圖書| 1. | John Caughie(1981)。Theories of Authorship: A Reader。London：Routledge：Kegan Paul in association with the British Film Institute。   |
| 2. | 朱天文(1995)。好男好女。Taipei：Maitian chubanshe。 延伸查詢 |
| 3. | Thomas Elsaesser(1996)。Fassbinder’s Germany: History, Identity, Subject。Amsterdam：Amsterdam University Press。 |
| 4. | John Hill(2011)。Ken Loach: The Politics of Film and Television。London：British Film Institute。 |
| 5. | Bordwell, David(2005)。Figures Traced in Light: On Cinematic Staging。University of California Press。 |
| 6. | 朱天文(200802)。最好的時光。臺北：INK印刻。 延伸查詢 |
| 7. | Udden, James(2009)。No Man an Island: The Cinema of Hou Hsiao-hsien。Hong Kong：Hong Kong University Press。 |
| 8. | Yek, Emilie Yueh-yu、Davis, Darrell William(2005)。Taiwan Film Directors: A Treasure Island。New York：Columbia University Press。 |
| 9. | Yip, June Chun(2004)。Envisioning Taiwan: Fiction, Cinema, and the Nation in the Cultural Imaginary。Durham, North Carolina：Duke University Press。 |
| 10. | Burch, Noel(1979)。To the Distant Observer: Form and Meaning in the Japanese Cinema。Berkeley：University of California Press。 |
| 11. | Stam, Robert(2000)。Film Theory: An Introduction。New York：Baker and Taylor Books。 |
| 12. | 迷失、梁新華(1991)。新電影之死。臺北：唐山出版社。 延伸查詢 |