本文主要探討清代陳端生之彈詞作品《再生緣》之藝術技巧與相關意涵。無論就作品本身之情節安排或作者之背景而言，《再生緣》皆有其特殊性，是以本文擬藉由分析作品中之若干書寫特徵與相關之內容，並配合作者個人之背景加以探討，以期對此一彈詞巨製有所創新理解。

　　　　　This article is written to analyze/critique the technique and meanings of the Tsai Seng Yuan, the "Tan-ts"work of Ch'en Tuan-seng in the Ch'in dynasty. In the Tsai Seng Yuan, there are contacts and mutual relationships between the contents of the work and the backgrounds of the author. Counter to her circumstances, Ch'en emphasized the thought that women could have a great success and can establishe the world which fits their own dreams and admires. Hence, my argument will contain two aspects: the writing features of the Tsai Seng Yuan and further recognition about the Ch'en's masterpiece.