Getting It on Film: Representing and Understanding History in A City of Sandess_

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題名：	Getting It on Film: Representing and Understanding History in A City of Sandess
書刊名：	Tamkang Review
作者：	Chi, Robert
出版日期：	1999
卷期：	29:4
頁次：	頁47-84
主題關鍵詞：	A City of Sadness；Trauma；Memory；Hou Hsiao-hsien；Cinema；悲情城市；侯孝賢；二二八事件；電影
原始連結：	連回原系統網址
相關次數：	被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0) 排除自我引用:0 共同引用:0 點閱:41

　　　　　A City of Sadness [Beiqing chengshi, dir. Hou Hsiao-hsien, 1989] marks a turning point in contemporary Taiwanese history. It was the target of various attacks based on the ambiguity of its political intentions. The politicized debates surrounding the film often interpret it too quickly in terms of nationalistic discourse. As a result, details of the film's representational strategies are often overlooked, along with significant formal links to other literary and, cinematic texts addressing similar themes. Specifically, the film itself problematizes temporality, narration, affect, and communication in ways that suggest a psychoanalytic theory of history-as-trauma. But the paradoxical status of contemporary trauma discourse itself further suggests that the very notion of a national history is a negative relation in the present rather than a positive content rooted in the past. In other words, the strategic "failure" of A City of Sadness to represent what it was expected to represent holds open an alternative space of public discourse, a space which self-consciously questions both political resistance and communal affect. Therefore, the film occupies a crucial position in the genealogy of "Taiwanese identity."

以文找文

期刊論文
1.	Chen, Kuan-hsing(1996)。Not Yet the Postcolonial Era: The (Super) NationState and Trans nationalism of Cultural Studies: Response to Ang and Stratton。Cultural Studies，10(1)，37-70。
2.	Chen, Ruxiu(1996)。History and Memory: From Good Men, Good Women to Super Citizen Ko。Chinese-Foreign Literature，25(5)，47-57。
3.	Chiao, Peggy(1995)。Great Changes in a Vast Ocean: Neither Tragedy Nor Joy。Performing Arts Journal，17(2/3)，43-54。
4.	Chow, Rey(1996)。We Endure, Therefore We Are: Survival, Governance, and Zhang Yimou's To Live。South Atlantic Quarterly，95(4)，1039-1064。
5.	(1989)。A City of Sadness and the February 28 Incident。Contemporary，43，111-130。
6.	Hansen, Miriam Bratu(1996)。Schindler's List Is Not Shoah: The Second Commandment, Popular Modernism, and Public Memory。Critical Inquiry，22(2)，292-312。
7.	Hoare, Stephanie(1993)。Innovation Through Adaptation: The Use of Literature in New Taiwan Film and Its Consequences。Modern Chinese Literature，7(2)，33-58。
8.	Lin, Wenqi(1995)。‘Return', ‘Motherland' and the February 28 Incident。Contemporary，106，94-109。
9.	Yeh, Yueh-yu(1994)。Can Women Really Not Enter History?。Contemporary，101，64-85。
10.	Liao, Ping-hui(1993)。Rewriting Taiwanese National History: The February 28 Incident as Spectacle。Public Culture，5(2)，281-296。

學位論文
1.	Braester, Yomi(1997)。Writing Terror: Crises of Historical Testimony in Twentieth-Century Chinese Literature and Film(博士論文)。Yale University。
2.	Li, Chen-ya(1996)。The Indelible Dye: State, Citizenry, and the Aesthetic(博士論文)。State U of New York at Stony Brook。
3.	Niu, Greta Ai-yu(1998)。People of the Pagus: Orientalized Bodies and Migration in an Asian Pacific Rim(博士論文)。Duke U。

