢度中心新媒體藝術1965-2005。臺北:臺北市立美術館‧典藏藝術家庭。  延伸查詢new window
10.廖炳惠(1988)。既聾又啞的攝影師。新電影之死:從〈一切明天〉到〈悲情城市〉。台北:唐山。  延伸查詢new window
11.Doane, Mary Ann(2009)。Scale and the Negotiation of 'Real' and 'Unreal' Space in the Cinema。Realism and the Audiovisual Media。Palgrave Macmillan P。new window  new window
12.Haddon, Rosemary(2005)。Hou Hsiao-hsien's City of Sadness: History and the Dialogic Female Voice。Island On the Edge: Taiwan New Cinema and After。Hong Kong:Hong Kong University Press。  new window
13.Udden, James(2007)。This Times He Moves!: The Deeper Significance of Hou Hsiao-hsien's Radical Break in Good Men, Good Women。Cinema Taiwan: Politics, Popularity and State of the Arts。Routledge P。  new window
 
 
 
 
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