This paper is concerned mainly with the story of the beauty of Xi Shi (西施) as well as those of other beuties like Diao Chan (貂蟬), Madome Sun (孫夫人),Zhao Pan Er (趙盼兒) and Tan Ji Er (譚記兒). The significant meanings of the content of the beauty snare have been researched from three different perspeclives: (1) the metaphor and taboo of the beauty snare,(2)the harration and rhetoric of the beauty snare, and (3) the gender politics of the beauty snare. The results of this research have been drawn as follows: (1) the beauty snare is a metaphor for "female evil",along with the taboo of its own that the beauty would cauce calamities for her nation so the womer were not allowed to interfere in politics, (2) with the rhedoric strategy of 'beaulification' and 'purification', the beauty had been maintaired perfect in the snare as both her beauty and accomplishmenls, loyal and contributive as to her national identity, and in particular, the beauty had been trained with the capability to topple the enemy, (3) women have been symbolized as 'exchange' in the beauty snare where the gender relations of men-women-men had been revealed with the women being the tool of politics and obedient to the order of the patriarchate society, (4) Among all the beauties, only the two Zhao Pan Er (趙盼兒) and Tan Ji Er (譚記兒), accorcling to Guan Han Qing (關漢卿), one of the renowned dramatists in china, were described as having the personal sovereignity to break the and the plot of the beauty snare.