圖書
1.	Dissanayake, Wimal(1993)。Melodrama and Asian Cinema。Cambridge：Cambridge UP。
2.	Bordwell, David(1993)。The Cinema of Eisenstein。Cambridge, Mass：Harvard University Press。
3.	Mo, Yan、Goldblatt, Howard(1993)。Red Sorghum。New York：Penguin Group。
4.	Foster, Hal(1996)。The Return of the real。Cambridge, MA：The MIT Press。
5.	Lacan, Jacques-Marie-Émile、Miller, Jacques-Alain、Sheridan, Alan(1978)。The Four Fundamental Concepts of Psycho-Analysis。New York：Norton。
6.	Brooks, Peter(1976)。The Melodramatic Imagination。New Haven：Yale UP。
7.	Caruth, Cathy(1996)。Unclaimed Experience。Baltimore：Johns Hopkins UP。
8.	Chen, Ruxiu(1995)。The Empire of Cinema。Taipei：Wanjia。
9.	Chen, Yingzhen(1988)。Bellflowers。Taipei：Renjian。
10.	Gledhill, Christine(1987)。Home Is Where the Heart Is: Studies in Melodrama and the Women's Film。London：BFI。
11.	Jameson, Fredric(1981)。The Political Unconscious。Ithaca：Cornell UP。
12.	Landy, Marcia(1991)。Imitations of Life: A Reader on Film and Television Melodrama。Detroit：Wayne State UP。
13.	Mi, Zou、Liang, Xinhua(1991)。The Death of the New Cinema。Taipei：Tangshan。
14.	Mo, Yan(1988)。Red Sorghum Family。Taipei：Hongfan。
15.	Sun, Hua(1994)。Lifetimes。Taipei：Hanguang。
16.	Wu, Nianzhen、Zhu, Tianwen(1989)。A City of Sadness。Taipei：San san。
17.	Yu, Hua(1994)。To Live。Taipei：Maitian。
18.	Zhu, Tianwen(1995)。Good Men, Good Women。Taipei：Maitian。
19.	Copjec, Joan(1994)。Read My Desire: Lacan against the Historicists。MIT Press。
20.	Caruth, Cathy(1995)。Trauma: Explorations in Memory。Baltimore：Johns Hopkins University Press。
21.	Fuss, Diana(1995)。Identification Papers。Routledge。
22.	Anderson, Benedict(1991)。Imagined Communities。Verso。

其他
1.	Nomes, Abe Mark，Yeh, Yueh-yu。A City of Sadness，http://cinemaspace.berkeley.edu/Papers/CityOfSadness/table.html。

圖書論文
1.	Ricoeur, Paul(1981)。Appropriation。Hermeneutics and the Human Sciences: Essays on Language, Action and Interpretation。Cambridge University Press。
2.	Van der Kolk, B. A.、van der Hart, Onno(1995)。The Intrusive Past: the Flexibility of Memory and the Engraving of Trauma。Trauma: Explorations in Memory。Johns Hopkins UP。
3.	Kaplan, E. A.(1993)。Melodrama/Subjectivity/Ideology: Western Melodrama Theories and Their Relevance to Recent Chinese Cinema。Melodrama and Asian Cinema。Cambridge：Cambridge UP。
4.	Barthes, Roland(1989)。The Reality Effect。The Rustle of Language。Berkeley：University of California Press。
5.	Bazin, Andre(1967)。The Evolution of the Language of Cinema。What Is Cinema?。
6.	Bazin, Andre。Theater and Cinema。What Is Cinema?。
7.	Benjamin, Walter(1968)。Theses on the Philosophy of History。Illuminations。New York：Schocken。
8.	Bhabha, Homi K.(1994)。DissemiNation: Time, Narrative, and the Margins of the Modem Nation。The Location of Culture。London：New York：Routledge。
9.	Caruth, Cathy。An Interview with Robert Jay Lifton。Trauma。
10.	Chi, Yanqi。Film, History, and Politics。The Death of the New Cinema。
11.	Freud, Sigmund(1961)。Negation。The Standard Edition of the Complete Psychological Works of Sigmund Freud。London：Hogarth。
12.	Lanzmann, Claude。The Obscenity of Understanding: An Evening with Claude Lanzmann。Trauma。
13.	Laub, Dori。Truth and Testimony: The Process and the Struggle。Trauma。
14.	Liao, Ping-hui。The Deaf and Mute Photographer。The Death of the New Cinema。
15.	Liao, Ping-hui。The Renunciation of History?。The Death of the New Cinema。
16.	Lu, Kuang。A Digressive Movie?。The Death of the New Cinema。
17.	Mi, Zou。The Fog Around A City of Sadness。The Death of the New Cinema。
18.	Mi, Zou。Women Can't Enter History?。The Death of the New Cinema。
19.	Rothman, William。The Goddess: Reflections on Melodrama East and West。Melodrama and Asian Cinema。
20.	Wang, Yuejin。Melodrama as Historical Understanding: The Making and the Unmaking of Communist History。Melodrama and Asian Cinema。
21.	Yip, June(1997)。Constructing a Nation: Taiwanese History and the Films of Hou Hsiao-hsien。Transnational Chinese Cinemas。Honolulu：U of Hawaii P。
22.	Derrida, Jacques(1988)。Signature Event Context。Limited Inc。Evanston：Northwestern UP。
23.	Felman, Shoshana。Education and Crisis, or the Vicissitudes of Teaching。Trauma。

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